Posts Tagged ‘Allah-Las’

The rain continues to come and go, Boris Johnson is still PM, we’re now planning for food shortages post Brexit… life in summer in the UK is pretty bloody grim sometimes.

Then along come the Allah Las – new single Polar Onion fits the downbeat theme (“the creeping paranoia that comes along with creating something that is inevitably valued based on the opinions of others.“, they say), yet it is still all sunshine jangle, hippy peace and gentle uncomplicated pastoral psychedelia.

A rare joy – so shines a good deed in a weary world.

 

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So the day after the UK decide to follow the US and put a monumental idiot in charge of the country we definitely need some feel-good sunshine vibes from somewhere.

Happily the Allah-Las are back with a new album Lahs, and a new track In The Air that ticks all the right boxes from its persistent shuffle to the way electric guitar and mellotron trade licks throughout.

Kick back and hit play. Pretend for two and a half minutes that the world isn’t going to shit.

 

A couple of interesting releases coming up, both from longstanding MM faves, on the excellent Mexican Summer label.

The first recorded Weyes Blood music since her 2016 breakthrough album Front Row Seat To Earth, Natalie Mering will release a 7″ of cover songs that have helped define her sound over the years. It contains versions of Soft Machines’ A Certain Kind b/w Fred Neil’s Everybody’s Talkin’, as imagined by Harry Nilsson for the Midnight Cowboy soundtrack.

 

Allah-Las also release the first cover track from their forthcoming EP, Covers #1, sharing their take on Kathy Heidman’s The Earth Won’t Hold Me.

 

best of the weekAfter last week’s bonanza of new tunes, we’re back with eleven more tracks gathered up from the past seven days. No reduction in quality either with another (and the best yet) taste from Laura Marling’s new record Semper Femina, a brand new instrumental track from pastoral psych rockers Allah Las and another ominous slice of brooding Americana from Timber Timbre.

We also have new singles from Hater, Luxury Death and WATERS, a Talking Heads cover from Japandroids and another entry from the Our First 100 Days Project – this time it is DRINKS and a hazy, 60’s inspired tune. We have another song from Adam Torres’ upcoming EP and an unbearably sad Mount Eerie track. Finally that rarest of sightings on MM, a remix of sorts with Parquet Courts’ Captive of the Sun brilliantly reworked in tandem with rapper Bun B.

Enjoy y’all.

 

 

 

 

 

 

 

 

 

 

 

best of the weekA cracking collection of nine brand new tunes gathered from this week for you.

We have the return of Grandaddy, a reverential cover of the Modern Lovers by Sunflower Bean, and tastes from new records by Weyes Blood, Howe Gelb, Marissa Nadler and TOY and, as they always say, much more besides.

All yours…

  1. Grandaddy – Way We Won’t
  2. Allah-Las – Terra Ignota
  3. TOY – I’m Still Believing
  4. Weyes Blood – Do You Need My Love
  5. Marissa Nadler – The Best You Ever Had
  6. Sunflower Bean – Old World  (Modern Lovers cover)
  7. Growlers – I’ll Be Around
  8. Howe Gelb – Terribly So
  9. Laish – Love On The Conditional

 

 

 

 

 

 

 

 

 

 

 

 

Allah-Las

Here’s a second track from the Allah-Las much anticipated new album Calico Review  out via Mexican Summer on the 9th September.

This is Could Be You, and it is another gem from their collection of classic, psych-infused, pop jangles.

Pre-order the album here.

 

Long standing MM faves, L.A. based Allah-Las will be releasing their new album Calico Review on September 9 via Mexican Summer.

The band has also shared a video for the first single Famous Phone Figure.

The track cradles character sketches over delicate strains of viola, organ, and Mellotron. Drummer Matthew Correia carefully underlining a three-note theme that casts a phantom sadness over the proceedings, as bassist Spencer Dunham weaves tales about an unknowable woman.

Two and a half minutes of psych-pop perfection. Watch it here.

New Single From The Allah-Las

On our last visit to SxSW in 2013, the laid back, vintage jangle and classic pastoral psychedelia of the Allah-Las was a real treat to catch live and made us big fans in an instant.

So from our perspective a new album (September) and a new single (August) are great news. The former will be titled Worship The Sun and the latter is the first track to surface from it, called 501-415, it is a fuzzy, shimmering slice of LA cool, flecked with surf and breezy undertones.

Perfect.

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Our first visit to the brilliant Green Man Festival. Here are the twenty best things we heard, saw and discovered over the weekend.

1. The Parquet Courts live up to the hype
Like the Ramones on speed, the four-piece transcended all the hype with the set of the weekend – a thrilling, occasionally ramshackle, breakneck excursion into punk, slacker pop and moshpit heaven, and in Stoned and Starving they have a ready made classic for years to come.

2. Dancing Bears at British Sea Power
An epic, brooding, cinematic set brought to a stunning, and appropriately eccentric climax as, during Carrion, two seven foot Grizzly Bears appear amongst the audience  to dance, grapple and lead an impromptu conga.

3. John Cale and Roy Harper still cut the mustard
They may be advanced in years, but both the old boys demonstrated just why the main stage was still the perfect stage for them. First up an amiable Harper showed just why he is a primary influence on so many of today’s folk stars from the Fleet Foxes to Joanna Newsom, finishing his set of pastoral, freak tinged folk with the classic, and beautifully poignant When An Old Cricketer Leaves The Crease. Then Cale, dressed in a fetching pink suit jacket and tie with denim shorts reeled through a set that built to a fabulous pulsating climax with Fear Is A Man’s Best Friend, Nookie Wood, Satellite Walk, and a stunning version of Jonathan Richman’s Pablo Picasso.

Mikal Cronin 14. Cover versions aplenty
Cover versions abounded everywhere at Green Man. As well as Cale’s brilliant Pablo Picasso, we had Roy Harper doing Dylan’s Girl From The North CountryNeil Young covers from Low (Down By The River) and Band of Horses tearing through Powderfinger, Fanfarlo covering Orange Juice’s Rip It Up, and Mikal Cronin delivering a superb Whole Wide World, but perhaps best of all was Mo Kenney’s melancholic, acoustic take on Bowie’s Five Years – simply mesmerising.

5. Grass House are destined for big things
We’ve loved Grass House for a long time and our first chance to see them live is everything we hoped for. Outsider pop it may be, but the effortless way the band mix dusty, western twang with sinister gothic noir and use them both to weave mournfully surrealistic tales means the crowd is soon gripped. And in the hypnotic and transfixing Spinning As We Turn, the gothic blues of And Now For The Wild and the tense, sinewy I Was A Streetlight they have three singles that should be the envy of just about every other up and coming band out there.

6. James Yorkston’s Dad sings along
A wonderful set by James Yorkston and band is capped by his Dad shyly joining them on stage for a full tent a capella sing-a-long of the Ivor Cutler classic Hold The Barrel Steady.

7. Arbouretum get heavy
Sometimes you just need long hair, cool as fuck riffs, guitar shredding and fantasy led lyrics. Arbouretum were all that and more and in False Spring provided the best air-guitar moment of the weekend.

8. Public Service Broadcasting get funky
Brilliant use of humour, sound samples, computer conversations with the audience, guitar riffs, banjo and persuasive percussion meant Public Service Broadcasting managed to get the entire walled garden crowd on their feet and dancing within two songs. Whether it was a self-conscious shuffle or a full on funky freakout, resistance to tracks like Signal 30, The Now Generation and London Can Take It, proved utterly futile.

9. Barry-Sean is a Whooper
We didn’t know it before, but gradually over the three days we started hearing a few whoops and hollers from Barry-Sean. Sure he started quietly, with a couple of muted efforts for Parquet Courts and then the next day for Grass House and a couple of others, but by the tail end of the festival he was in full voice, hollering like Foghorn Leghorn for Darren Hayman, Public Service Broadcasting and British Sea Power

10. Sam Amidon’s surreal banter
Amidst a lovely set of muder ballads, love songs and a capella gospel tunes, Sam Amidon entertained royally with some surreal between-song banter, none more so than the tale of the messages he receives from Kirsten Dunst’s eyes during her films.

Green Man Main Stage11. The Green Man Stages…
Really are sublime. The Mountain stage nestles at the base of (you’ve guessed it) a mountain, the walled garden stage is simply perfect, the courtyard a delight, the hills, the steps, the views, and this year even the weather meant it was everything we hoped it would be, but expected it wouldn’t.

12. Low really are a classic band
In the press tent one desperate-to-impress young thing opined that despite the new songs not being very good, Low were still a classic band. “Really“, asked another scribe, “do you know the new songs?“, the young thing confessed he didn’t and gently, but firmly, the scribe pointed out you can’t know how good the new songs are if you don’t know them at all. Touché.

And anyway, while the set did contain bonafide classics in Monkey, Over The Ocean and Murderer, at least one of those ‘new songs”, Plastic Cup is destined for the same status.

13. Boutique camping…at our age – hell yes!
Confession time. Barry-Sean paid extra for our four man tent, already put up and waiting for us in the Tangerine field. No more cramped, and crap, single skin pop-up tents that leak and then refuse to return into the carrier you brought them in. Our smugness was unbearable when the one serious downpour of the weekend happened about 2am on Saturday night…we woke dry and warm. The most comfortable festival we’ve ever been to.

14. Edwyn Collins ripping it up
As well as Fanfarlo, Edwyn Collins treats everyone to Rip It Up during a brilliant set in the late afternoon sun.

15. The ever growing popularity of Phosphorescent
As the burgeoning crowd testifies, and indeed the number of them singing along enthusiastically to most of the set, Matthew Houck’s Phosphorescent have delivered a true masterpiece with most recent album Muchacho, and stepped up to the big league. As the majestic Song for Zula floats out across the hills beneath the setting sun, it is probably the most perfect way to capture the enchantment and good-natured magic of this lovely festival.

16. Darren Hayman’s King Charles rap
Illustrating why he is a British songwriting treasure, Darren Hayman introduces Henrietta Maria one of the standouts from 2012 historical concept album The Violence with a role-played soliloquy as King Charles that is as good as it is slightly creepy.

17. Midlake and Band of Horses rock out
Two bands joyously grabbing their headline (or near headline) opportunities on the Mountain stage to deliver crowd-pleasing country-rock with a backwoods feel. Muscular as it was tender, and perfectly matched to the atmosphere and setting of the Brecon Beacons.

18. The Allah-Lahs get groovy
Closing the night on the Walled Garden stage, the Allah-Lahs treat us to some seductive, surf-tinged psychedelia that somehow manages to be both laid back and carefree, and melancholic and nostalgic. Perfection.

19. The art of Nick Reed
In the vintage tent were a host of little stalls. In a corner were t-shirts and postcards from Nick Reed, pre-dating the wonderful David Shrigley, his is a brilliantly warped worldview told through the eyes of a scribbled dog and some scalpel sharp observations. T-shirt for teenage son duly purchased.

20. Marika Hackman enchants in the Rough Trade tent
With a crystalline voice like Nico, and lyrics that are as dark as anything we heard all weekend, Marika Hackman enchanted all who were present when she played a short acoustic set in the Rough Trade tent.

And some of our favourite songs…

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Videos of the Day

Short films of the musical variety today come from Pickwick and their genre bending video for the brilliant Lady Luck, and some classic Americana from Turnstile Junkpile. A European jaunt is the scenic backdrop for one of our new favourite bands Allah-Las and their video for Sacred Sands, which is another brilliant slice of West Coast inspired psych-rock. Lastly, some classic jangle-pop from Ski Lodge and their video for new single Just To Be Like You.

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