Posts Tagged ‘Frog’

Frog – God Loved A Woman

Posted: March 16, 2019 in Americana, Folk, Indie, Music, Rock
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We loved Brooklyn duo Frog’s album Whatever We Probably Already Had It, which was released towards the end of last year, and now the band have shared God Loved A Woman from it as a free download.

We’d like to say it was a standout from the album, but frankly that does a disservice to the rest of the record – it is a collection of standouts. A mix of folky Americana, lo-fi pop and indie strum all matched with some of the  best lyrics you’re ever likely to come across. It really is that good.

Listen/download it below. Then buy the album.

 

We never quite finished off our regular weekend post and already we have had new songs from the wonderful Felice Brothers, Mountain Goats and Mac DeMarco amongst others this week. So what the heck, why not mash ’em all into one (lazy) post of some great new tunes from the last 10 days.

So we have.

  1. Cabbage – Torture
  2. Felice Brothers – Poor Blind Birds
  3. Big Thief – UFOF
  4. Mac DeMarco – Nobody
  5. Stella Donnelly – Tricks
  6. The Mountain Goats – Cadaver Sniffing Dog
  7. Mountain Man – Take Me Home, Country Roads  (John Denver cover)
  8. Kevin Morby – No Halo
  9. Rolling Blackouts Coastal Fever – In The Capital
  10. Strand Of Oaks – Keys
  11. The Tough Shits – Late Bloomer
  12. Sam Evian – Cherry Tree
  13. Wand – Thin Air
  14. Frog – God Once Loved A Woman

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And here, finally, are MM’s own choices for favourite tunes of 2018.

Happy New Year one and all…

 

10 Frog – American
Just love the weary, resigned vocals, the profanity, the irresistible guitar jangle, the gradual build and swell into a furiously strummed coda – it sounds like Americana for the unhinged, which is exactly and precisely why we love it so much.

 

9 Gretchen Peters – Wichita
I have a thing for a southern country drawl and for murder ballads too. On Wichita you get both as Gretchen Peter’s narrates a tale of revenge for a twelve year old girl desperate to protect her sister from what has already happened to her. It’s unflinching and its strong, and its delivered with a gorgeous mix of country twang and smoky, defiant vocals.

 

8 Stick In The Wheel – Over Again
Handclaps, a sing-along chorus, looping guitars and a relentless driving rhythm. Over Again is a modern, follow-no-rules, classic of traditional folk storytelling that evokes bearded men and women in muesli knit jumpers stomping hobnailed boots onto a wooden pub floor and roaring along – all in a very, very good way. Takes a stick of dynamite and rams it up the haemorrhoid ridden arse end of over precious, finger in the ear folkies and deposits rectal shrapnel far and wide.

 

7 Oh Sees – Nail House Needle Boys
What else can I add that Dr. Roddy and Chris T Popper haven’t already said. Overall the worthy song of the year for MM and I’ll stick with my original description: a deliriously scorched excursion around the outer limits of prog-rock and glam, sucking in great gulps of Can, Deep Purple and King Crimson and exhaling them as little more than smoke and ash, drifting down on to the still twitching corpse of psychedelic rock.

 

6 Silverbacks – Dunkirk
Our second favourite Irish band discovery of the year. Dunkirk has one of those insistent, needling guitar melodies that we can never resist. Throw in some laconic, half-spoken vocals and some hypnotic percussion and we’re like a kitten that has just discovered catnip. Thirty seconds in we’ve rolled over and exposed our tummy for a little stroke – it’s that damn good.

 

5 Parquet Courts – Tenderness
I’ve loved following the evolution of Parquet Courts, from scrappy speed-punk to twitchy art-rock and even drawing in elements of rap and dance. Tenderness feels like the culmination of the journey so far – a toe-tappingly catchy slice of upbeat indie-punk built on an irresistible choppy guitar and buoyant piano that, like all the very best songs, seems both simple and effortless when it is far from either!

 

4 Drenge – Bonfire Of The City Boys
Until now Drenge had always seemed to me to be one of those noise-punk duos that seemed to be following rather than leading, just lacking some tiny spark that would properly set them apart from the crowd. Well this is it – Bonfire of the City Boys takes the Big Black template and runs it through a Future of the Left filter to provide a brilliantly menacing and oppressively constant slab of noise punk that is exactly as incendiary as its title suggests.

 

3 FEWS – Business Man
FEWS
are a criminally underrated band. Thankfully they seem to take a healthy dose of resentment and cynicism and channel it into some of the most furious, blistering psych-punk noise that you could ever hope to hear. While other, lesser, bands hog the limelight, FEWS are chipping away at the foundations, creating their own blend of caustic sonic mayhem that in another, better, world sees them headlining Jools Hollands’ fucking Hootenanny and turning all the B and C list celebrities into blubbering cry babies. Business Man is the song that would do it. Just unstoppable: pulsating, discordant, spastic, and violent. Happy New Year!

 

2 Dr. Dog – Listening In
No one does this kind of pastoral, psych-infused Americana as well as Dr. Dog. For years they’ve been cranking out classics with little fanfare and this is just the latest. From the opening verse, we’re on a slightly surreal, kaleidoscopic journey that feels like it would be perfectly at home in Gene Wilder’s Willy Wonka world, floating downstream on a chocolate river in a haze of twinkling lights and swirling vanilla flavoured fog, “I can hear the animals talking, I can hear the animals talking, But they ain’t talking to me, Are they talking to you? No, they ain’t talking to me, Who they talking to?

 

1 Fontaines DC – Chequeless Reckless
Let’s be honest 2018 was shit from a global perspective. From the vacuous lies of Trump to the frothing, swivel-eyed racists of our own political right who are hellbent on “taking the UK back” (from whom exactly?) into their halcyon vision of casual racism and colonial fuckwittery. Thank God then for small mercies like Fontaines DC – our favourite discovery of the year – who released two singles of unrivalled brilliance to announce themselves to MM. Chequeless Reckless is the song that summed up all our frustrations and misery of the year in a howling, visceral protest that at least gave us something to thump the steering wheel too as we careered through a year of driving to bloody Peterborough every week.

“An idiot is someone who lets their education do all of the thinking
A phony is someone who demands respect for the principles they effect”

Nothing phony about these boys. Song of the year. Fact.

 

Check out Dr. Roddy’s choices here and Chris T Popper’s here.

Into the top half of our favourite songs of the year. Here are tracks 50 through to 26.

50 Murder By Death – True Dark

 

Murder By Death have built a career on gothic country rockers and sun-baked desert folk, yet even after all these years they still manage to surprise and True Dark is them at their twangiest best.

 

49 Fontaines DC – Too real

 

The second entry for Fontaines DC. The band’s latest single, Too Real is another storming track of undeniable power and swagger that just begs to be played loud, and on repeat.

 

48 Frog – American

 

Stripped back, insistently sparse folk and a lyrical gem, “Yes by God I’m American, God is great he’s hilarious, What the fuck y’all staring at? Tall, dark, bald and arrogant”

 

47 Shame – Gold Hole

 

We know this isn’t strictly a new song this year but we’re claiming editorial immunity and sneaking it in anyway as it does feature on London punks Shame’s debut long player that came out at the beginning of 2018. Gold Hole is an uncomfortably close-to-the-bone story of a lecherous older man buying the affections of a young girl – it is seedy and sordid and brilliantly observed. “Sweat stains the wrinkles/Tongue touches the hole, She feels so dirty, she knows that it’s wrong, But she feels so good in Louis Vuitton.

 

46 Conor Oberst – No One Changes

 

Is there anyone else who can make melancholia sound so stunningly gorgeous? No One Changes is an introspective, sombre beauty, as elegant as it it fragile.

 

45 Oldermost – The Danger Of Belief

 

Creating era-blending Americana-infused rock & roll with a more indie rock vibe, rollicking, anthemic  single The Danger of Belief was made for a long straight highway with the windows down and the volume up.

 

44 Kurt Vile – One Trick Ponies

 

A highlight from his most recent album, One trick Ponies has all the trademark Kurt Vile ingredients: woozy guitar lines, mumbled stream-of-consciousness lyrics, sly humour and a touch of the surreal. But this is a generous, big-hearted song and the hazy sheen he coats it in just adds the prefect amount of gentle bonhomie.

 

43 Cass McCombs – Sleeping Volcanoes

 

Almost without noticing Cass McCombs has become one of our most influential and important songwriters. Sleeping Volcanoes, the thematic centrepiece of his upcoming album, is a delight of pensive, dreamlike rock, albeit anchored by a rumbling groove and his world-weary vocals.

 

42 Wing Defence – Stuck

 

Aside from the netball connotations, Aussie duo Wing Defence delivered a sublime single of indie pop with Stuck, the infectious melody is of major earworm quality, and shot through with a core of wonderfully bitter lyrics.

 

41 Sunflowers – Castle Spell

 

The pulverising riffing and chanted lyrics of Castle Spell combine into a freakbeat spectacular of psyched-out space rock – like Silver Machine on speed.

 

40 Mary Gauthier – The War After The War

 

Rifles & Rosary Beads was an album that was four years in the making, it is a collaborative record in the sense that the eleven songs were co-written with wounded veterans in the SongwritingWith: Soldiers retreats. Taken from the album, the heartbreakingly poignant and evocative The War After The War, with its gorgeous violin backdrop and insistent guitar had one of our favourite opening verses of any song we heard this year.

Who’s going to care for the ones
who care for the ones who went to war?
There’s landmines in the living room
and eggshells on the floor

 

39 Death Valley Girls – Disaster (Is What We’re After)

 

Awash with a swirling riff and Thor-like percussion, Disaster (Is What We’re After) is a churning, boiling psych-punk rocker that rides its undeniable, repetitive groove like a drunken cowboy at a rodeo.

 

38 DBUK – In San Francisco Bay

 

DBUK, a side project of Slim Cessna’s Auto Club will return early in the new year with their second album. The first single In San Francisco Bay is a southern gothic four-de-force. Hypnotic, mesmerising and menacing – think of it as the musical equivalent of a naked preacher sat in a box full of venomous snakes.

 

37 Cabbage – Arms Of Pleonexia

 

Blending social comment with mordant black humour and a keen eye for detail, Arms Of Pleonexia was a savagely frenetic addition to Cabbage’s rapidly growing collection of brilliantly observed post-punk anthems

 

36 American Wrestlers – Ignoramus

 

Described by American Wrestlers (aka songwriter Gary McClure) as “a weird little country song with hokey lo-fi strings that bent into black memories“, Ignoramus is all that and more – in fact we’d go as far as to say it is a snidely understated masterpiece.

 

35 Stick In The Wheel – Over Again

 

Over Again is classic British folk story-telling. Hurtling along on the back of an irresistible melody, it begs to be sung along to (and there’s even room for some handclaps).

 

34 Laura Gibson – Tenderness

 

Laura Gibson’s album Goners explored themes of grief and loss and a standout was the haunting and beautiful Tenderness. An intimate and somewhat pensive fable that reflects, almost dreamlike, on how we project pain and lash out, holding on to each other’s trauma and sorrow. “Certain men can smell a wound a room away, you are melancholy well, beauty only made you lonelier

 

33 FEWS – Paradiso

 

Paradiso from brilliant Anglo/US/Swedish noiseniks FEWS was yet another example of their slashing, incandescent guitars and ferocious, pummelling percussion.

 

32 Yves Tumor – Lifetime

 

We’re allowing Polly Pocket this one… a multi-faceted tune of bright, crisp synths, ethereal backing vocals and relentless, unforgiving drums that call to mind Disintegration era Cure.

 

31 Lost Brothers – Come Tomorrow

 

A gently insistent folk song complete with the duo’s trademark tender harmonies and sense of bruised heartache. It is an absolute gem of a tune.

 

30 She Makes War – Undone

 

She Makes War (aka Bristol based artist and multi-instrumentalist Laura Kidd) wrote Undone in a daze the day after her grandmother Constance died last May. The song’s monster guitars deliver palpable rage at the bad things that happen to good people, acting as an openhearted rallying cry against the British stiff upper lip brigade. “We need to give ourselves a break”, she says. “Giving ourselves time to feel devastated doesn’t make us weak.

 

29 Rolling Blackouts Coastal Fever – Bellarine

 

A brilliant debut album and a brilliant rolling track of jangling guitars and driving motorik percussion.

 

28 Interpol – The Rover

 

The Rover opens with ringing guitars and percussion taken directly from Krautrock’s halcyon heyday. It is a relentless, menacing rush of pure rock’n’roll.

 

27 Gretchen Peters – Wichita

 

Where would we be without a good murder ballad? This is classic country story-telling given a contemporary twist as Gretchen Peters brilliantly sketches a tale of a woman driven to desperate measures to protect her little sister from a predatory male.

 

26 Parquet Courts – Tenderness

 

Ever since the brilliant Stoned and Starving, Parquet Courts have shown an uncanny ability to create some of the catchiest, toe-tappers around, whilst still managing to diversify their sound into new genres and styles. Tenderness is up there with the best of them – surprisingly slinky, jaunty and knowingly insecure, “Like a junkie going cold, I need the fix of a little tenderness“. We can all relate to that.

 

Check out tracks 100-76 here, and 75-51 here.

Frog – Bones

Posted: November 26, 2018 in Americana, Folk, Indie, Music
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Loving this track of stripped back, insistently sparse folk from New York duo Frog.

The wonderfully poignant and unrestrained Bones comes from new album Whatever We Probably Already Had It, out on Audio Antihero, and which can be ordered from Bandcamp here.

Listen to it below, along with the (possibly equally good) frantic strum of American.

 

 

Introducing >>> Frog

Posted: April 3, 2015 in Alternative, Folk, Indie, Music, Pop, Psychedelic, Rock
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Introducing >>> Frog

New additions to the marvellous Audio Antihero roster, New York duo Frog’s offering Judy Garland (with artwork from regular MM fave Benjamin Shaw no less) is a brilliant lo-fi romp through vocal gymnastics, uptempo, infectious banjo rhythms, and a fabulous falsetto chorus.

Pre-order the album Kind of Blah here.

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And as a bonus here is the b side for you, the non-album track Rainbow Road.

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