Posts Tagged ‘Savages’

Here is Part 2 of our countdown of our favourite songs from the past ten years…

180 Strand Of Oaks – Alex Kona (2010)

“Alex Kona was twelve feet tall, his mother got killed by a bowling ball”. What else is there?


179 Port O’Brien – My Will Is Good (2009)


Rhythmic and punchy folk-rock, but with a hook most pop songs would die for.


178 Savages – Husbands (2013)


A stealthy, thrumming motorik bassline anchors a dark post punk nightmare. As intense as they come…


177 Old NobaddaddyGun Is Coming (2016)


Swampy blues built on a stomping revivalist rhythm that leans towards the dark side. This is brooding, gospel-noir of the highest order.


176 Spray Paint Cussin’ (2014)


A relentlessly ominous, intense slab of brooding punk rock. Terrifying in a totally good way.


175 The Magnetic FieldsToo Drunk To Dream (2008)

Sober life is a prison / Shit faced it is a blessing / Sober nobody wants you / Shit faced they’re all undressing / Sober you’re old and ugly / Shit faced who needs a mirror The best drinking song of the past ten years? Probably.


174 FoxygenNo Destruction (2013)


We may have lost Lou Reed, but his spirit lives on in No Destruction, a naturally laconic pretender to his throne, and this song has the best use of “weaseled” in any song we’ve heard


173 My People Sleeping – Seahorse (2008)


A  hypnotic and sorrowful journey into dream pop with flowery psychedelic overtones and an absolute ear-worm of a chorus.


172 Real Estate – Fake Blues (2009)


A bit surf-rock, a bit pastoral psych, but really this is a gem of a twisted country tune smothered in a melancholy haze of gentle reverb.


171 Henry’s Funeral Shoe – Dog Scratched Ear (2011)


Anthemic, swaggering blues boogie at its fiery best.


170 Fontaines DC – Chequeless Reckless (2018)

Chequeless Reckless is built on a beefy,  hypnotic, kraut-rock infused cyclical riff and some scalpel sharp lyrics. Play really loud.


169 Ezra Furman – Restless Year (2015)


A wonderful slab of feelgood indie rock, doo-wop refrains and bristling, unrestrained energy.


168 Blessed Feathers – Real Song For Emily (2013)


Stunning folk song with fierce harmonies and a tense, urgent feel. Despite being only two and a half minutes long, the song’s plaintive coda has a bitter air of finality. “Nowhere to look at that horizon, I can’t help, but feel nothing”


167 together PANGEA – Money On It (2017)


Borrows some surf-rock vibes and not a little guitar jangle to fashion a strutting, intense rocker.


166 William Elliott Whitmore – Old Devils (2009)


Foot-tapping, frenzied social commentary, with a strangely prophetic feel


165 The Obits – Two Headed Coin (2009)


Simply wonderful sleazy, rockabilly rumble. Should lurk in the shadows with a greasy quiff and a flick-knife.


164 Vic Chesnutt – Little Fucker (2008)

No one does vindictive, savage, and just plain nasty with such confidence and certainty. Bullseye.


163 The Walkmen – Heartbreaker (2012)


An initial riff wound so tight it might snap morphs into a mid-tempo jangle of light-touch guitars and jubilant percussion.


162 Edward Sharpe & The Magnetic Zeros – Janglin (2009)


A horn-driven, totally infectious tune that is utterly without peer for indie-pop charm.


 161 Houndmouth – Penitentiary (2013)


Lyrically and vocally perfect, Houndmouth’s debut single is a classic down-on-my-luck tale matched to a rootsy persuasive groove. Nigh on perfect Americana.


You can see tracks 200-181 here.

Here we go, a new year and no less than nine new songs including welcome returns for Dr. Dog, Richmond Fontaine, The Dandy Warhols, Wintersleep, Steve Mason, and Bonnie ‘Prince’ Billy amongst others.

  1. Dr.Dog – Bring My Baby Back
  2. Richmond Fontaine – Wake Up Ray
  3. Savages – Adore
  4. Wintersleep – Amerika
  5. The Dandy Warhols – You Are Killing Me
  6. Bonnie ‘Prince’ Billy – Rich Wife Full Of Happiness
  7. Basia Bulat – Infamous
  8. Pop 1280 – Chromidia
  9. Steve Mason – Planet Sizes











best of the weekOur regular collection of the best of the week’s new tunes. This week no less than x new tracks for you.

  1. The Felice Brothers – Carriage
  2. Smoke Fairies – Wild Winter
  3. Savages – T.I.W.Y.G.
  4. Meat Wave – Symmy
  5. Theo Verney – Sailed Long
  6. WALL – Fit The Part
  7. Cassie Ramone – Run Run Rudolph (Chuck Berry cover)
  8. Pinemen – That Certain Flavour










Savages are back with a new song, a new video and in January a new album, Adore Life (pre-order here).

Watch the video for The Answer here.


Perhaps unusually, this year seemed a better one for albums rather than individual tracks with some fabulous releases over the past twelve months. There were many contenders for our end of year list, but here, after much deliberation, is Part One of our favourites of 2013.

50 Daughn Gibson – Me Moan

More From Daughn Gibson


49 The Men – New Moon

MM Shorts 331: The Men - New Moon


48 Pissed Jeans – Honeys

Pissed Jeans - Honeys


47 The Dodos – Confidence



46 Holograms – Forever

holograms forever


45 Colleen Green – Sock It To Me

colleen green 500x500


44 Blank Realm – Go Easy

Blank Realm Go Easy


43 Night Beds – Country Sleep

night beds


42 Agnes Obel – Aventine

agnes obel aventine


41 Grass House – A Sun Full And Drowning

Grass House Debut Album


40 The Oblivians – Desperation



39 Scott & Charlene’s Wedding – Any Port In A Storm

Scott & Charlene's Wedding - New Single & Album


38 No Age – An Object

no age an object


37 Public Service Broadcasting – Inform – Educate – Entertain

public service broadcasting


36 Cate Le Bon – Mug Museum

cate le bon mug museum 500



35 Okkervil River – The Silver Gymnasium

okkervil river


34 John Grant – Pale Green Ghosts

John Grant - Pale Green Ghosts


33 Fuzz – Fuzz



32 I See Hawks In L.A. – Mystery Drug

New Album From I See Hawks In L.A.


31 Savages – Silence Yourself

Savages Silence Yourself


MM's Best of 2013 - 50 - 26

Part three of our favourite 100 tracks of 2013. Today we’re counting down from 50 – 26.

50 Hanni El Khatib – Nobody Move
In Hanni El Khatib’s biog on Wikipedia he says that his “…music is for anyone who has ever been shot or hit by a train“. I think that this is a good way to describe this tune as it hits you flat out, ballsy, raw and aggressive in its lunge for your ears. Cracking bit of uptempo rock with a good nod at 70s punk. (Dr R)


49 Vandaveer – Omie Wise
From Vandaveer’s outstanding reinterpreting of traditional murder ballads came the tale of the particularly nasty Omie Wise. He gets his comeuppance in the end.


48 Waxahatchee – Swan Dive
The rhythmic drumming and finger picking guitar counter balance Katie Crutchfield’s rich, husky vocal in this short, melancholic lament: you hold on to the past, you make yourself miserable/and I’m ruled by seasons and sadness that’s inexplicable. So there. (MM)


47 Public Broadcasting Service – Signal 30
Brilliant and mesmerising combination of high octane guitar riffage, retro public information film samples and electro beats. (MM)


46 Tired Pony – All Things All At Once
Boasting quite a line up Tired Pony have got it all going on. All Things At Once has a pure, unpolished feel to it, like they all just happened to be together and decided to start playing and recording and here it is. Country? Folk? Americana? Who knows. Whatever it is, it sounds bloody good to me. (PP)


45 Caroline Rose – Six Foot Woman
You don’t get more honky tonk than Caroline Rose’s self-effacing tale of the mighty six foot woman. Sounds like it was dug up in a 1970s Tennessee roadshack.


44 Parquet Courts – You’ve Got Me Wonderin’ Now
Stoned and Starving would have been our song of the year, but for its minor self-release in 2012. No matter scrappy, swaggering, nihilistic NY punks Parquet Courts gave us this gem instead. A highlight of their performance at the Green Man festival and our undoubted gig of the year. (MM).


43 Jus Post Bellum – It’s A Shame
Cowboys! Gunfight! This is an upbeat folky number with a wicked drum backbeat that pulls it all together like a rolling canter. He’s a bad ‘un and it’s a shame. (Mrs M)


42 Haim – Falling
A last minute change around has put Haim into my Top Ten for the year. Every time I hear this song I am reminded of just how good I think it is. Very polished, really well produced, love those harmonies and that retro feel. Haim are like marmite. I like marmite. (PP)


41 Drenge – Backwaters
I love this powerful two piece out of Derby. Sort of Henrys Funeral Shoe meets The Smiths. I have always been a sucker for this sort of sound – you’re just towed away on the riptide of noise. This is the kind of song you turn up to eleven when people are in the middle of talking to you about some inane shit. (Dr R)


40 Alela Diane – Colorado Blue
Sharply observed lyrics float over a gently strummed backdrop, this song is plumbed from the emotional depths of her divorce album. Might not get you in the Christmas spirit but is sure to bring a lump to your throat. (Mrs M)


39 Willie Nile – Life On Bleecker Street
Second entry for Mr Nile and another evocative ear worm, this time the observations on life on a certain street in Manhattan that was once a major center for American bohemia.


38 Deptford Goth – Union
It’s the simplicity of this tune that first got me hooked. It’s also a song I would have been in love with as a teenager. It might be electro pop but there is a fair amount of misery and sorrow in there too, so what’s not to love? (PP)


37 Wooden Shjips – Everybody Knows
Channeling Neil Young by way of Hawkwind, Wooden Shjips gave us this hypnotically evocative and brilliant slab of psych rock on latest album Back To Land (MM).


36 Night Beds – Even If We Try
It starts off acappela, and finishes somewhere around dawn. Yes, this is indeed a late night/wee small hours tune if ever there was one. Recorded Bon Iver-style in a self-built studio, this is an intimate song of longing and reflection:  As you watch the colours/Fleeting with the cover/Nature set on fire/Truth found in the mire. There’s space under my wing, Winston.


35 Shovels & Rope – Johnny 99
Yes, it’s a Bruce Springsteen cover, but quite frankly, so what? This is a damn fine tune and that’s one hell of a Marlboro red voice she’s got there. And did I mention the piano (again)? (Mrs M)


34 Water Liars – Fake Heat
I kind of loved this song despite trying not to if you know what I mean? In the end I gave in gracefully (which wasn’t difficult, there’s a fair bit of imploring in this one) as the heart should always overrule the brain when it comes to music. It does have an undeniable glory to it as well though which can’t help stirring even this most cynical of souls. (CP)


33 King Krule – Easy Easy
My friend bought me the King Krule album for my birthday this year. It was an inspired choice that lived in the CD tray for some weeks, I think they had started to bound molecularly. A gruff and untempered voice guides you through a cultural landscape that sounds empty and barren, all emphasised by the production on the lonely guitar that accompanies King Krule’s lament. (Dr R)


32 Agnes Obel – Fuel To Fire
This beautiful song stopped me in my tracks when I first heard it a couple of months ago. All a bit haunting and full of melancholy. The album is a treat but Fuel To Fire stands out at the front for me. A great find for 2013. Lovely. (PP)


31 Laura Marling – Master Hunter
A raging calm of Dylan referencing vitriol set to a rollicking backdrop.

30 Telekinesis – Ghosts And Creatures
There is something familiar and comforting about this indie tune. Love all that distortion and a beat that makes me want to dance, or at least sway a little in a kind of early 90s way. Turn it up and you will feel uplifted. (PP)


29 The River Has Many Voices – If You Gotta Go (Go With Me)
Poetically beautiful song of love, loss, sorrow and melancholy. 

28 Big Haunt – Burn Me Up
We received an e-mail. It said, “We are a Portland, Oregon band called Big Haunt. We play spooky, gospel infused big beat indy folk. This is our first single, “Burn Me Up.”  It’s a song about ritualistic fire sacrifice and murder. We thought you might like it.“ We did. We liked it very much. (MM)


27 Savages – She Will
Highlight from their Mercury Prize nominated album Silence Yourself. She Will is a peerless combination of icy post-punk cool and brutal hardcore.


26 Thee Oh Sees – Toe Cutter/Thumb Buster
With a opening sound filthier than a night out with Jimmy Saville, this track has been a staunch favourite since my first listen. The bass line and guitar riff are simple, but massively addictive and unwavering in ferocity as the song crescendos during the chorus. It is the one song this year that, whenever anyone hears it for the first time, they sit there quiet then at the end, without fail say “That was awesome. Who was that?” (Dr R)


Why not check out our picks for 100 – 76, and 75 – 51 too.

This is the new Savages video for Shut Up which will open forthcoming album Silence Yourself.

Watch and see why they were one of the standout bands of our trip to SXSW

New From Primal Scream, Kurt Vile and Savages

Just over the past few days some of the big hitters and up and coming stars have dropped new tracks from much anticipated new albums.

We have Primal Scream’s It’s Alright, It’s OK from More Light, all bongos, gospel choirs and Rolling Stones style funky rock ‘n’roll,  Kurt Vile’s hazy Never Run Away from Wakin On A Pretty Daze and SXSW conquering Savages with their brilliant first single She Will from Silence Yourself.

Whet your appetite below.

Download Kurt Vile – Never Run Away mp3 (from Wakin On A Pretty Daze)




Having now learnt from the previous two days of SXSW (fully creamed up for a start) and the seemingly vastly increased numbers from 2009, I headed straight for The Red Eyed Fly determined at the third attempt to get into a Phosphorescent show…only to be greeted by more lines that stretched way, way into the distance.

Having no further wish to baste in the midday sun, I implemented plan B and headed to the House of Spin; the party with free beer and cupcakes and a line up that included Wavves and The Pains of Being Pure At Heart. I arrived for the end of So So Glos and what would be (I guess) an absolutely stereotypical set of American skater punk, nonetheless I enjoyed it and it suited the cold can of cider I was given on arrival. The stage was cut into the side of the rock and offered no escape from the sun whatsoever, Wavves rattled through their set in a blur of breakneck guitars and machine gun drumming and it took The Pains of Being Pure At Heart to offer the first subtleties of the day with a polished set of shoegazey rock and jangly guitars that allowed the songs to take centre stage. A fine finish to the party.

And subtleties and grace and pure songwriting beauty is what you get with country legend Emmylou Harris. The long walk up to the packed stage at Waterloo Records was worth every step as she demonstrated exactly why she is one of the queens of her craft. A simply exquisite set that was followed by the finest, and largest, veggie burger and chips that I have ever seen at the diner next door.

I had picked one evening showcase and was determined to stick with it, not least because it looked about as eclectic and diverse as you could get in an evening, which I guess is the whole beauty of “South By” as the locals abbreviate it. Club De Ville has a great name, and for once I was at the head of its queue. First up were the Cheatahs, whose track The Swan made our Best of December mix, I don’t know what it was here though, but the guitar shapes and squalls of noise left me a bit flat and (again) seemed lacking in a touch of subtlety or a change of pace, or maybe I’ve just seen and heard it done better this week.

Up next came Aussies San Cisco who were new to me, but from the outset seemed to be offering more of the tropically tinged indie rock that has followed me around SXSW. This time though, despite all my expectations they completely won me over, not just the sunny guitar lines and bright, catchy hooks, but because of the fantastic tribal percussion offered up by drummer Scarlett Stevens. Tracks like Fred Astaire, Beach, Rocket Ship and finale Awkward were instantly memorable and was perhaps best summed up at the end by the chap next to me who simply said, “that drummer killed it, didn’t she”. Yes she did.

Caitlin Rose

It was another about turn sound wise for it was the turn of new country sensation Caitlin Rose and her six piece band. The last time I saw her, she sang solo in a tiny venue in Coventry and her songs were simple, gently persuasive acoustic numbers. Not tonight, with a band as tight as any I’ve seen all week, her new found confidence was right to the fore with a sassy, smart and enormously entertaining set. New album highlights came in the shape of Only A Clown, Silver Sings, Pink Champagne, a wonderful rendition of her cover of the Felice Brothers’ Dallas and No One To Call, before ramping up the tempo with a cover of Buck Owen And The Buckeroos’ Tiger By The Tail and finishing with a blistering Shanghai Cigarettes. Wonderful stuff.

Next up were all-female Brits The Savages, another band I had tried and failed to see three times this week already (and a firm favourite of our own Middle Sprat). As they came on, the lights went down, and dressed in uniform black, they were illuminated only in monochrome flashes from cameras. It suited them perfectly, haughty, disdainful and intense, it was completely and utterly compelling. Channeling spiky art rock and post punk into a sparse and ferocious set that recalled classic Siouxsie, Joy Division, John Lydon and PJ Harvey, lead singer Jehnny Beth was a hundred times more intimidating and menacing than anything I’d seen at the Spin House party and stalked the stage like a cat cruelly playing with a wounded bird. Behind her, drummer Fay Milton thrashed the skins in a mesmerising blur like the vicious, uncontrollable little sister of the Muppets’ Animal. Give Me A Gun, I Am Here, No Luck, and first single Flying To Berlin were stunning before an incendiary Husbands finished the set to loud acclaim. If there had been one, the roof would have come off.

A change of pace came with Youth Lagoon with a bubbling, squelchy set of electronic indie rock. “Mellow” is how the chap next to me described it, but I actually think the word he was looking for was “dirgelikedronethatsoundedliketheveryworstoftheFlamingLipsbutwithoutanyofthetalent“. The vocals such as they were sounded like they were emanating from a field of sheep being worried by dogs, so perhaps best to leave it there.

And so, finally, to the headline act and Britain’s newest hope to save the future of music in the shape of the Palma Violets. Fresh from a highly acclaimed debut album, a single of the year accolade from the NME for Best Of Friends, and with Step Up For The Cool Cats becoming an office fave, I was looking forward to one of their much talked about live shows. Fair to say it was as watchable as anything I ever seen at a gig as the band stormed the stage, whirling, strutting and posturing and being as provocative and inflammatory as the rules of maximum rock’n’roll demand. The unfortunate thing was that while it was great to watch, the sound was one massive blur of distortion with anything as (that word again) subtle as a tune buried way down beneath the white noise. I briefly made out snatches of the two singles but that, literally, was all. While their flame burns mighty fiercely, I fear it may not burn for very long.

Day three was over, and like our famed Ascot Races, it had been one for the ladies. Emmylou, Scarlett Stevens, Caitlin Rose, and Savages proving themselves to be Austin’s top cats (to steal a Ray Wylie Hubbard phrase) in every way.

Blog Sound of 2013: Winners Revealed

The Blog Sound of 2013 poll is a survey of UK music bloggers to find out what emerging artists they think are best.

The votes have been counted, the results are in and the winners can now be revealed.

Back at the beginning of December we participated in the Blog Sound of 2013 poll (see post here for long list). Organised by Robin Seamer from Breaking More Waves and Andy Von Pip from The Von Pip Express the poll asked 49 UK music bloggers what emerging acts they were particularly excited about. The poll wasn’t intended to criticise the BBC’s Sound of list, but to simply represent the tastes of the voting bloggers.

The 2013 Blog Sound long list contained 7 acts that were also then revealed to be on the BBC Sound of List (AlunaGeorge, Chvrches, Haim, Laura Mvula, Palma Violets, Savages and Tom Odell) and 8 that weren’t (Curxes, Daughter, Mo, Pins, Randolph’s Leap, Rhye, Seasfire and The Neighbourhood).

In total just over 170 acts received at least 1 vote in the poll, but Haim and Chvrches were way ahead of the chasing pack when it came to the final count. Pins and Savages tied for third place, with The Neighbourhood, the second US act on the list after Haim in fifth.

Of the five most voted for acts all of them are bands and four of them have lead female vocalists. Two of the bands (Haim and The Neighbourhood) are from the USA.

The winners Haim have been one of the most talked about bands of the last few months and were the second most blogged act by UK Hype Machine listed bloggers in 2012. Haim consist of three sisters from California and were originally in a band with their parents called Rockinhaim. They signed a record deal earlier in 2012 and will release their debut album in 2013. Their sound fuses elements of classic rock, R’n’B and pop and they have been compared with the likes of Fleetwood Mac, TLC and Wilson Phillips.

Have a listen – tell us what you think…