Archive for the ‘Electronic’ Category

So here we are, the penultimate day of our countdown of our favourite 200 songs marking ten years of MM. Today, we’ve hit the top twenty…

 

20 The Dutchess & The Duke – Reservoir Park (2008)

Wonderfully rootsy swagger of earthy, organic folk-rock set to a loose Stones like honky tonk rumble.

 

19 Wooden Wand – Winter In Kentucky (2011)

 

Set against a backdrop of rolling, countrified rock, Winter In Kentucky is peerless narrative songwriting. A story of bone-weary resignation written from the perspective of a meth addict on a reality show after his girlfriend left him for rehab.

 

18 Emil Friis – Sand In Your Eyes (2015)

 

Possesses a rhythmic simplicity that transports the listener off somewhere else, and throughout Emil Friis effortlessly orchestrates all this with his lyrics resonating long after the song ends, which is usually when we stick it on again. Just a fantastic record full of little twists and turns with an occasional (friendly) cuff round the ear to keep your attention.

 

17 We Are Augustines – Juarez (2011)

Much like Airborne Toxic Event before them, We Are Augustines flamed brightest with one exceptional debut album. Juarez comes from it, a beautiful slow burner and impassioned confessional that somehow finds redemption in an epic climax.

 

16 Dr. Dog – Shadow People (2010)

 

Perfect blend of sweet Americana, country twang and oddball pop, dashed through with a touch of their hometown Philly soul.

 

15 Wye Oak – Civilian (2011)

 

Ah, the echo laden MBV influenced guitar, the pummelling drums, the droning organ, the quiet / loud / quiet structure. Just glorious noise-pop.

 

14 Fleet Foxes – White Winter Hymnal (2008)

 

A simple vocal round to start, some trebly guitar and confident percussion, but it is those voices, and those harmonies, that blows White Winter Hymnal wide open.

 

13 The Amazing Snakeheads – Where Is My Knife (2014)

If a song could musically define menace this would be it. Set to an ominous, tribal rhythm, it thrums throughout with quivering, barely surpressed fury and threat. With vocals that start I’m gonna show you if it takes all night / We’re staying here till you get it right / It’s been three whole days with no end in sight. Things don’t get any better either.

 

12 Richard Buckner – Willow (2012)

 

This is a lying-in-a-daisy-meadow-looking-at-the-scudding-clouds sort of song. A gentle guitar arrangement coupled with some tender lyrics and softly sung vocals, all of which appeals to the latent hippy in me. Clippety clop: do you know Mr Buckner, I always remember.

 

11 The National – Bloodbuzz Ohio (2010)

They have many imitators, but none can ‘do’ the National like the National. Typically hypnotic offering, and with a voice as deep as the night, Matt Berninger’s unmistakeable baritone cuts through this lament, with the drums bringing up the rear. Sad, atmospheric and uplifting at the same time.

 

Check out numbers 200-181, 180-161, 160-141140-121, 120-101, 100-9190-8180-7170-6160-5150-4140-31 and 30-21.

 

Here are tracks 40-31 in our countdown of Mad Mackerel’s favourite tunes of the past ten years.

40 Avett Brothers – January Wedding (2009)

Banjo, guitar, authentic romantic country and a beautiful ballad.

 

39 First Aid Kit – Wolf (2012)

 

Gorgeous folk harmonies given an almost tribal, native American feel.

 

38 Big Thief – Shark Smile (2017)

 

An airy, meandering number with a hint of Sharon Van Etten about it that tells the story of two lovers involved in a car accident, one of whom lives while the other dies, related from the perspective of the survivor. It is another very fine example of frontwoman Adrianne Lenker at the peak of her storytelling powers.

 

37 Django Django – Default (2012)

Crackles along with all kinds of weird and wonderful sounds. A viciously catchy and erratic tune – it never stops surprising a little more with each listen.

 

36 She Keeps Bees – Gimme (2008)

 

Fiery and reserved, seductive and vaguely crude. Gimme is simultaneously fierce, sultry and intriguing.

 

35 Stornoway – I Saw You Blink (2010)

It’s sunshine and dreaminess and love. There’s self doubt and possibly even a Shelley-esque metaphor used (eyes being the window of the soul and all that). All sung to a back-drop of retro, up-tempo, carefully layered music. He’s in love, distracted, missed his train, and constantly wondering what she’s thinking.

 

34 Mathew Sawyer & The Ghosts – Revenge Of The Extra From Zulu (2010)

Quivering, quavering vocals, violins, a throbbing cello, guitars that flit from the minimal to the staccato and all overlaid with some of the most surreal (and entertaining) lyrics you’ll ever hear. There is a sly, knowing humour to Revenge Of The Extra From Zulu as well as regret, bitterness and a healthy dose of the macabre.

 

33 We Are Augustines – Chapel Song (2011)

 

This is The Jam’s The Bitterest Pill brought bang up to date and made better. The song is from the view of a fella stood in a chapel whilst the love of his life walks down the aisle … with another bloke. Suffice to say, he’s not in a good place and the vocals lend to this feeling of impotent misery perfectly. Strained, angry and a little menacing, the lyrics match the tune perfectly which is … well … strained, angry and a little menacing.

 

32 Lower Dens – Brains (2012)

 

Opens with a drumbeat that grips your lapels up like a rottweiler on heat.  And then… well, it just gets better of course. Weirdly beautiful, it is throbbing, insistent drone-pop on the one hand and haunting, ghostly freak-folk on the other.

 

31 Houndmouth – Sedona (2015)

The best sing-a-long chorus of 2015 bar none. Altogether now, “Hey little Hollywood, You’re gone but you’re not forgot, You got the cash but your credit’s no good, You flipped the script and you shot the plot, And I remember I remember when your neon used to burn so bright and pink, A Saturday night kinda pink“.

 

Check out numbers 200-181, 180-161, 160-141140-121, 120-101, 100-9190-8180-7170-6160-51, and 50-41.

The countdown of our Favourite 200 songs of the past 10 years has taken over everything over the last two weeks, so here is our (belated) round-up of some of the best new songs of the past 14 days.

  1. Parquet Courts – Mardi Gras Beads
  2. Protomartyr (featuring Kelley Deal) – Wheel Of Fortune
  3. Lumerians – Silver Trash
  4. The Plainviews – Bladerunner
  5. The Lovely Eggs – Big Sea
  6. LUMP – Late To The Flight
  7. Jess Williamson – Wild Rain
  8. Rayland Baxter – Casanova
  9. Damien Jurado – Percy Faith
  10. The Goon Sax – She Knows
  11. Beach House – Black Car
  12. Wand – Pure Romance
  13. Milo Greene – Move

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Countdown continues. Here are songs 60 – 51 in our favourite tunes of the past ten years.

60 Bon Iver – Bloodbank (2009)

Atmospheric, cabin-folk propelled by a woodsy, acoustic strum and cooly whispered vocals.

 

59 Jones Street Station – The Understanding (2012)

 

Like if the Beach Boys had played folk music – a wonderful sense of melody and intricate rhythms played with a joyous abandon and sense of fun.

 

58 Tired Pony – All Things All At Once (2013)

 

Cinematic and reflective. All Things All At Once is a widescreen slice of downbeat, bleakly romantic Americana.

 

57 Range Rats – Colt 44 (2010)

A shade over two minutes of rockabilly shuffle, Johnny Cash rumble, some gun-toting lyrics and a tale of righteous revenge.

 

56 The Decemberists – The Rake’s Song (2009)

Gather round, gather round, it’s another every day story of country folk. Dark tales are their speciality. For me, it’s the drumming that adds the menace and the rage. I’m sure they’re a lovely bunch of people. Really. Just don’t book them for any babysitting…

 

55 The Brakes – Two Shocks (2009)

Perfectly crafted power-pop – a wonderful rolling bassline and stomping percussion compliments lines like ‘I covered my body in bacofoil and waited for the sun to come out”.

 

54 Drive-By Truckers – Check Out Time In Vegas (2008)

Desperation tinged lament that drips with pedal steel and the sharp twang of regret. Alt-country Sin City style.

 

53 Dr. Dog – Uncovering The Old (2008)

 

Filtering warm, melodic Americana through a nostalgic soul and pop prism. The marvellous chiming guitars and Scott McMicken’s rich vocals turn Uncovering The Old into a mini masterpiece.

 

52 Haunted House – Chandaliers (2009)

 

Clattering and jerky, a chanted incantation of skewed indie rock and a long forgotten classic.

 

51 The Decemberists – Severed (2018)

Relentless, new wave synths and a glam rock gallop mix and match with moody, foreboding lyrics. Dance while the world burns…

 

Check out numbers 200-181, 180-161, 160-141140-121, 120-101, 100-9190-8180-71 and 70-61.

 

Our favourite 200 songs of the past ten years… numbers 90 – 81.

90 Great American Canyon Band – Undertow (2016)

 

An epic of yearning Americana and cinematic, shoegazing guitars that combine to stunning effect.

 

89 Henry’s Funeral Shoe – Stranger Dig (2009)

 

Raucous mix of heavy rock and psychedelic blues. Heavy drumming – check, big riff – check – rough vocals – check. Turn up to 11…

 

88 The Felice Brothers – Cherry Licorice (2014)

 

Classic Felice Brothers. A ragged, uptempo rocker that is sure to become a guaranteed live sing-a-long as couplets like “all the lady and gents, are covered in excrement”, and “the teacher slit my wrists, for every class I missed” are destined for a roaring crowd encore.

 

87 Jamie T – Limits Lie (2014)

 

A stoned reggae rhythm and easy going vocals can’t disguise the bleakness of content, yet somehow the downcast crescendo is a triumph.

 

86 Fews – La Guardia (2017)

 

Relentless, anxious, powerful and unsettling. A few lyrics down the line – a short, unequivocal statement and then.. screams! Distant and desperate screams. Guaranteed post-punk goosebumps every time – what else would you want from a track?

 

85 Alt-J – Breezeblocks (2012)

Catchy, eclectic slice of lush folk-tronica.

 

84 Forest Fire – Fortune Teller (2008)

 

Tonight I’m gonna melt some faces / with Gatling gun social skills, oh so charming mix of weirded out country, folk and blues that delivers just over two minutes of musical perfection.

 

83 The Pines – Cry Cry Crow (2012)

 

An eerie meditation on the rural and the urban, haunting lyrics and an insistently mournful groove. Dark Americana at it’s finest.

 

82 Mummy Short Arms – Cigarette Smuggling (2011)

 

Seriously warped slice of woozy, off-kilter indie that defies description, but flat out demands your attention. Imagine Captain Beefheart fighting with Salvador Dali with a full set of musical instruments and a goodly pile of magic mushrooms…

 

81 Damien Jurado – Museum Of Flight (2012)

A big song with big meaning and a wide expansive sound that splits right open about a minute and half in. Always the moment I wish for really expensive speakers that can do its majesty justice. Sigh.

 

Welcome to numbers 120 through to 101 of our favourite tunes of the past ten years…

120 Black Mountain – Let Spirits Ride (2010)

Who cares if the riff is nicked from another song, or if it sounds like 1972. I don’t when it as good as this. Pure riffola magic.

 

119 Faith Healer – No Car (2015)

 

Kicking up a meaty riff from the outset and telling the tale of an abusive ex-lover, the impact of No Car is unstoppable – a powerhouse of a tune

 

118 Car Seat Headrest – (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem)(2016)

Will Toledo delivers a stunning combination of self-deprecating disgust, mundanity and insight without sacrificing one ounce of musicality. Equally rich and raw, with an honesty and openness that is all too rare these days. The closest thing to a modern day Leonard Cohen that we have heard and simply can’t praise him more highly than that. Sheer genius.

 

117 Flat Worms – Red Hot Sand (2016)

 

Starts like the Butthole Surfers and then gets better. Pure bristling, raw, visceral, fuck-you rock’n’roll.

 

116 King Gizzard & The Lizard Wizard – Sleep Drifter (2016)

 

Irrepressibly hazy psych rock where lurking amidst a jovial, almost childish rhythm is something nightmarish revealed through harsh, distorted guitar riffs.

 

115 Soft Black – Time gets Away And Has Its Way With You (2009)

 

Ah, that gentle rhythm and those sweet harmonies. Simply gorgeous meandering, psych inflected indie rock.

 

114 The Tallest Man On Earth – Leading Me Now (2o12)

Fast paced, catchy and, dare we say, light-hearted, finger picked folk with a unique melody and those wonderful scratchy vocals.

 

113 Creepoid – Grave Blanket (2011)

 

Rattling psych-rock, all creeping reverb laden malevolence.

 

112 Wooden Wand & The World War IV – I Hate The Nightlife (2013)

 

Bleak psych-country with Crazy Horse era guitars soundtracking the grimy fuzz of a regular, always hungover, road trip.

 

111 Lord Huron – Time To Run (2012)

An epic Western of a tune: a story song with a foot-tapping rhythm that mimics the flight of yer man and a great mid point when the bells of doom literally ring for our outlaw friend on the run.

 

110 This Is The Kit – Silver John (2015)

 

Spine tingling, mysterious and poetically reflecting on nothing less than the impending end of the world.

 

109 Nathaniel Rateliff – Brakeman (2010)

Folk lullaby dripping with regret and despair.

 

108 Grass House – A Cradle A Short Breath (2011)

In a conscious effort to avoid being type-cast in a dark or brooding vein, the song hints at the lighter side of the London group’s repertoire. Even so, it is still menacing enough to send most other indie bands screaming to their mummies.

 

107 Royal Sea – This Summer (2012)

 

Opens with a spectacularly catchy drum beat before the vocals come in like a rush of sugar coated adrenalin, plaintively announcing: “We crashed everybody’s parties / we drank cheap wine and whiskey / We partied up on the rooftops / I’m glad it was just you and me”. This should have been the woozy, feel good hit of the summer of 2012.

 

106 Delta Spirit – Trashcan (2008)

Clicking percussion gives way to a frantic rhythm and battle-cry vocals – a marvel of infectious folk rock.

 

105 John Grant – I Wanna Go To Marz (2010)

Grant’s effortlessly rich, expansive baritone, couched in a typically heartbreaking, lush melody courtesy of Midlake’s familar 1970s soft-rock style.

 

104 Alt J – Left Hand Free (2014)

Twangy indie rock with a shuffling beat, a quirky chorus and some bluesy undertones.

 

103 Moonlandingz – Vessels (2017)

 

A perfect blend of sleazy glam rock riffs and twisted lyrics – as delightfully grubby as it gets.

 

102 Sonny + The Sandwitches – Through The Fog And The Haze (2010)

 

Inspired by a near-drowning, Through The Fog And The Haze is perfectly observed, elegant folk filled with briny, aquatic imagery.

 

101 The Cave Singers – Gifts And The Raft (2011)

Pete Quirk’s rustic rasp set to some classic backwoods acoustic charm.

 

Check out tracks 200-181, 180-161, 160-141, and 141-120.

The third part of our epic countdown of our favourite songs of the past ten years.

160 The Pink Mountaintops – North Hollywood Microwaves (2014)

 

Filthy, snarling, primal rock’n’roll featuring some pornographic rapping from Annie Hardy (ex-Giant Drag). A case of the bite being much worse than the bark.

 

159 Calexico – Two Silver Trees (2008)

Atmospheric and relaxed, Two Silver Trees meanders on a river of accordion, keys, hushed guitars and seductive vocals.

 

158 Mountain Man – Animal Tracks (2009)

 

A perfect combination of old-timey acoustic guitars and lilting, reverbed harmonies. And that chorus was made for a campfire late in the evening.

 

157 Wire – One Of Us (2008)

One of Us is a coiled spring of minimalist musical tension. Taut, melodic and streamlined, it is a post-punk classic.

 

156 The Willard Grant Conspiracy – Preparing For The Fall (2009)

Set to a vivid strummed guitar, Robert Fisher sings a sprawling apocalyptic tale about the soul of man with a voice rich in world weary resignation. “And  I see the devil sitting in my favorite chair / he says he wonders why I’m, I’m still here / And I say that I’m having trouble finding the door / And he says if we wait a little longer / Won’t have trouble anymore / And I’m just preparing for the fall

 

155 Dr. Dog – Bring My Baby Back (2017)

 

Laying a yearning, plaintive vocal over the top of a perfect mix of  pop, gospel and psych rock, the nigh on perfect Bring My Baby Back majors on themes of betrayal, repentance, solitude, and revenge, wrapped up in a perfectly strummed acoustic guitar. It was the most innocently beguiling tune of 2016.

 

154 Whalers – That Rabbit (2010)

 

What. A. Riff. A wonderfully straightforward blend of thudding, bass-heavy rock that makes us think of the best bits of QotSA melded with the Black Angels and then given some 60s style reverb treatment.

 

153 Van William – Revolution (2017)

 

Van William is a return to the folksier roots of his previous band Port O’Brien. Add in a mournful trumpet and the gorgeous harmonies of First Aid Kit and this lovely record is suddenly elevated to another plane altogether.

 

152 Tom Williams & The Boat – Get Older (2011)

 

Get Older is a musical storm of thumping bass drum, growled, restrained vocals and a stunning violin-led riff – it all combines to deliver an energy and edginess that is on a par with its catchiness.

 

151 Conor Oberst & The Mystic Valley Band – Nikorette (2009)

 

Riding in on the back of a classic rock groove, and morphing into a loping country rock shuffle, Nikorette sounds like a brilliant lost outtake from a late-era Clash album.

 

150 The Black Angels – Don’t Play With Guns (2013)

Their trademark psych-drone is matched to provocative lyrics,  a big, ominous organ groove and an even bigger riff. Wonderful stuff.

 

149 The Low Anthem – Charlie Darwin (2008)

Haunting and lachrymose, Ben Knox’s pitch perfect falsetto weaves a sad tale on the back of tranquil beauty.

 

158 Chad VanGaalen – Cries Of The Dead (2008)

 

I can hear the cries of the dead / Maybe it’s your neighbour beating his dog in the basement. Emotive vocals and a twee, but never saccharine harmony tinged with sadness, sets this fractured slice of indie-pop apart from the also-rans.

 

147 Middle Brother – Daydreaming (2011)

From the simple picked guitar line and weary, melancholy opening lyric, the scene is set for a raw, unflinching excursion courtesy of McCauley’s craggy vocals and beer-soaked romanticism. Loneliness never sounded so…well, lonely.

 

146 Arborist – Twisted Arrow (2015)

 

A fabulous slice of rolling, countrified folk and Kim Deal’s hushed and plaintive vocal adds weight to a familial tale of detachment and is the perfect counterpoint to Mark McCambridge’s sharp delivery.

 

145 Tom Williams & The Boat – See My Evil (2011)

 

Menacing, righteous fury set to threatening percussion and a thick, pulsing bass-line.

 

144 Sparks – Let The Monkey Drive (2008)

Ultra catchy surreal tale of a couple so eager to consummate their love that they’d let a primate steer the car while they fumble in the back seat. And it has one of our favourite lyrical couplets of the past ten years too: “Let the monkey drive, and it’s only fair / It’s the monkey’s car and he hates to share

 

143 Titus Andronicus – Titus Andronicus (2008)

Huge drums start thumping behind the rhythm guitar, throw in bass, piano and a wicked harmonica as frontman Patrick Stickles thrashes through the song. All together now “Your life is over / your life is over“.

 

142 TRAAMS – Succulent Thunder Anthem (2015)

Traams at their absolute, unstoppable motorik best. Propulsive, urgent, threatening.

 

141 Pontiak – Shell Skull (2008)

 

A serrated rhythmic stomp and slow crawling groove captures the ghosts of Black Sabbath and the Doors in this bass heavy rocker.

 

Check out songs 200-181 and 180-161 as well.

Mad Mackerel has been around for ten years now.

We’ve come a long way.

Early days using Google’s blogspot where our posts were regularly and erroneously taken down through DMCA notices until the moment when Google just erased us completely, our move to WordPress in April 2010 where Kurt Vile, Beach Fossils, Johnny Flynn and Band of Horses were among our first posts. Those were the days of Mrs Mackerel’s TFI Friday posts, downloadable Best of the Month round-ups, and the early days of Soundcloud and Bandcamp. On we went with our MM Shorts series reaching one thousand posts, Best of the Month was replaced by Songs You Should Have Heard This Week, and a collection of 15-1 interviews with the likes of Blitzen Trapper, Simone Felice, Torres and Young Knives. And every year we published our collection of favourite tunes from some of our much loved and stalwart contributors – Mrs Mackerel (of course), Chris T Popper, Barry-Sean, The Italian Job, Polly Pocket, Dr Roddy, and even some Mackerel sprat contributions.

So to mark ten years of tunes, over a million hits, 6,174 posts on WordPress, 9,993 tracks listed on Hype Machine, 5,691 WordPress followers and even 1,113 likes on Facebook, we’ve asked our key contributors to share their favourite songs of the past ten years and compiled them into one lovely big list of 200 wonderful tunes for you.

Bit by bit, over the next few days we’ll be sharing them all for you – check through and see what you might have missed.

PART 1 (200-181)

200 Paul Hawkins & Thee Awkward Silences – The Evil Thoughts (2008)

The black humour, the self-deprecation, the slightly carnivalesque musical stylings and a story of self loathing. A wounded, nihilistic anthem with a wonderful, British oddball-ness about it.

 

199 PortisheadWe Carry On (2008)

Hypnotically oppressive and menacing. Built on a insistent two-note electro riff, We Carry On is as claustrophobic as music can get.

 

198 Dune Rats – Dalai Lama (2014)

 

Just about the dumbest stoner anthem ever written and that’s high praise given the competition, and definitely the best song with only one line and five words. Altogether now Dalai Lama Big Banana Marijuana

 

189 Dutchess & The Duke – The River (2009)

Stark, sparse campfire song, with a captivating, morose beauty.

 

196 T. Hardy Morris – OK Corral (2013)

 

Pure back-porch Americana, dark alt-country shot through with a touch of psychedelia.

 

195 together PANGEA – River (2014)

 

A hyperactive smear of ripcord riffs and sneering angst. Garage punk perfection.

 

194 Jessica Lea Mayfield – Kiss Me Again (2008)

 

Sultry, utterly gorgeous, and captivating opening track from her second album, recorded when she was only 19. Weary beyond her years.

 

193 Grasshouse – A Cockroach (2010)

Excellent, brooding indie rock. A malevolent and dark-hearted sonic delight.

 

192 Fat White Family – Bomb Disneyland (2013)

 

A Stooges style riff and sordid lyrics aligned to an irresistibly malignant rockabilly groove.

 

191 Father John Misty – Hollywood Forever Cemetery Sings (2012)

 

Long before the Emperor’s new clothes of recent releases, Fear Fun was one of the finest albums of 2012 and this track with its nod to the Wall of Sound days and echoing guitars was one of the standouts.

 

190 Parquet Courts – Dust (2016)

Droning, danceable guitars brilliantly provide a backdrop to a jittery 50 word essay on the inherent grossness of dust and the futility of cleaning. “It follows, now swallow, You’re biting it now, Suffocate, suffocate, Breathe, Dust is everywhere, Sweep”.

 

189 Eagleowl – Motherfucker (2008)

 

Like a Scottish Low, Motherfucker is a devastating slow burner with an opening line to match, “Can I call you motherfucker, would your father be offended?

 

188 Elvis Perkins In Dearland – Doomsday (2009)

Brassy, infectious, sad but happy, New Orleans style folk.

 

187 No Age – Fever Dreaming (2010)

 

This song simply steams out of the traps like it has just been released from the punk heyday of 1977.

 

186 The Cave Singers – I Don’t Mind (2009)

The finger-picking guitar is a brilliant back-drop to the soaring vocals. Low lights, Friday night, bit of kitchen dancing. Irresistible.

 

185 Mazes – Skulking (2013)

 

A krautrock inspired, four to the floor drone classic that ends in a classic Velvets style fuzzed up breakdown.

 

184 Twilight Hotel – Mahogany Veneer (2011)

 

A brilliant combination of alt-country and spaghetti-western desert twang that moves languidly to conclusion via poignant, scalpel sharp lyrics

 

183 Greylag – Yours To Shake (2014)

A moody take on the nature of good vs evil told through the lens of muscular, gnarly folk-rock.

 

182 Last American Buffalo – Baby I’m Alive (2012)

 

Perfectly paced, mournfully traditional Americana.

 

181 Two Wounded Birds – Night Patrol (2011)

 

Stunning surf-rock twang with echoes of Link Wray and Roy Orbison.

 

  1. The Men – Shimmer n’ Shine
  2. Pop 1280 – When No One Cares
  3. Half Waif – Back In Brooklyn
  4. Wand – Perfume
  5. Bent Denim – Idiot
  6. Cherry Glazerr – Juicy Socks
  7. Rolling Blackouts Coastal Fever – Talking Straight
  8. Neko Case – Bad Luck
  9. Juanita Stein – Forgiver

 

 

 

 

 

 

 

 

 

 

Introducing >>> LUMP

Posted: April 12, 2018 in Electronic, Folk, Indie, Music, Rock
Tags:

LUMP is a collaboration between Laura Marling and Mike Lindsay, the founding member of Tunng and Throws. Their self-titled album will be released on 1st June via Dead Oceans.

The record is a heady blend of wonked-out guitars, Moog synths and pattering drums, set against droning, coiling clouds of flutes and voices.

The duo have shared the first track from the record. A somewhat cynical examination of the new age,  Curse Of The Contemporary has a steady, pulsing bassline and divines a road snaking off towards the horizon, which gives a sense of gazing out of a car window as mountains and palm trees rush by.

Watch the excellent video below and the single will also be available for Record Store Day on hyper-limited 12” translucent green vinyl.

 

See them live:

June 1 – London, Rough Trade East instore
June 2 – Hebden Bridge, The Trades Club
June 3 – Manchester, Band In The Wall
June 5 – London, Oslo
June 5 – London, Oslo (second show)
June 8 – Cardiff, Festival Of Voice
June 9 – Bristol, Rough Trade instore
July 13 – Latitude Festival, Henham Park