MAD MACKEREL’S TOP TRACKS OF 2013: 75 – 51

MM's Favourite Tracks Of 2013: 75 - 51

The countdown of our one hundred favourite tracks of 2013 continues…today we reach halfway as we bring you 75 down to 51.

75 GRMLN – Summer Days
Thrashy, catchy, singalong rock’n’roll with platform shoes and ridiculous flares.

Download GRMLN – Summer Days mp3

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74 Sisters – Clearhead
Here are my shoes. See how I gaze at them. It says 2013 on the label, but I’ve gone back to the early 90s. Lovely. (Mrs M)

 

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73 Courtney Barnett – History Eraser
Deadpan, conversational, charming, funny, literal and literate – a drunken night’s tale told with an upbeat lo-fi jangle and amiable vocal delivery.

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72 Pickwick – Lady Luck
Gorgeous cover of the Richard Swift tune, and featuring Sharon Van Etten.


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71 Holograms – A Blaze On The Hillside
Most thrilling riff of the year?

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70 Willie Nile – American Ride
The best roadtrip song we’ve heard in many a moon, impassioned and infectious.

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69 Cerny Brothers – Whiskey
Moonshine Americana straight from the back porch.

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68 Mickey Gloss – Are You Happy
Wry social commentary meets punk DIY and garage psychedelia in a distillation of antipodean sun and London melancholia.

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67 Nick Cave – Wide Lovely Eyes
Oh clever, clever Nicholas Cave and his voice so hypnotic, deep and dark. You could imagine this as part of a recruitment drive to join a cult (yes you, with your wide lovely eyes). With a teasing yet subdued musical arrangement, this is the gospel according to St Nick. (Mrs M)

 

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66 Barbarossa – The Load
A sparse and delicate ballad, undercut by a distorted organ refrain, and constructed around remarkable and tender vocals.

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65 The Orwells – Who Needs Who
Roaring drums and aggressive, snapping vocals gave us the most thrilling garage punk single of the year.

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64 Fuzz – Sleigh Ride
Heaviest riff of the year?

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63 Cass McCombs – Big Wheel
Hypnotic, rumbling, country-dirt travelogue.

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62 Arcade Fire – Reflektor
We are right in the mix here: a bit of dance therapy needed. Remember the hypnotic triangle of cooker/fridge/sink? Throw some shapes, make a curry, go knock yourself out; I didn’t want to dance, but they made me. (Mrs M)

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61 Chelsea Light Moving – Lip
Hardcore anthem of the year.

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60 The Cave Singers – Canopy
Sun-drenched, mellow indie folk opener from their Naomi album.

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59 Coma Cinema – Virgin Veins
Spare and haunting. Talking of quiet suffering, loneliness, ugliness and confusion, “The heart is a monument / to a childhood of abuse.

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58 Dune Rats – Stoner Pop
In a parallel world somewhere, this was the smash hit of the summer.

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57 Wooden Wand & The World War IV – I Hate The Nightlife
On Wooden Wand’s wrist is a tattoo: WWNYD – What Would Neil Young Do? Our guess? Buy this record. Epic, taut, tense, and full of the fiery guitar so beloved of NY.

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56 The Head & The Heart – Shake
The bass drum kicks this one into action, a little bit of clapping and then, hello, the rest of the band follows. There’s a sweet change of tempo for the chorus: ‘And the memories we made will never be lost, no.’ Maybe not, but watch out for that prevailing wind. (Mrs M)

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55 Half Moon Run – Full Circle
A captivating blend of exquisite guitar lines and delicate folk melodies.

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54 Quiet American – Wild Bill Jones
Old time folk for modern times, Quiet American bring new light to the many faceted tale of all-American bad boy Wild Bill Jones.

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53 Gaz Coombes Presents – One Of These Days
Heartfelt, beautiful melancholia set to a piano and strings and a pulsing bass line.

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52 Blitzen Trapper – Feel The Chill
That old wreck of a shack buried in evergreen and murky darkness at the bend in the road up on Jackson Hill where we used to drink and never failed to give me a chill driving by in the old Impala for it’s implacable mystery.” That’s where Feel the Chill takes place.

 

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51 Scott & Charlene’s Wedding – Gammy Leg
I underestimated this offering from Australia’s finest when I first listened to it. Essentially a tale of the immense bad luck befalling the protagonist and his ‘gammy leg’ it’s easy to dismiss. That would be a mistake. The wonderful deadpan, matter of fact delivery is laced with some brilliant throwaway lines and the black humour never wavers for a second. (CP)

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