Posts Tagged ‘FEWS’

FEWS – More Than Ever

Posted: January 29, 2019 in Alternative, Indie, Music, Post Punk, Rock
Tags:

Over the past couple of years, the nihilistic, bleakly brilliant post-punk of FEWS has firmly established the Swedish quartet as big time faves at MM, and that reputation is only going to be further enhanced by the latest track from upcoming Into Red.

More Than Ever takes their propulsive menace and aligns it once more to themes of estrangement and alienation. It is a song about apathy and pointlessness, and is a brilliant, unrelenting anthem for the disenfranchised and comes with an appropriately disconnected video!

Watch / stream it below and you can pre-order the album here.

 

 

Advertisements

And here, finally, are MM’s own choices for favourite tunes of 2018.

Happy New Year one and all…

 

10 Frog – American
Just love the weary, resigned vocals, the profanity, the irresistible guitar jangle, the gradual build and swell into a furiously strummed coda – it sounds like Americana for the unhinged, which is exactly and precisely why we love it so much.

 

9 Gretchen Peters – Wichita
I have a thing for a southern country drawl and for murder ballads too. On Wichita you get both as Gretchen Peter’s narrates a tale of revenge for a twelve year old girl desperate to protect her sister from what has already happened to her. It’s unflinching and its strong, and its delivered with a gorgeous mix of country twang and smoky, defiant vocals.

 

8 Stick In The Wheel – Over Again
Handclaps, a sing-along chorus, looping guitars and a relentless driving rhythm. Over Again is a modern, follow-no-rules, classic of traditional folk storytelling that evokes bearded men and women in muesli knit jumpers stomping hobnailed boots onto a wooden pub floor and roaring along – all in a very, very good way. Takes a stick of dynamite and rams it up the haemorrhoid ridden arse end of over precious, finger in the ear folkies and deposits rectal shrapnel far and wide.

 

7 Oh Sees – Nail House Needle Boys
What else can I add that Dr. Roddy and Chris T Popper haven’t already said. Overall the worthy song of the year for MM and I’ll stick with my original description: a deliriously scorched excursion around the outer limits of prog-rock and glam, sucking in great gulps of Can, Deep Purple and King Crimson and exhaling them as little more than smoke and ash, drifting down on to the still twitching corpse of psychedelic rock.

 

6 Silverbacks – Dunkirk
Our second favourite Irish band discovery of the year. Dunkirk has one of those insistent, needling guitar melodies that we can never resist. Throw in some laconic, half-spoken vocals and some hypnotic percussion and we’re like a kitten that has just discovered catnip. Thirty seconds in we’ve rolled over and exposed our tummy for a little stroke – it’s that damn good.

 

5 Parquet Courts – Tenderness
I’ve loved following the evolution of Parquet Courts, from scrappy speed-punk to twitchy art-rock and even drawing in elements of rap and dance. Tenderness feels like the culmination of the journey so far – a toe-tappingly catchy slice of upbeat indie-punk built on an irresistible choppy guitar and buoyant piano that, like all the very best songs, seems both simple and effortless when it is far from either!

 

4 Drenge – Bonfire Of The City Boys
Until now Drenge had always seemed to me to be one of those noise-punk duos that seemed to be following rather than leading, just lacking some tiny spark that would properly set them apart from the crowd. Well this is it – Bonfire of the City Boys takes the Big Black template and runs it through a Future of the Left filter to provide a brilliantly menacing and oppressively constant slab of noise punk that is exactly as incendiary as its title suggests.

 

3 FEWS – Business Man
FEWS
are a criminally underrated band. Thankfully they seem to take a healthy dose of resentment and cynicism and channel it into some of the most furious, blistering psych-punk noise that you could ever hope to hear. While other, lesser, bands hog the limelight, FEWS are chipping away at the foundations, creating their own blend of caustic sonic mayhem that in another, better, world sees them headlining Jools Hollands’ fucking Hootenanny and turning all the B and C list celebrities into blubbering cry babies. Business Man is the song that would do it. Just unstoppable: pulsating, discordant, spastic, and violent. Happy New Year!

 

2 Dr. Dog – Listening In
No one does this kind of pastoral, psych-infused Americana as well as Dr. Dog. For years they’ve been cranking out classics with little fanfare and this is just the latest. From the opening verse, we’re on a slightly surreal, kaleidoscopic journey that feels like it would be perfectly at home in Gene Wilder’s Willy Wonka world, floating downstream on a chocolate river in a haze of twinkling lights and swirling vanilla flavoured fog, “I can hear the animals talking, I can hear the animals talking, But they ain’t talking to me, Are they talking to you? No, they ain’t talking to me, Who they talking to?

 

1 Fontaines DC – Chequeless Reckless
Let’s be honest 2018 was shit from a global perspective. From the vacuous lies of Trump to the frothing, swivel-eyed racists of our own political right who are hellbent on “taking the UK back” (from whom exactly?) into their halcyon vision of casual racism and colonial fuckwittery. Thank God then for small mercies like Fontaines DC – our favourite discovery of the year – who released two singles of unrivalled brilliance to announce themselves to MM. Chequeless Reckless is the song that summed up all our frustrations and misery of the year in a howling, visceral protest that at least gave us something to thump the steering wheel too as we careered through a year of driving to bloody Peterborough every week.

“An idiot is someone who lets their education do all of the thinking
A phony is someone who demands respect for the principles they effect”

Nothing phony about these boys. Song of the year. Fact.

 

Check out Dr. Roddy’s choices here and Chris T Popper’s here.

So here we have it – the top of the pile! Our favourite songs of 2018.

25 Ought – Disgraced In America

 

Way back in January, Montreal based quartet Ought kicked off 2018 with the bright guitar sound and ultimately noisy percussion and spaced-out synths of Disgraced in America. It was a fine start.

 

24 Spiritualized – I’m Your Man

 

I’m Your Man was the brilliant lead single from Spiritualized’s new album And Nothing Hurt. It wraps layer upon layer of gloriously transcendent sound together to create something utterly mesmerising and cinematic, and with a towering guitar solo – where the waves of blissful noise are almost overwhelming.

 

23 Jon Spencer – Hornet

 

Jon Spencer can be relied upon to deliver a sleazy, bone-shaking excursion into the underbelly of classic blues and with Hornet he delivers in spades – growling, primitive and with a suitably buzzing guitar figure.

 

22 Fat Earthers – Letter Bomb

 

We love the Isle of Wight and now we love it even more because it is home to the insane noise of the Fat Earthers whose punked-up garage rock didn’t so much explode out of our speakers, as leave them gibbering in twisted shards of plastic and cable in the corner. There is always one song that gatecrashes our favourites at the end of the year and Letter Bomb is it.  I hope they’re from Ventnor!

 

21 Western Scene – Strange but True

 

A chugging, exhilarating earworm of a song that recalls something of the best of Lord Huron or Wilco, with its irresistible melody and immediate emotional energy.

 

20 American Pets – Bad Dream

 

Sublime, sweetly melodic indie rock. The kind so many bands try to do, and so many fail to achieve. It is impossible not to be carried away on the rise and fall of the harmonies and Bad Dream’s gentle swell of mildly psychedelic beauty.

 

19 Ron Gallo – Always Elsewhere

 

Ron Gallo seems to be one of those absurdly hyperactive songwriters, flitting from one genre to another as though on a never ending quest for musical nectar. That he does it so well seems equally absurd as he rolls out gem after gem in a prolific manner. Always Elsewhere is garage rock, psych-pop, new wave, glam and 70s NY punk. It is jerky, obsessive and compelling and held together by his anxious, exasperated vocals.

 

18 FEWS – Businessman

 

Just unstoppable, pulverising noisy psych built on the most pulsating riff imaginable.

 

17 The Twilight Sad – I/m Not Here (Missing Face)

 

After too long an absence Twilight Sad returned with I/m Not Here (Missing Face) which was a driving, motorik anthem, with wailing guitars and swirling synths circling around frontman James Graham’s repeated declarations of “I don’t want to be around you anymore.” Graham describes the track’s lyrical basis as being “about my ongoing battle with not liking myself, trying to be a good person but constantly feeling like I’m failing myself and everyone I care about.

 

16 Young Fathers – In My View

 

As much spoken as sung, In My View is a fractured, down-tempo track set atop skittering percussion and synths.

 

15 Superorganism – Everybody Wants To Be Famous

 

Like a mutated cross between Uptown Top Ranking and some long-forgotten video game, Everybody Wants To Be Famous manages to take its wonderfully kaleidoscopic groove to a whole new level of infectious electro-pop flourescence.

 

14 Dr. Dog – Listening In

 

On their brilliantly assured new album Critical Equation, Dr. Dog barely put a single foot wrong, and an absolute standout for us was Listening In. Another exceptional example of their warm, psych-infused Americana, carried along on metronomic percussion and a typically plaintive and questioning vocal.

 

13 Phosphorescent – Christmas Down Under

 

The introspective smoulder and slow burn of Christmas Down Under is a pedal-steel led tale of surreal Americana. One for the sunset and the open road…

 

12 Katie Toupin – Danger

 

After a long stint with Houndmouth, Katie Toupin’s first foray into solo territory resulted in the bluesy rock of her debut EP Moroccan Ballroom. The raw, haunting beauty of Danger mixes heartbreak with a smattering of grit and her always stunning vocals to create something very special indeed.

 

11 Fontaines DC – Chequeless Reckless

 

Our third and final entry from Fontaines DC – back in February we said we were pretty sure Chequeless Reckless would end up in our best of the year lists and so it proves. Channelling past masters like the Modern Lovers, The Fall and Iggy Pop, as well as contemporaries like Idles and Shame, Chequeless Reckless is built on a driving, hypnotic, kraut-rock infused cyclical riff, and some scalpel sharp lyrics.

A sellout is someone who becomes a hypocrite in the name of money,
An idiot is someone who lets their education do all of the thinking
A phony is someone who demands respect for the principles they affect
A dilettante is someone who can’t tell the difference between fashion and style

 

10 Dave Alvin & Jimmie Dale Gilmore – Billy The Kid And Geronimo

 

In the rich vein of classic country like Pancho and Lefty, the fantastical Billy The Kid and Geronimo – about an imagined meeting between the two 19th century outlaws whose lives became the stuff of legend in the American West has Gilmore, who is part Native American, voicing the thoughts Alvin wrote for Geronimo, the Chiricahua Apache chief who was one of the last Native American leaders to abandon his resistance against white colonisation of the American Southwest.

 

9 Decemberists – Severed

 

Channelling their inner New Order and 80’s electronic new wave, the Decemberists delivered another left-turn in their long career with I’ll Be Your Girl. Chief among them was Severed, all fuzzy synths, rolling bass and an unrelenting guitar riff. The juxtaposition of shiny, shimmering melody and bleak lyrics was just the icing on the cake.

 

8 Cold Soda – Anna May

 

Cold Soda is a Cave Singers side project, and Anna May is brilliant, brooding Americana, built on a sinewy rhythmic groove and Pete Quirk’s ominous rasp.

 

7 Silverbacks – Dunkirk

 

Brilliantly delivering their own louche take on NYC-indebted rock, Dublin art-punks Silverbacks’ single Dunkirk is underpinned by an insistent, nagging bassline and creepy crawly guitar lines, it provides the ideal vehicle for frontman Daniel O’Kelly’s stream of consciousness ramblings about martial strife, the perfect sandcastle and spotting a con artist when he sees one. The track lurches forth, pressure building from the undulating backbeat and layers of skronking guitars accenting Daniel’s increasingly frazzled yelps before finally collapsing into a sugar sweet coda.

 

6 Rod Picott – Coal

 

Coal is a tough track. A hard-driving, unflinching snapshot of an industry’s decline. It is a world of darkness, small enclosed spaces, rusted machines and steel tied boots. It is simple, unadorned folk storytelling at its spartan best.

 

5 Quiet Hollers – Addicted

 

Addicted is a powerful rumination on opiate addiction – Quiet Hollers frontman Shadwick Wilde has struggled with addiction since adolescence. Although he didn’t intend for it to be a “drug song” necessarily, its inception came at a time when his family was struggling with the loss of his mother’s brother, who died of a fentanyl overdose so he felt it was important to acknowledge how deeply vulnerable we all are to these things, and how serious that problem really is. The track is a perfect mix of alt-country shot through with grungy guitars and a resigned honesty shared through fittingly world weary vocals.

 

4 Dan Mangan – Peaks And Valleys

 

Dan Mangan is a restless troubadour, from the earnest straight up folk of Postcards & Daydreaming to the darkly experimental Club Meds, he has always been both an explorer and an observer. Peaks and Valleys comes from new record More or Less and is a up-tempo, easy going reflection on the simple things in life and the wisdom and understanding that comes with getting older. Sometimes the most obvious things can be the most revealing and so it is with this lovely reminder that optimism is not a bad weapon to have in these turbulent times.

 

3 Drenge – Bonfire Of The City Boys

 

It started with a bang” the opening line from Bonfire of the City Boys could almost be a prediction as a stuttering, repetitive bassline starts up and Eoin Loveless’ spoken word vocals cut in over the top before a crushing guitar riff takes centre stage. Heavier than they’ve ever been, with a sound more akin to Future of the Left, Bonfire of the City Boys is four minutes of joyously ferocious hardcore.

 

2 Decemberists – Cutting Stone

 

Like one of their classic ornate folk fantasies turned dark, appropriately enough Cutting Stone is cut through with a synth accompaniment that brilliantly contrasts a brittle, futuristic feel to Colin Melloy’s literate and verbose tale of wayward children and dying brides.

 

1 Oh Sees – Nail House Needle Boys

 

Nail House Needle Boys – a deliriously scorched excursion around the outer limits of prog-rock and glam, sucking in great gulps of Can, Deep Purple and King Crimson and exhaling them as little more than smoke and ash, drifting down on to the still twitching corpse of psychedelic rock.

 

Check out the rest of our countdown: 100-76 here, 75-51 here and 50-26 here.

Into the top half of our favourite songs of the year. Here are tracks 50 through to 26.

50 Murder By Death – True Dark

 

Murder By Death have built a career on gothic country rockers and sun-baked desert folk, yet even after all these years they still manage to surprise and True Dark is them at their twangiest best.

 

49 Fontaines DC – Too real

 

The second entry for Fontaines DC. The band’s latest single, Too Real is another storming track of undeniable power and swagger that just begs to be played loud, and on repeat.

 

48 Frog – American

 

Stripped back, insistently sparse folk and a lyrical gem, “Yes by God I’m American, God is great he’s hilarious, What the fuck y’all staring at? Tall, dark, bald and arrogant”

 

47 Shame – Gold Hole

 

We know this isn’t strictly a new song this year but we’re claiming editorial immunity and sneaking it in anyway as it does feature on London punks Shame’s debut long player that came out at the beginning of 2018. Gold Hole is an uncomfortably close-to-the-bone story of a lecherous older man buying the affections of a young girl – it is seedy and sordid and brilliantly observed. “Sweat stains the wrinkles/Tongue touches the hole, She feels so dirty, she knows that it’s wrong, But she feels so good in Louis Vuitton.

 

46 Conor Oberst – No One Changes

 

Is there anyone else who can make melancholia sound so stunningly gorgeous? No One Changes is an introspective, sombre beauty, as elegant as it it fragile.

 

45 Oldermost – The Danger Of Belief

 

Creating era-blending Americana-infused rock & roll with a more indie rock vibe, rollicking, anthemic  single The Danger of Belief was made for a long straight highway with the windows down and the volume up.

 

44 Kurt Vile – One Trick Ponies

 

A highlight from his most recent album, One trick Ponies has all the trademark Kurt Vile ingredients: woozy guitar lines, mumbled stream-of-consciousness lyrics, sly humour and a touch of the surreal. But this is a generous, big-hearted song and the hazy sheen he coats it in just adds the prefect amount of gentle bonhomie.

 

43 Cass McCombs – Sleeping Volcanoes

 

Almost without noticing Cass McCombs has become one of our most influential and important songwriters. Sleeping Volcanoes, the thematic centrepiece of his upcoming album, is a delight of pensive, dreamlike rock, albeit anchored by a rumbling groove and his world-weary vocals.

 

42 Wing Defence – Stuck

 

Aside from the netball connotations, Aussie duo Wing Defence delivered a sublime single of indie pop with Stuck, the infectious melody is of major earworm quality, and shot through with a core of wonderfully bitter lyrics.

 

41 Sunflowers – Castle Spell

 

The pulverising riffing and chanted lyrics of Castle Spell combine into a freakbeat spectacular of psyched-out space rock – like Silver Machine on speed.

 

40 Mary Gauthier – The War After The War

 

Rifles & Rosary Beads was an album that was four years in the making, it is a collaborative record in the sense that the eleven songs were co-written with wounded veterans in the SongwritingWith: Soldiers retreats. Taken from the album, the heartbreakingly poignant and evocative The War After The War, with its gorgeous violin backdrop and insistent guitar had one of our favourite opening verses of any song we heard this year.

Who’s going to care for the ones
who care for the ones who went to war?
There’s landmines in the living room
and eggshells on the floor

 

39 Death Valley Girls – Disaster (Is What We’re After)

 

Awash with a swirling riff and Thor-like percussion, Disaster (Is What We’re After) is a churning, boiling psych-punk rocker that rides its undeniable, repetitive groove like a drunken cowboy at a rodeo.

 

38 DBUK – In San Francisco Bay

 

DBUK, a side project of Slim Cessna’s Auto Club will return early in the new year with their second album. The first single In San Francisco Bay is a southern gothic four-de-force. Hypnotic, mesmerising and menacing – think of it as the musical equivalent of a naked preacher sat in a box full of venomous snakes.

 

37 Cabbage – Arms Of Pleonexia

 

Blending social comment with mordant black humour and a keen eye for detail, Arms Of Pleonexia was a savagely frenetic addition to Cabbage’s rapidly growing collection of brilliantly observed post-punk anthems

 

36 American Wrestlers – Ignoramus

 

Described by American Wrestlers (aka songwriter Gary McClure) as “a weird little country song with hokey lo-fi strings that bent into black memories“, Ignoramus is all that and more – in fact we’d go as far as to say it is a snidely understated masterpiece.

 

35 Stick In The Wheel – Over Again

 

Over Again is classic British folk story-telling. Hurtling along on the back of an irresistible melody, it begs to be sung along to (and there’s even room for some handclaps).

 

34 Laura Gibson – Tenderness

 

Laura Gibson’s album Goners explored themes of grief and loss and a standout was the haunting and beautiful Tenderness. An intimate and somewhat pensive fable that reflects, almost dreamlike, on how we project pain and lash out, holding on to each other’s trauma and sorrow. “Certain men can smell a wound a room away, you are melancholy well, beauty only made you lonelier

 

33 FEWS – Paradiso

 

Paradiso from brilliant Anglo/US/Swedish noiseniks FEWS was yet another example of their slashing, incandescent guitars and ferocious, pummelling percussion.

 

32 Yves Tumor – Lifetime

 

We’re allowing Polly Pocket this one… a multi-faceted tune of bright, crisp synths, ethereal backing vocals and relentless, unforgiving drums that call to mind Disintegration era Cure.

 

31 Lost Brothers – Come Tomorrow

 

A gently insistent folk song complete with the duo’s trademark tender harmonies and sense of bruised heartache. It is an absolute gem of a tune.

 

30 She Makes War – Undone

 

She Makes War (aka Bristol based artist and multi-instrumentalist Laura Kidd) wrote Undone in a daze the day after her grandmother Constance died last May. The song’s monster guitars deliver palpable rage at the bad things that happen to good people, acting as an openhearted rallying cry against the British stiff upper lip brigade. “We need to give ourselves a break”, she says. “Giving ourselves time to feel devastated doesn’t make us weak.

 

29 Rolling Blackouts Coastal Fever – Bellarine

 

A brilliant debut album and a brilliant rolling track of jangling guitars and driving motorik percussion.

 

28 Interpol – The Rover

 

The Rover opens with ringing guitars and percussion taken directly from Krautrock’s halcyon heyday. It is a relentless, menacing rush of pure rock’n’roll.

 

27 Gretchen Peters – Wichita

 

Where would we be without a good murder ballad? This is classic country story-telling given a contemporary twist as Gretchen Peters brilliantly sketches a tale of a woman driven to desperate measures to protect her little sister from a predatory male.

 

26 Parquet Courts – Tenderness

 

Ever since the brilliant Stoned and Starving, Parquet Courts have shown an uncanny ability to create some of the catchiest, toe-tappers around, whilst still managing to diversify their sound into new genres and styles. Tenderness is up there with the best of them – surprisingly slinky, jaunty and knowingly insecure, “Like a junkie going cold, I need the fix of a little tenderness“. We can all relate to that.

 

Check out tracks 100-76 here, and 75-51 here.

FEWS – Paradiso

Posted: November 16, 2018 in Alternative, Music, Post Punk, Rock
Tags:

The brilliant Anglo/US/Swedish noiseniks FEWS have announced details of the follow-up to their debut album (2016’s Means) with Into Red, which will be released through Play It Again Sam on 1st March next year.

They’ve also shared the video for their excellent new track Paradiso. It is another example of their slashing, incandescent guitars and ferocious, pummelling percussion.

 

 

Catch them live next March:

26 – Green Door Store, Brighton
27 – The Lexington, London
28 – Gullivers, Manchester

No less than thirteen corking new tracks this week from the brilliant hypnotic post-punk thrum of FEWS to the infectious indie pop of Hater by way of a Ramones inspired Colleen Green, wiry art-punk from Public Practice, fuzzy urgency from Ron Gallo, raucous arena ready rock from We Were Promised Jetpacks, and sunburnt, pastoral psych from The Smoking Trees.

And lots more besides…

Do we spoil you? Course we bloody do.

  1. FEWS – Business Man
  2. J Mascis – See You At The Movies
  3. The Dodos – Forum
  4. Hater – Fall Off
  5. The Skiffle Players – Local Boy
  6. Colleen Green – I Wanna Be Ignored
  7. Menace Beach – Satellite
  8. Public Practice – Fate / Glory
  9. The Goon Sax – We Can’t Win
  10. Shannen Moser – Haircut Song
  11. Ron Gallo – Always Elsewhere
  12. We Were Promised Jetpacks – Repeating Patterns
  13. The Smoking Trees – Honestly, I Wish That I Knew

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Our favourite 200 songs of the past ten years… numbers 90 – 81.

90 Great American Canyon Band – Undertow (2016)

 

An epic of yearning Americana and cinematic, shoegazing guitars that combine to stunning effect.

 

89 Henry’s Funeral Shoe – Stranger Dig (2009)

 

Raucous mix of heavy rock and psychedelic blues. Heavy drumming – check, big riff – check – rough vocals – check. Turn up to 11…

 

88 The Felice Brothers – Cherry Licorice (2014)

 

Classic Felice Brothers. A ragged, uptempo rocker that is sure to become a guaranteed live sing-a-long as couplets like “all the lady and gents, are covered in excrement”, and “the teacher slit my wrists, for every class I missed” are destined for a roaring crowd encore.

 

87 Jamie T – Limits Lie (2014)

 

A stoned reggae rhythm and easy going vocals can’t disguise the bleakness of content, yet somehow the downcast crescendo is a triumph.

 

86 Fews – La Guardia (2017)

 

Relentless, anxious, powerful and unsettling. A few lyrics down the line – a short, unequivocal statement and then.. screams! Distant and desperate screams. Guaranteed post-punk goosebumps every time – what else would you want from a track?

 

85 Alt-J – Breezeblocks (2012)

Catchy, eclectic slice of lush folk-tronica.

 

84 Forest Fire – Fortune Teller (2008)

 

Tonight I’m gonna melt some faces / with Gatling gun social skills, oh so charming mix of weirded out country, folk and blues that delivers just over two minutes of musical perfection.

 

83 The Pines – Cry Cry Crow (2012)

 

An eerie meditation on the rural and the urban, haunting lyrics and an insistently mournful groove. Dark Americana at it’s finest.

 

82 Mummy Short Arms – Cigarette Smuggling (2011)

 

Seriously warped slice of woozy, off-kilter indie that defies description, but flat out demands your attention. Imagine Captain Beefheart fighting with Salvador Dali with a full set of musical instruments and a goodly pile of magic mushrooms…

 

81 Damien Jurado – Museum Of Flight (2012)

A big song with big meaning and a wide expansive sound that splits right open about a minute and half in. Always the moment I wish for really expensive speakers that can do its majesty justice. Sigh.

 

Each year we share MM’s contributors’ personal favourites of the year. Kicking us off is a fine selection from the Italian Job. Buon Lavoro.

20. Lød – Folder

 

19. BAIT – Push The Elephant

 

18. The Gay Blades – Hurricane Boys

 

17. Sun Abduction – Acid Pyramid

 

16. Beaches – Void

 

15. War On Drugs – Holding On (Edit)

 

14. Idles – Exeter

 

13. The Moonlandingz – Black Hanz

 

12. King Gizzard & The Lizard Wizard – Vomit Coffin

 

11. Pissed Jeans – The Bar Is Low

 

10. Deer Tick – Sea of Clouds
I love this understated and insightful all-American piece. I love the lead singer’s harsh voice against the unsophisticated arrangement and the nostalgic melody. I could not find a better tune to initiate the countdown to my best top 10 songs of the year.

 

9. Protomartyr – My Children
Once again, with this superb (and cynically accurate, I may add) contemplation on matters of ‘legacy’, Protomartyr did not disappoint! Absolute best intro of 2017 for me.

 

8. Screaming Females – Glass House
So-much-drama! Marissa Paternoster’s (great name) deep voice, the melodramatic chant-like lyrics and that bass… all coming together perfectly in a greatly anticipated mighty burst of frustration, drums and infuriated guitars. Intense!

 

7. Fresh & Onlys – Wolf Lie Down
A tune I liked instantly and that never shifted from my top 10. With its chorus ostensibly cheery but contrastingly set against a base of jarring guitars, this song is catchy and often plays on a loop in my head. I never get tired of it.

 

6. FEWS – La Guardia
Ha! What to say about this brilliant piece of work? Relentless, anxious, powerful and unsettling. It gives me goosebumps every time. A few lyrics down the line – a short, unequivocal statement and then.. screams! Distant and desperate screams. What else would you want from a track?

 

5. Big Thief – Shark Smile
After leaving their beautiful ‘Paul’ out of my top 20 last year (a decision that at times still regret), I was glad Big Thief were back delivering this sweet and emotional little piece, which immediately claimed and gained a top spot amongst my favourites of the year. I’m a sucker for emotive lyrics and forlorn tales, so no wonder this beautiful one instantly stole my little heart away.

 

4. Trevor Sensor – High Beams
Admittedly it took a while for this song to catch my attention and even then I struggled with Sensor’s voice… “nah”, I thought, “I couldn’t possibly put up with his voice, it gets on my nerves!”. Well, fast forward to now and I can’t get enough of it. I ended up falling for the desperate and mournful tinge in this piece, like a lament -beautiful and nostalgic. Definitely struck a chord.

 

3. Public Service Broadcasting – All Out
A masterpiece, politically charged and powerfully executed. The noise of the rise and fall of the coal mining Industry in Wales still reverberates today, inspiring this remarkable piece of work. Raging guitars play the perfect, striking soundtrack to the anger and unrest of a real dark hour in UK contemporary history -one not to forget.

 

2. Ha Ha Tonka – Race to the Bottom 
Race To The Bottom is a song filled with resignation – unsurprisingly… the clue is in the title. The dim, hopeless lyrics (“you’re going down, down, down, down, down”) clash with the fast, unrelenting pace. The tone is surely bleak and melancholic but glorious at the same time and this is exactly what makes this a superb tune for me.

 

1. King Gizzard & The Lizard Wizard – Sleep Drifter
Here’s to my top song! An eerie tribute to the mind happily (creepily?) drifting away somewhere between sleep and wake -”..my favourite state to be”. There’s a mildly sinister feeling to this song (and isn’t it great) lurking amidst a jovial, almost childish rhythm and harsh, distorted guitar riffs. It’s obsessive, it’s wicked and I love it.

 

 

25 The Moonlandingz – Black Hanz

 

24 FEWS – La Guardia

 

23 The Coathangers – Captain’s Dead

 

22 Cherry Glazerr – Nurse Ratched

 

21 Beaches – Void

 

20 Lo Tom – Covered Wagon

 

19 Trevor Sensor – High Beams

 

18 Mark Lanegan – Beehive

 

17 Sun Seeker – Won’t Keep Me Up At Night

 

16 Laura Marling – Don’t Pass Me By

 

15 King Gizzard & The Lizard Wizard – Vomit Coffin

 

14 Terry – Take Me To The City

 

13 The Moonlandingz – Vessels

 

12 Ha Ha Tonka – Race To The Bottom

 

11 Lød – Folder

 

10 Public Service Broadcasting – All Out

 

9 Metz – Drained Lake

 

8 Cool Ghouls – Gord’s Horse

 

7 PINS – Serve The Rich

 

6 Idles – Exeter

 

5 The Fresh & Onlys – Wolf Lie Down

 

4 King Gizzard & The Lizard Wizard – Sleep Drifter

 

3 Whispertown – Born To Ride

 

2 Cabbage – Celebration Of A Disease

 

1 BIG THIEF – SHARK SMILE

 

Best of 2017: 50 – 26

Best of 2017: 75 – 51

Best of 2017: 100 – 76

best of the weekAnother seven days have come and gone, although these felt infinitely more dangerous than any others. Hats off to Ewan McGregor at least this week!

If nothing else it means new songs from those horrified by the new leader of the free world – so to kick us off we have offerings from Suuns, Meat Wave, Father John Misty and an update on a protest song classic from Billy Bragg. Elsewhere a raw articulation of grief from Mount Eerie, and some sparkling new releases from none others than Real Estate’s Byrds-ian jangle, Promised Land Sound’s space-country, FEWS’ post-punk motorik squall, some sunny indie from Tim Darcy (of Ought), garage-grunge from Meatbodies, a brilliant slab of shoegazey beach-punk from Rolling Blackouts Coastal Fever and to round it all off a new song from power-pop-punks White Reaper.

Twelve songs – a perfect playlist to kick off the weekend.

Enjoy

  1. Suuns – Native Tongue
  2. Billy Bragg – The Times They Are A-Changing Back
  3. Meat Wave – Dogs At Night
  4. Father John Misty – Pure Comedy
  5. Meatbodies – Haunted History
  6. Real Estate – Darling
  7. Tim Darcy – Still Waking Up
  8. Promised Land Sound – By The Rain
  9. Mount Eerie – Real Death
  10. Rolling Blackouts Coastal Fever – French Press
  11. FEWS – LaGuardia
  12. White Reaper – Judy French