Posts Tagged ‘Flat Worms’

The second instalment of our favourite tracks of 2018. Enjoy…

75 Holly Miranda – Golden Spiral

 

This wonky, horn-led track taken from her excellent Mutual Horse album, dips its toes into the swirling whirlpools of off-kilter indie pop with a buoyant rhythmic pulse and nods to glam rock and funk.

 

74 Ezra Furman – Suck The Blood From My Wound

 

Suck The Blood From My Wound is a choppy, hook filled indie rocker that dials up the intensity and paranoia from the outset (check the horror film opening sample) to create a visceral, desperate dash from government pursuers. Throughout the narrator’s pain and defiance remain constants, “Angel, don’t fight it – to them, you know we’ll always be freaks.”

 

73 Fontaines DC – Boys In The Better Land

 

Fontaines DC are our favourite discovery of 2018. Boys In The Better Land, the b-side to the excellent Chequeless Reckless, is a resolutely retro nod to classic Irish rock’n’roll – a concise, gritty and utterly irresistible slice of indie-punk that conjures up images of the Stooges jamming with the Fall.

 

72 Flat Worms – Melt The Arms

 

Furious, buzzing, magnificent, garage-punk that will put hairs on your chest and then melt them off again – all in just over two minutes.

 

71 First Aid Kit – It’s A Shame

 

There isn’t much that sounds better than the gorgeous harmonies created by Swedish sisters First Aid KitIt’s A Shame is a perfect case in point. Simply lovely.

 

70 Deaf Wish – FFS

 

FFS erupts out of the speakers like a runaway train and over the next 130 seconds or so simply picks up the pace even further – unstoppable. A fizzing, furious, outburst of potent punk rock.

 

69 Eric Church – The Snake

 

Built on a sinewy, swampy acoustic riff, The Snake is classic country protest. America’s two polarised parties are portrayed as two serpents greedily preying on the electorate. Church’s wonderful spoken drawl vocals add just the right tinge of bleak menace and give extra depth to the bitter lyrics, “Rattlesnake said to the copperhead / Ain’t no way they win / ‘Cause the mice are sheep / And the shepherd’s asleep / And the copperhead said “amen

 

68 Drahla – Twelve Divisions Of The Day

 

A naggingly insistent earworm of a tune, blending the band’s wiry art-rock with krautrock inspired experimentalism, all underpinned by singer/guitarist Luciel Brown’s captivating spoken drawl.

 

67 Dr. Dog – Buzzing In The Light

 

Dr. Dog have long been the purveyors of perfectly judged psych-tinged Americana that draws on elements of pastoral folk, soul and jazz. Buzzing In The Light is wonderfully mellow and laid back, hazily meandering to a dreamy conclusion on the back of a slow drumbeat and keyboards.

 

66 Big Joanie – Fall Asleep

 

A fabulous amalgamation of Ronettes style bubble-gum pop and Sleater-Kinney wig-out. The high speed Fall Asleep is an instantly hummable, toe-tapping frolic through the highs and lows of dreams and nightmares.

 

65 Queen Zee – Victim Age

 

Queer-core punks Queen Zee’s energetic, politically charged call to arms – anarchic and borne of a deep frustration with the status quo. Another to play loud!

 

64 Dunes – Mountain

 

Mined from the same sonic territory that hosts the Black Angels, Warlocks and Wooden Shjips, Mountain is thick with reverb, fuzz and deliciously dark undertones.

 

63 Slaves – Bugs

 

Bugs is a classic Slaves staccato stomper. Anthemic call and response vocals and thumping percussion deliver a savage verdict on our collective politicians’ utter failure to do anything but look after their own porcine interests whilst the country slides down the drain with barely a whimper. “Two arms, two legs, two faces, That’s what they got” Exactly.

 

62 Freschard & Stanley Brinks – Going To The Bar

 

Stanley Brinks is one of indie music’s true one-offs. Amongst many other things he has recorded more than 100 albums, been part of the New York Antifolk scene, and played a lot with The Wave Pictures. On this wonderful collaboration with Freschard, the pair deliver a wistfully off-kilter and woozy gem of a tale that takes in drinking alone, the bedridden Fred (with the big round head) and broken hearts. A rueful and poignant tune for the dead of night.

 

61 Goat Girl – The Man

 

A stand-out from Goat Girl’s self-titled debut, The Man is perfectly observed garage-punk that comes wrapped in delightfully sleazy guitar and a rattling sing-a-long chorus. Seedy never sounded so alluring.

 

60 Goat – Let It Burn

 

Let It Burn was written specifically for the climatic scene in the short movie Killing Gävle, a film about the famous Gävle Goat in Sweden – every year local custodians try to protect a giant straw goat (built for the town every Christmas) being burnt down by mischievous pagans. It all sounds very Wicker Man (no doubt our very own folk horror aficionado Chris T Popper would approve) and to which the epic nature of the song – six minutes of Goat’s unstoppable hypnotic fuzzy groove – does complete justice.

 

59 Dunes – (Just Because You’re Not Being Followed Doesn’t Mean You’re Not) Paranoid

 

Another from the Aussie psych-rockers. Spacier, woozier, but just as hypnotic.

 

58 Cash Savage & The Last Drinks – Pack Animals

 

Pack Animals is a the grubby, cheeky nephew of a union between classic early 70s pub-rock and punk. Underneath it’s cheery, pumping exterior and chugging refrain is a searing indictment of the inherent arrogance of gig-goers giving the girls in the band some “helpful” advice, almost always prefaced with the opening “The gig was great, but…

 

57 Amen Dunes – Miki Dora

 

A song about the iconic 60s surfer and lifelong criminal, Miki Dora is a haunting pop gem that evokes the shimmering, untouchable horizon with its gorgeous blurry vocals and shifting, restless tones, like waves endlessly rolling up the shore.

 

56 Stephen Malkmus & The Jicks – Bike Lane

 

Kick off your jackboots, it’s time to unwind”. Unsurprisingly there have been many political songs this year and Lord knows from Trump to the insanity of Brexit there has been plenty of material to work with. But none have quite the impact of Bike Lane, a song dealing with the death of Freddie Grey, a victim of police brutality in Baltimore. It is unflinching and straightforward and set to a classic chugging riff. “The cops, the cops that killed Freddie, Sweet, young Freddie Gray, Got behind him with their truncheons, And choked the life right out of him“.

 

55 Young Fathers – Toy

 

Confidently and gleefully leaping between genres with nary a backwards glance, Toy effortlessly bridges a gap between rap and full on sing-a-long indie anthem.

 

54 Eels – The Deconstruction

 

A laid-back wander through some classic rock territory. Echoes of Pink Floyd and Massive Attack burble and hum behind Mark Oliver Everett’s understated vocal, “The deconstruction has begun. Time for me to fall apart.” Sometimes funky, sometimes elaborate and always unpredictable, The Deconstruction is the sound of a revised world view and a weary philosophical acceptance of the nebulous state of things.

 

53 The Callas with Lee Ranaldo – Acid Books

 

A post-punk burner brimming with frenzied energy. Opening with a swirl of droning ambiance and the rhetorical question, “Do you sleep at night?”, the track quickly launches headlong into a fever of activity. With the anxious pulse of a hard-driving bassline to lead the way, and punctuated by terse outbursts of hypnotic, scuzzed-up guitar lines.

 

52 Slaves – Cut And Run

 

Everything about Cut And Run is ridiculous. The spoof workout video, the high pitched guitars and the “You’re looking unwell” mantra, yet it still all combines to create another infectiously catchy, sledgehammer punk song.

 

51 Idles – Love Song

 

Idles somehow manage to pair howling, horror-flick guitars and thumping percussion with fierce, redemptive lyrics on the complexities of relationships and love.

 

Check out tracks 100 – 76 from yesterday here.

  1. Titus Andronicus – Only A Hobo
  2. BRONCHO – Keep It In Line
  3. Phosphorescent – C’est La Vie No. 2
  4. Courtney Barnett – Small Talk
  5. Kurt Vile – One Trick Ponies
  6. Flat Worms – The Apparition
  7. Death Valley Girls – (One Less Thing) Before I Die
  8. The Berries – Junkyard Dog
  9. Laura Gibson – Domestication
  10. SOAK – Everybody Loves You
  11. New Rose – Plenty Of Flowers

 

 

 

 

 

 

 

 

 

 

 

 

New Single From Flat Worms

Posted: September 6, 2018 in Alternative, Garage, Music, Punk, Rock
Tags:

Flat Worms are back. And just like that a shit day just got transformed.

The new 7″ single from the LA based threesome is titled The Apparition / Melt The Arms. The B side can be streamed below – it is furious, buzzing, magnificent, garage-punk that will put hairs on your chest and then melt them off again – all in just over two minutes.

Just glorious. Listen, then click through and order it.

 

Welcome to numbers 120 through to 101 of our favourite tunes of the past ten years…

120 Black Mountain – Let Spirits Ride (2010)

Who cares if the riff is nicked from another song, or if it sounds like 1972. I don’t when it as good as this. Pure riffola magic.

 

119 Faith Healer – No Car (2015)

 

Kicking up a meaty riff from the outset and telling the tale of an abusive ex-lover, the impact of No Car is unstoppable – a powerhouse of a tune

 

118 Car Seat Headrest – (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem)(2016)

Will Toledo delivers a stunning combination of self-deprecating disgust, mundanity and insight without sacrificing one ounce of musicality. Equally rich and raw, with an honesty and openness that is all too rare these days. The closest thing to a modern day Leonard Cohen that we have heard and simply can’t praise him more highly than that. Sheer genius.

 

117 Flat Worms – Red Hot Sand (2016)

 

Starts like the Butthole Surfers and then gets better. Pure bristling, raw, visceral, fuck-you rock’n’roll.

 

116 King Gizzard & The Lizard Wizard – Sleep Drifter (2016)

 

Irrepressibly hazy psych rock where lurking amidst a jovial, almost childish rhythm is something nightmarish revealed through harsh, distorted guitar riffs.

 

115 Soft Black – Time gets Away And Has Its Way With You (2009)

 

Ah, that gentle rhythm and those sweet harmonies. Simply gorgeous meandering, psych inflected indie rock.

 

114 The Tallest Man On Earth – Leading Me Now (2o12)

Fast paced, catchy and, dare we say, light-hearted, finger picked folk with a unique melody and those wonderful scratchy vocals.

 

113 Creepoid – Grave Blanket (2011)

 

Rattling psych-rock, all creeping reverb laden malevolence.

 

112 Wooden Wand & The World War IV – I Hate The Nightlife (2013)

 

Bleak psych-country with Crazy Horse era guitars soundtracking the grimy fuzz of a regular, always hungover, road trip.

 

111 Lord Huron – Time To Run (2012)

An epic Western of a tune: a story song with a foot-tapping rhythm that mimics the flight of yer man and a great mid point when the bells of doom literally ring for our outlaw friend on the run.

 

110 This Is The Kit – Silver John (2015)

 

Spine tingling, mysterious and poetically reflecting on nothing less than the impending end of the world.

 

109 Nathaniel Rateliff – Brakeman (2010)

Folk lullaby dripping with regret and despair.

 

108 Grass House – A Cradle A Short Breath (2011)

In a conscious effort to avoid being type-cast in a dark or brooding vein, the song hints at the lighter side of the London group’s repertoire. Even so, it is still menacing enough to send most other indie bands screaming to their mummies.

 

107 Royal Sea – This Summer (2012)

 

Opens with a spectacularly catchy drum beat before the vocals come in like a rush of sugar coated adrenalin, plaintively announcing: “We crashed everybody’s parties / we drank cheap wine and whiskey / We partied up on the rooftops / I’m glad it was just you and me”. This should have been the woozy, feel good hit of the summer of 2012.

 

106 Delta Spirit – Trashcan (2008)

Clicking percussion gives way to a frantic rhythm and battle-cry vocals – a marvel of infectious folk rock.

 

105 John Grant – I Wanna Go To Marz (2010)

Grant’s effortlessly rich, expansive baritone, couched in a typically heartbreaking, lush melody courtesy of Midlake’s familar 1970s soft-rock style.

 

104 Alt J – Left Hand Free (2014)

Twangy indie rock with a shuffling beat, a quirky chorus and some bluesy undertones.

 

103 Moonlandingz – Vessels (2017)

 

A perfect blend of sleazy glam rock riffs and twisted lyrics – as delightfully grubby as it gets.

 

102 Sonny + The Sandwitches – Through The Fog And The Haze (2010)

 

Inspired by a near-drowning, Through The Fog And The Haze is perfectly observed, elegant folk filled with briny, aquatic imagery.

 

101 The Cave Singers – Gifts And The Raft (2011)

Pete Quirk’s rustic rasp set to some classic backwoods acoustic charm.

 

Check out tracks 200-181, 180-161, 160-141, and 141-120.

 

30 Meat Wave – The Incessant

 

29 L.A. Witch – L.A. Witch

 

28 Oh Sees – Orc

 

27 Pissed Jeans – Why Love Now

 

26 Deer Tick – Deer Tick Vol. 1

 

25 Ty Segall – Ty Segall

 

24 Public Service Broadcasting – Public Service Broadcasting

 

23 Phoebe Bridgers – Stranger In The Alps

 

22 Alvvays – Antisocialites

 

21 Sleaford Mods – English Tapas

 

20 Spectres – Condition

 

19 Whispertown – I’m A Man

 

18 The Americans – I’ll Be Yours

 

17 King Krule – The Ooz

 

16 Ron Gallo – Heavy Meta

 

15 Flat Worms – Flat Worms

 

14 Micah P. Hinson – Micah P Hinson Presents: The Holy Strangers

 

13 The War On Drugs – A Deeper Understanding

 

12 Kevin Morby – City Music

 

11 Mark Lanegan – Gargoyle

 

10 LIFE – Popular Music

 

9 Protomartyr – Relatives In Descent

 

8 Laura Marling – Semper Femina

 

7  Terry – Remember Terry

 

6 King Gizzard & The Lizard Wizard – Flying Microtonal Banana

 

5 Black Angels – Death Song

 

4 Cabbage – Young, Dumb & Full Of…

 

3 Big Thief – Capacity

 

2 The Moonlandingz – Interplanetary Class Classic

 

1 IDLES – Brutalism

 

75 Sleaford Mods – Moptop

 

74 Silver Torches – If I Reach

 

73 Idles – Divide And Conquer

 

72 King Gizzard & The Lizard Wizard – Rattlesnake

 

71 King Krule – Dum Surfer

 

70 Naomi Punk – Chapter II

 

69 The Reptaliens – If You Want

 

68 Rolling Blackouts Coastal Fever – French Press

 

67 Ron Gallo – All The Punks Are Domesticated

 

66 The Black Angels – Currency

 

65 B Boys – Energy

 

64 The Moonlandingz – Dirty Red Rose

 

63 No Age – Drippy

 

62 The Lovely Eggs – I Shouldn’t Have Said That

 

61 The Staves – Tired As Fuck

 

60 Wavves – You’re Welcome

 

59 Phobophobes – Where Is My Owner?

 

58 Thurston Moore – Cease Fire

 

57 Bad Dreems – Mob Rule

 

56 Kevin Morby – Bag Of Rats

 

55 Goat Girl – Cracker Drool

 

54 Cabbage – A Network Betrayal

 

53 Flat Worms – Motorbike

 

52 Dream Wife – Somebody

 

51 Cabbage – Fraudulent Artist

 

 

Best of 2017: 100 – 76

Flat Worms – Pearl

Posted: October 4, 2017 in Alternative, Garage, Music, Punk, Rock
Tags:

Pearl is the brilliant, fuzzed up new single from garage punks Flat Worms. It is another incendiary taste from their forthcoming self-titled debut and we can’t wait.

The album is out on the 20th of this month via Castle Face Records.

 

  1. The War On Drugs Pain
  2. Dream Syndicate Glide
  3. Flat Worms – Motorbike
  4. Weaves – #53
  5. Elijah Ocean – Bad Dreams
  6. Billy Bragg – King Tide And The Sunny Day Flood
  7. Hamilton Leithauser – Road To Nowhere  (Talking Heads cover)
  8. Hand Habits – Yr Heart

 

 

 

 

 

 

 

 

 

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mms-top-20

Our final Best of post of 2016 is MM’s own selections. You can also listen via Spotify here.

20 TRAAMS – A House On Fire
I always think I don’t really like long songs and yet they always seem to end up in my favourite tracks of the year. This TRAAMS song is nearly nine minutes long yet hurtles along in a blur of krautrock inspired grooviness that is irresistible.

 

19 BAIT – I’m Still Here
Out-slaved anything on the last Slaves record and mentions evil genius Timmy Mallet. Top marks.

 

18 Mind Spiders – Running
An unstoppable, frantic force of razor sharp guitars and seething urgency.

 

17 Underworld – I Exhale
See what I mean about long songs… Another eight minutes of hypnotic, motorik techno that cannot be denied.

 

16 King Gizzard & The Lizard Wizard – Gamma Knife
Described by the band as a ‘never-ending album’, Nonagon Infinity features nine songs connected by musical motifs which flow ‘seamlessly’ into each other with the last track ‘linking straight back into the top of the opener’. The first single, a psych-rock/trash metal wig out, Gamma Knife contained a riff from the song People Vultures and both songs are our favourites on the record. This just edges it for its sheer grooviness.

 

15 Terry – Don’t Say Sorry
I love this song for making me feel 15 again and discovering all those now punk classics. Nervy, incessant, catchy as hell and the best deadpan vocals of the year. Why would you say sorry for that?

 

14 Van William – Revolution
We still miss Port O’Brien and (whisper it) Van Pierszalowski’s new musical vehicle WATERS haven’t really been a patch on PO’B, so we were delighted to discover Van William, another new project, but this time returning to the folksier roots of his previous band. Add in a mournful trumpet and the gorgeous harmonies of First Aid Kit and a lovely record is suddenly elevated to another plane altogether. Fingers crossed for more from Van William

 

13 Flat Worms – Red Hot Sand
Starts like the Butthole Surfers and then gets better. The bit from 45 seconds to one minute is my favourite 15 seconds of punk rock this year.

 

12 Damien Jurado – Exit 353
Concluding the single story he has been telling over a trilogy of albums with Visions of Us on the Land, the lead single Exit 353 was a snapshot view of life and death, love and betrayal told through a perfect combination of expansive, evocative guitars with their roots in the heyday of classic 70s psych and Western movie strings that called to mind sun-blasted vast, parched sands.

 

11 James Arthur’s Manhunt – Kill Zone
An intense, tribal, maelstrom of churning, filthy guitars and pounding percussion that veers into space rock by way of spaghetti westerns and Italian horror films.

 

10 Great American Canyon Band – Undertow
Only You Remain was an excellent debut album of beautiful, pastoral Americana cut through with an almost sinuous psychedelic haze – imagine Beach House and Mazzy Star with Gram Parsons and Neil Young. Undertow was a dreamy, reverb-rich, reflective highlight.

 

Lucy Dacus – I Don’t Wanna Be Funny Anymore
A song about gender, identity and being taken seriously as an artist that manages to be funny and biting and smart. It is a perfect rallying cry, all wrapped up in biting lyrics and a driving riff that has as much Joey Ramone in it as it does Pavement or Yo La Tengo.

“I don’t wanna be funny anymore / I got a too short skirt, maybe I can be the cute one / Is there room in the band? I don’t need to be the front man / If not, then I’ll be the biggest fan”

 

Cave Singers – That’s Why
A perfect, slightly fuzzy, rolling baseline, stomping drums and Pete Quirk’s unmistakeable vocals. The Cave Singers gave us a new album this year. That’s Why was the first single and as soon as we heard it we knew they at least wouldn’t be letting us down in a year that turned out to be one of monumental disappointments.

 

7 Pixies – Um Chagga Lagga
A late entry thanks to Mrs M as the Pixies finally manage to turn back the clock and deliver a southern gothic rocker of bracing urgency and delirious intensity.

 

6 Black Mountain – Florian Saucer Attack
I imagine that one of the ten commandments of music might be “Black Mountain shall deliver the riff of the year” and so, just as it was with 2010’s Let Spirits Ride, so it was with 2016’s Florian Saucer Attack. This is just top notch rocking out of ‘turn it up to eleven’ Spinal Tap proportions – I mean that in an entirely good, and non-ironic, way of course, which is a shame for American readers as “apparently” you don’t get irony. I doubt it is true although while many of your countrymen and women were damning the celebrity support of Hilary Clinton as out-of-touch and unrepresentative, millions were happily voting for a billionaire celebrity on the other side. Go figure…

 

5 Parquet Courts -Dust
Droning, danceable guitars brilliantly provide a backdrop to a jittery 50 word essay on the inherent grossness of dust and the futility of cleaning. “It follows, now swallow, You’re biting it now, Suffocate, suffocate, Breathe, Dust is everywhere, Sweep”.

 

4 Ashley Shadow – Tired
A bleary, resigned mid-tempo rocker from the twin-sister of Black Mountain’s Amber Webber that somehow feels like being stood in the epicentre of a mini-hurricane.

 

3 Car Seat Headrest – Fill In The Blank
I came late to the Car Seat Headrest album because everyone was pushing the Drunk Drivers/Killers Whales song which was OK, but not good enough to make me want to check out the album. Turns out that was my mistake as it is by far the worst song on the best album of the year. It opens with Fill In The Blank, which pushes Black Mountain mighty close in the riffage stakes for a start and also has my favourite lyric of the year: “You have no right to be depressed, You haven’t tried hard enough to like it.”

 

2 Dr. Dog – Bring My Baby Back
Laying a yearning, plaintive vocal over the top of a perfect mix of  pop, gospel and psych rock, Dr Dog created the nigh on perfect Bring My Baby Back. Majoring on themes of betrayal, repentance, solitude, and revenge, wrapped up in a perfectly strummed acoustic guitar, it was the most innocently beguiling tune of the year.

Simple plea, make them pay and make them bring my baby back to me. Oh make them pay and make them bring my baby back to me

 

1 Car Seat Headrest – (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem)
Sounding uncannily like Will Sheff of Okkervil River at the start of (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem), Will Toledo delivers a stunning combination of self-deprecating disgust, mundanity and insight without sacrificing one ounce of musicality. Equally rich and raw, with an honesty and openness that is all too rare these days, Car Seat Headrest is a genuine poet – the closest thing to a modern day Leonard Cohen that I have heard and  I simply can’t praise him more highly than that. Sheer genius.

 

And our other annual ‘awards’..

Gig of the Year: Protomartyr at the 100 Club, London

 

Cover of the Year: Julien Baker – Ballad of Big Nothing (Elliott Smith cover)

 

Car-run anthem: Insane Clown Posse – Chicken Huntin’

 

So there we have it for another year.  To check out the Italian Job’s top 20 click here or here for Chris T Popper’s selections and here for Mrs Mackerel’s. Click for the full run down of our 100 favourite tracks (100-76, 75-51, 50-26, 25-1) and albums.

ctp-top-20

Our second individual listing comes from long-standing contributor Chris T Popper, he of the creaking joints and club foot (and yet still the second-best footballer in his family). Another cracking collection of tunes, and you can always listen on Spotify here.

20 Big Thief – Paul

 

19 Mind Spiders – Running

 

18 Hooded Fang – Dead Battery

 

17 Van William – Revolution

 

16 Staches – Total Commitment

 

15 Yowl – The Imminent Return

 

14 Ultimate Painting – Bills

 

13 Great American Canyon Band – Undertow

 

12 Flat Worms – Petulance

 

11 Jacuzzi Boys – Lucky Blade

 

10 Neighbors – Angel O

To begin my countdown we have the troubled Neighbors. The band are new to me and unfortunately I won’t be getting to hear any new material as they split up earlier this year. Thankfully they did have the good sense to sign off with a cracker. Angel O with its spiky guitars, rhythm changes and Jose Diaz’s Rohena’s distorted vocal ending the song audibly weeping is definitely one to pique my interest in checking out their back catalogue.

 

9 Parquet Courts – Dust

Dust is everywhere – it’s all around you ‘you’re biting it now’ it taunts. Held together by a driving tempo that breaks occasionally for a trip around all kinds of added extras including traffic noise it’s a celebration of the mundane. Sweep.

 

8 PJ Harvey – Guilty

The foreboding nature of the beat – a combination of tom tom through a whammy pedal – and lyrics feels particularly pertinent considering what a strange year’s 2016 has been. Decrying the US drone strikes ‘what’s he doing with that stick, which one is guilty?’ and ‘nobody asked us if we’re one of ‘them…’’ feels like a question likely to be repeated in 2017.

 

7 Magic Potion – Milk

I love the weirdly tuned guitars, slacker attitude and the way it just does it’s thing almost unnoticed. There is a kind of warmth to the whole thing (it was recorded and produced by the band) that seems to permeate and the doleful tones of lead singer Gustaf Montelius are a perfect match to the fab wonky guitar.

 

6 Terry – Don’t Say Sorry

Melbourne quartet Terry are a band made up of Australian post punk royalty. With members from different bands (including the wonderfully monikered Constant Mongrel) they’ve created an insanely catchy song with the sort of chorus that strikes earworm gold. Obviously I can’t help but sing along with it every time – it’s just instinctive.

 

5 The Wave Pictures – Pool Hall

This one ambles in to my top 5 with a nicely laid back swagger. Inspired by the disconnection of a society that’s seems intent on closing all our interesting places of social interaction, it’s a bluesy lament to those smoky pool halls now disappeared ‘your past gets closed down bit by bit’ says guitarist/vocalist and songwriter Dave Tattersall, adding (we’re now living)‘…in a bankrupt culture, one that celebrates bongo pop morons and largely ignores the real thing’. About right.

 

4 Underworld – I Exhale

From humble beginnings it’s when the synth cracks in to life that I Exhale starts it’s inexorable rise to becoming my go to record of the year. How many times did I put this on really loud when I was feeling shitty and found Hyde’s spoken word lyrics carrying me off to a different place, ably assisted by that pounding hypnotic beat.

 

3 Little Barrie – I.5.C.A.

Little Barrie made an appearance in a previous top 10 of mine and they’ve delivered another beauty with I.5.C.A. Bit of a slow burner, but that filthy opening riff soon pulls you in and the guitar throughout is just extraordinary. Inspired by hallucinatory trips driving up and down Interstate 5 on their last tour goes some way to explaining it’s otherworldly appeal.

 

2 Terry Malts – Used To Be

I have a real soft spot for Terry Malts, their tune I Was Not There was a big favourite from 2013. Now three years later they’re back with another cracker. I love the lyrics, grieving for a life that is just a nostalgic mirage. Do you want it back how it used to be? it asks before signing off with a ‘not me’ slapping any rose tinted glasses off your face in the process.

 

1 Yak – Victorious (National Anthem)

The chaos this song provides in just over 2 minutes is quite magnificent. The monster bass break preceding the chorus is proper badass and coupled with the strangulated vocals it gallops along with such an endearing lunacy I knew it was my favourite record of the year pretty quickly. There is something I love about a band doing exactly what they want… and it works a treat.

 

Tomorrow we have Mrs Mackerel’s dirty dozen. To check out the Italian Job’s top 20 click here or click for the full run down of our 100 favourite tracks (100-76, 75-51, 50-26, 25-1) and albums.