Posts Tagged ‘Public Service Broadcasting’

Progress is taken from Public Service Broadcasting’s upcoming third album (the subject of which remains a closely-guarded secret).

Guest vocals from Tracyanne Campbell of Camera Obscura adds a new dimension to the music. Her keening, affecting and decidedly human performance combines and contrasts with samples hinting at a world of mechanisation and automation, as Kraftwerk-like vocoders, driving guitars, propulsive drums and melodic synths all fight for prominence.

Have a listen.

 

You know the drill I’m sure. Here then are no less than 13 collected new tunes from the past week for a perfect weekend playlist…

1. Surfer Blood – Hey Ya (Outkast cover)
2. Childbirth – Nasty Grrls
3. Yuck – Hold Me Closer
4. Diet Cig – Sleep Talk
5. Public Service Broadcasting – The Other Side
6. Chelsea Wolfe – After The Fall
7. Goat – It’s Time For Fun
8. Hamilton Leithauser & Paul Maroon – Proud Irene
9. Phil Cook – 1922 (Charlie Parr cover)
10. Yung – Burning Bodies
11. Together PANGEA – No Oz
12. Palehound – Healthier Folk
13. Wand – Stolen Footsteps

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Public Service Broadcasting are great. Last year’s Inform- Educate – Entertain album was a real treat, and made it into our Albums of the Year selection.

Now to mark their upcoming North American tour, and as many parts of the US remain frozen and blizzard-hit, they have released a new, snow-packed video for their UK single Everest.

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Perhaps unusually, this year seemed a better one for albums rather than individual tracks with some fabulous releases over the past twelve months. There were many contenders for our end of year list, but here, after much deliberation, is Part One of our favourites of 2013.

50 Daughn Gibson – Me Moan

More From Daughn Gibson

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49 The Men – New Moon

MM Shorts 331: The Men - New Moon

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48 Pissed Jeans – Honeys

Pissed Jeans - Honeys

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47 The Dodos – Confidence

dodos

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46 Holograms – Forever

holograms forever

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45 Colleen Green – Sock It To Me

colleen green 500x500

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44 Blank Realm – Go Easy

Blank Realm Go Easy

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43 Night Beds – Country Sleep

night beds

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42 Agnes Obel – Aventine

agnes obel aventine

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41 Grass House – A Sun Full And Drowning

Grass House Debut Album

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40 The Oblivians – Desperation

oblivians

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39 Scott & Charlene’s Wedding – Any Port In A Storm

Scott & Charlene's Wedding - New Single & Album

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38 No Age – An Object

no age an object

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37 Public Service Broadcasting – Inform – Educate – Entertain

public service broadcasting

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36 Cate Le Bon – Mug Museum

cate le bon mug museum 500

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35 Okkervil River – The Silver Gymnasium

okkervil river

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34 John Grant – Pale Green Ghosts

John Grant - Pale Green Ghosts

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33 Fuzz – Fuzz

fuzz

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32 I See Hawks In L.A. – Mystery Drug

New Album From I See Hawks In L.A.

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31 Savages – Silence Yourself

Savages Silence Yourself

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Mad Mackerel's Top Songs Of 2013

As well as our Top 100 tunes of the year that we’ve posted over the past few days, each of the MM contributors have put together their own lists. The fifth and final instalment is our own.

20. Colleen Green – Heavy Shit
Totally infectious, stoned punk.

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19. Harmed Brothers – Love Song For The Assumed
Mixing folk and bluegrass with a wistful twist of poignant melancholy, Love Song For The Assumed was as sweet and as simple a song of heartbreak and longed for resolution as we heard in the whole year.

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18. Black Angels – Indigo Meadow
Tribal drumming, 60s Hammer-Horror organ, and reverb.

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17. Courtney Barnett – History Eraser
A late entry – deadpan, conversational, charming, funny, literal and literate – a drunken night’s tale told with an upbeat lo-fi jangle and amiable vocal delivery.

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16. Holograms – A Blaze On The Hillside
Most thrilling riff of the year?

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15. John Grant – GMF
One part waspish humour, one part resigned melancholy and one part bitter dislocation. Superb.

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14. Fuzz – Sleigh Ride
Heaviest riff of the year?

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13. Cass McCombs – Big Wheel
Hypnotic, rumbling, country-dirt travelogue.

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12. Dune Rats – Stoner Pop
In a parallel world somewhere, this was the smash hit of the summer.

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11. Blitzen Trapper – Feel The Chill
That old wreck of a shack buried in evergreen and murky darkness at the bend in the road up on Jackson Hill where we used to drink and never failed to give me a chill driving by in the old Impala for it’s implacable mystery.” That’s where Feel the Chill takes place.

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10. Public Service Broadcasting – Signal 30
Brilliant and mesmerising combination of high octane guitar riffage, retro public information film samples and electro beats.

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9. Parquet Courts – You’ve Got Me Wonderin’ Now
Stoned and Starving would have been our song of the year, but for its minor self-release in 2012. No matter scrappy, swaggering, nihilistic NY punks Parquet Courts gave us this gem instead. A highlight of their performance at the Green Man festival and our undoubted gig of the year.

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8. Foxygen – No Destruction
We may have lost Lou Reed this year, but his spirit lives on in No Destruction, a natural pretender to his throne, and this song has the best use of “weaseled” in any song we’ve heard.

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7. Wooden Shjips – Everybody Knows
Channeling Neil Young by way of Hawkwind, Wooden Shjips gave us this hypnotically evocative and brilliant slab of psych rock on latest album Back To Land

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6. Terry Malts – I Was Not There
To do simple, balls-to-the-floor, screw-you punk rock this brilliantly well takes real talent. Terry Malts have it.

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5. Big Haunt – Burn Me Up
We received an e-mail. It said, “We are a Portland, Oregon band called Big Haunt. We play spooky, gospel infused big beat indy folk. This is our first single, “Burn Me Up.”  It’s a song about ritualistic fire sacrifice and murder. We thought you might like it.“ We did. We liked it very much.

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4. Martha’s Vineyard Ferries – Blonde On Blood
Like the best ever Fall single played at 78rpm. This is, of course, a very good thing indeed.

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3. Low – Plastic Cup
One of those few songs that feels like it could have been written any time in the past 40 years. Timeless is over-used, but this really is that good.

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2. T. Hardy Morris – OK Corral
The sound of a ghost town set to song.

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1. Phosphorescent – Ride on/Right On
While I might be at odds with my shoalmates, this track from Phosphorescent’s peerless Muchacho album was my tune of the year. A little bit of funky rhythm and a whole lot of country grit combined to make the most compelling and enduring song of 2013.

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Best songs we heard this year, but released prior to 2013.

Parquet Courts – Stoned And Starving
A stonewall classic and worthy successors to the currently vacant slacker indie and resigned punk rockers crown.

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Edmund Wayne (with River Giant) – To The Bugs On My Ceiling

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Hank Williams III – Country Heroes

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And The Song We Wished We’d Heard Before We’d Compiled Our Top Twenty

Clara Berry & Wooldog – Hard Time Killing Floor Blues

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You can see our favourite cover songs of the year here.

MM's Best of 2013 - 50 - 26

Part three of our favourite 100 tracks of 2013. Today we’re counting down from 50 – 26.

50 Hanni El Khatib – Nobody Move
In Hanni El Khatib’s biog on Wikipedia he says that his “…music is for anyone who has ever been shot or hit by a train“. I think that this is a good way to describe this tune as it hits you flat out, ballsy, raw and aggressive in its lunge for your ears. Cracking bit of uptempo rock with a good nod at 70s punk. (Dr R)

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49 Vandaveer – Omie Wise
From Vandaveer’s outstanding reinterpreting of traditional murder ballads came the tale of the particularly nasty Omie Wise. He gets his comeuppance in the end.

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48 Waxahatchee – Swan Dive
The rhythmic drumming and finger picking guitar counter balance Katie Crutchfield’s rich, husky vocal in this short, melancholic lament: you hold on to the past, you make yourself miserable/and I’m ruled by seasons and sadness that’s inexplicable. So there. (MM)

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47 Public Broadcasting Service – Signal 30
Brilliant and mesmerising combination of high octane guitar riffage, retro public information film samples and electro beats. (MM)

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46 Tired Pony – All Things All At Once
Boasting quite a line up Tired Pony have got it all going on. All Things At Once has a pure, unpolished feel to it, like they all just happened to be together and decided to start playing and recording and here it is. Country? Folk? Americana? Who knows. Whatever it is, it sounds bloody good to me. (PP)

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45 Caroline Rose – Six Foot Woman
You don’t get more honky tonk than Caroline Rose’s self-effacing tale of the mighty six foot woman. Sounds like it was dug up in a 1970s Tennessee roadshack.

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44 Parquet Courts – You’ve Got Me Wonderin’ Now
Stoned and Starving would have been our song of the year, but for its minor self-release in 2012. No matter scrappy, swaggering, nihilistic NY punks Parquet Courts gave us this gem instead. A highlight of their performance at the Green Man festival and our undoubted gig of the year. (MM).

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43 Jus Post Bellum – It’s A Shame
Cowboys! Gunfight! This is an upbeat folky number with a wicked drum backbeat that pulls it all together like a rolling canter. He’s a bad ‘un and it’s a shame. (Mrs M)

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42 Haim – Falling
A last minute change around has put Haim into my Top Ten for the year. Every time I hear this song I am reminded of just how good I think it is. Very polished, really well produced, love those harmonies and that retro feel. Haim are like marmite. I like marmite. (PP)

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41 Drenge – Backwaters
I love this powerful two piece out of Derby. Sort of Henrys Funeral Shoe meets The Smiths. I have always been a sucker for this sort of sound – you’re just towed away on the riptide of noise. This is the kind of song you turn up to eleven when people are in the middle of talking to you about some inane shit. (Dr R)

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40 Alela Diane – Colorado Blue
Sharply observed lyrics float over a gently strummed backdrop, this song is plumbed from the emotional depths of her divorce album. Might not get you in the Christmas spirit but is sure to bring a lump to your throat. (Mrs M)

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39 Willie Nile – Life On Bleecker Street
Second entry for Mr Nile and another evocative ear worm, this time the observations on life on a certain street in Manhattan that was once a major center for American bohemia.

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38 Deptford Goth – Union
It’s the simplicity of this tune that first got me hooked. It’s also a song I would have been in love with as a teenager. It might be electro pop but there is a fair amount of misery and sorrow in there too, so what’s not to love? (PP)

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37 Wooden Shjips – Everybody Knows
Channeling Neil Young by way of Hawkwind, Wooden Shjips gave us this hypnotically evocative and brilliant slab of psych rock on latest album Back To Land (MM).

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36 Night Beds – Even If We Try
It starts off acappela, and finishes somewhere around dawn. Yes, this is indeed a late night/wee small hours tune if ever there was one. Recorded Bon Iver-style in a self-built studio, this is an intimate song of longing and reflection:  As you watch the colours/Fleeting with the cover/Nature set on fire/Truth found in the mire. There’s space under my wing, Winston.

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35 Shovels & Rope – Johnny 99
Yes, it’s a Bruce Springsteen cover, but quite frankly, so what? This is a damn fine tune and that’s one hell of a Marlboro red voice she’s got there. And did I mention the piano (again)? (Mrs M)

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34 Water Liars – Fake Heat
I kind of loved this song despite trying not to if you know what I mean? In the end I gave in gracefully (which wasn’t difficult, there’s a fair bit of imploring in this one) as the heart should always overrule the brain when it comes to music. It does have an undeniable glory to it as well though which can’t help stirring even this most cynical of souls. (CP)

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33 King Krule – Easy Easy
My friend bought me the King Krule album for my birthday this year. It was an inspired choice that lived in the CD tray for some weeks, I think they had started to bound molecularly. A gruff and untempered voice guides you through a cultural landscape that sounds empty and barren, all emphasised by the production on the lonely guitar that accompanies King Krule’s lament. (Dr R)

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32 Agnes Obel – Fuel To Fire
This beautiful song stopped me in my tracks when I first heard it a couple of months ago. All a bit haunting and full of melancholy. The album is a treat but Fuel To Fire stands out at the front for me. A great find for 2013. Lovely. (PP)

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31 Laura Marling – Master Hunter
A raging calm of Dylan referencing vitriol set to a rollicking backdrop.

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30 Telekinesis – Ghosts And Creatures
There is something familiar and comforting about this indie tune. Love all that distortion and a beat that makes me want to dance, or at least sway a little in a kind of early 90s way. Turn it up and you will feel uplifted. (PP)

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29 The River Has Many Voices – If You Gotta Go (Go With Me)
Poetically beautiful song of love, loss, sorrow and melancholy. 

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28 Big Haunt – Burn Me Up
We received an e-mail. It said, “We are a Portland, Oregon band called Big Haunt. We play spooky, gospel infused big beat indy folk. This is our first single, “Burn Me Up.”  It’s a song about ritualistic fire sacrifice and murder. We thought you might like it.“ We did. We liked it very much. (MM)

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27 Savages – She Will
Highlight from their Mercury Prize nominated album Silence Yourself. She Will is a peerless combination of icy post-punk cool and brutal hardcore.

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26 Thee Oh Sees – Toe Cutter/Thumb Buster
With a opening sound filthier than a night out with Jimmy Saville, this track has been a staunch favourite since my first listen. The bass line and guitar riff are simple, but massively addictive and unwavering in ferocity as the song crescendos during the chorus. It is the one song this year that, whenever anyone hears it for the first time, they sit there quiet then at the end, without fail say “That was awesome. Who was that?” (Dr R)

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Why not check out our picks for 100 – 76, and 75 – 51 too.

Videos of the Day

Videos to enjoy today from Public Service Broadcasting, The Visibles, Whales In Cubicles and Wolf Alice.

Public Service Broadcasting’s Night Mail takes its subject matter from the eponymous film of 1936, a pioneering documentary film produced by the General Post Office and the Royal Mail Group. Setting the original words of the documentary – including the much loved Night Mail poem – to a song that evokes the rhythm, speed and excitement of the railway in the era of the steam train.

Psychedelic images paired with nostalgia, or as San Francisco’s The Visibles like to jokingly call it “Nostalgiadelic“, was the inspiration behind their new self-made video for Marigolds – their latest single of psych influenced retro pop.

We also have the video for Whales In Cubicles new single Wax & Feathers and lastly for today, we have Wolf Alice’s video for She – the first of two of a continuing narrative, with a second video set for release in the very near future. Mimicking the track’s tumultuous, turbulent dynamics, the narrative follows a volatile young man as he lustfully and lovingly pursues his latest acquaintance. But as he is rapidly saturated in her life, it quickly becomes clear that his intentions are not as straightforward as they seem…

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Our first visit to the brilliant Green Man Festival. Here are the twenty best things we heard, saw and discovered over the weekend.

1. The Parquet Courts live up to the hype
Like the Ramones on speed, the four-piece transcended all the hype with the set of the weekend – a thrilling, occasionally ramshackle, breakneck excursion into punk, slacker pop and moshpit heaven, and in Stoned and Starving they have a ready made classic for years to come.

2. Dancing Bears at British Sea Power
An epic, brooding, cinematic set brought to a stunning, and appropriately eccentric climax as, during Carrion, two seven foot Grizzly Bears appear amongst the audience  to dance, grapple and lead an impromptu conga.

3. John Cale and Roy Harper still cut the mustard
They may be advanced in years, but both the old boys demonstrated just why the main stage was still the perfect stage for them. First up an amiable Harper showed just why he is a primary influence on so many of today’s folk stars from the Fleet Foxes to Joanna Newsom, finishing his set of pastoral, freak tinged folk with the classic, and beautifully poignant When An Old Cricketer Leaves The Crease. Then Cale, dressed in a fetching pink suit jacket and tie with denim shorts reeled through a set that built to a fabulous pulsating climax with Fear Is A Man’s Best Friend, Nookie Wood, Satellite Walk, and a stunning version of Jonathan Richman’s Pablo Picasso.

Mikal Cronin 14. Cover versions aplenty
Cover versions abounded everywhere at Green Man. As well as Cale’s brilliant Pablo Picasso, we had Roy Harper doing Dylan’s Girl From The North CountryNeil Young covers from Low (Down By The River) and Band of Horses tearing through Powderfinger, Fanfarlo covering Orange Juice’s Rip It Up, and Mikal Cronin delivering a superb Whole Wide World, but perhaps best of all was Mo Kenney’s melancholic, acoustic take on Bowie’s Five Years – simply mesmerising.

5. Grass House are destined for big things
We’ve loved Grass House for a long time and our first chance to see them live is everything we hoped for. Outsider pop it may be, but the effortless way the band mix dusty, western twang with sinister gothic noir and use them both to weave mournfully surrealistic tales means the crowd is soon gripped. And in the hypnotic and transfixing Spinning As We Turn, the gothic blues of And Now For The Wild and the tense, sinewy I Was A Streetlight they have three singles that should be the envy of just about every other up and coming band out there.

6. James Yorkston’s Dad sings along
A wonderful set by James Yorkston and band is capped by his Dad shyly joining them on stage for a full tent a capella sing-a-long of the Ivor Cutler classic Hold The Barrel Steady.

7. Arbouretum get heavy
Sometimes you just need long hair, cool as fuck riffs, guitar shredding and fantasy led lyrics. Arbouretum were all that and more and in False Spring provided the best air-guitar moment of the weekend.

8. Public Service Broadcasting get funky
Brilliant use of humour, sound samples, computer conversations with the audience, guitar riffs, banjo and persuasive percussion meant Public Service Broadcasting managed to get the entire walled garden crowd on their feet and dancing within two songs. Whether it was a self-conscious shuffle or a full on funky freakout, resistance to tracks like Signal 30, The Now Generation and London Can Take It, proved utterly futile.

9. Barry-Sean is a Whooper
We didn’t know it before, but gradually over the three days we started hearing a few whoops and hollers from Barry-Sean. Sure he started quietly, with a couple of muted efforts for Parquet Courts and then the next day for Grass House and a couple of others, but by the tail end of the festival he was in full voice, hollering like Foghorn Leghorn for Darren Hayman, Public Service Broadcasting and British Sea Power

10. Sam Amidon’s surreal banter
Amidst a lovely set of muder ballads, love songs and a capella gospel tunes, Sam Amidon entertained royally with some surreal between-song banter, none more so than the tale of the messages he receives from Kirsten Dunst’s eyes during her films.

Green Man Main Stage11. The Green Man Stages…
Really are sublime. The Mountain stage nestles at the base of (you’ve guessed it) a mountain, the walled garden stage is simply perfect, the courtyard a delight, the hills, the steps, the views, and this year even the weather meant it was everything we hoped it would be, but expected it wouldn’t.

12. Low really are a classic band
In the press tent one desperate-to-impress young thing opined that despite the new songs not being very good, Low were still a classic band. “Really“, asked another scribe, “do you know the new songs?“, the young thing confessed he didn’t and gently, but firmly, the scribe pointed out you can’t know how good the new songs are if you don’t know them at all. Touché.

And anyway, while the set did contain bonafide classics in Monkey, Over The Ocean and Murderer, at least one of those ‘new songs”, Plastic Cup is destined for the same status.

13. Boutique camping…at our age – hell yes!
Confession time. Barry-Sean paid extra for our four man tent, already put up and waiting for us in the Tangerine field. No more cramped, and crap, single skin pop-up tents that leak and then refuse to return into the carrier you brought them in. Our smugness was unbearable when the one serious downpour of the weekend happened about 2am on Saturday night…we woke dry and warm. The most comfortable festival we’ve ever been to.

14. Edwyn Collins ripping it up
As well as Fanfarlo, Edwyn Collins treats everyone to Rip It Up during a brilliant set in the late afternoon sun.

15. The ever growing popularity of Phosphorescent
As the burgeoning crowd testifies, and indeed the number of them singing along enthusiastically to most of the set, Matthew Houck’s Phosphorescent have delivered a true masterpiece with most recent album Muchacho, and stepped up to the big league. As the majestic Song for Zula floats out across the hills beneath the setting sun, it is probably the most perfect way to capture the enchantment and good-natured magic of this lovely festival.

16. Darren Hayman’s King Charles rap
Illustrating why he is a British songwriting treasure, Darren Hayman introduces Henrietta Maria one of the standouts from 2012 historical concept album The Violence with a role-played soliloquy as King Charles that is as good as it is slightly creepy.

17. Midlake and Band of Horses rock out
Two bands joyously grabbing their headline (or near headline) opportunities on the Mountain stage to deliver crowd-pleasing country-rock with a backwoods feel. Muscular as it was tender, and perfectly matched to the atmosphere and setting of the Brecon Beacons.

18. The Allah-Lahs get groovy
Closing the night on the Walled Garden stage, the Allah-Lahs treat us to some seductive, surf-tinged psychedelia that somehow manages to be both laid back and carefree, and melancholic and nostalgic. Perfection.

19. The art of Nick Reed
In the vintage tent were a host of little stalls. In a corner were t-shirts and postcards from Nick Reed, pre-dating the wonderful David Shrigley, his is a brilliantly warped worldview told through the eyes of a scribbled dog and some scalpel sharp observations. T-shirt for teenage son duly purchased.

20. Marika Hackman enchants in the Rough Trade tent
With a crystalline voice like Nico, and lyrics that are as dark as anything we heard all weekend, Marika Hackman enchanted all who were present when she played a short acoustic set in the Rough Trade tent.

And some of our favourite songs…

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New Single From Public Service Broadcasting

We loved the Public Service Broadcasting single Signal 30 and the album from which it came, Inform Educate Entertain. The latest single from it is this one, Theme From PSB.

It takes in pioneering American news broadcaster Edward R. Murrow’s famous speech from 1958, celebrating an instrument that can ‘teach… illuminate and yes, even inspire’, breezing along to a climax which invokes the very best that Public Service Broadcasting – both the institution and the band – has to offer.

The band will be pressing a limited edition pink vinyl to accompany the release, the b-side of which is a live recording of previous single Everest.

MM Recommends...Public Service Broadcasting

Having just heard this on Radio 6, we checked back through our in-box and found we’d been told about Public Service Broadcasting (aka J. Willgoose, Esq. and his drumming companion, Wrigglesworth) way back in February. Of course, in typical fashion and in complete dereliction of our duty, we’d contrived to miss just how damn good this track is – so another post filed under “better late than never”.

The band weave samples from old public information films, archive footage and propaganda material around live drums, guitar, banjo and electronics. The single in question is three and a half minutes of full-throttle head-rush called Signal 30, which is apparently one of their more post-rock/post-punk efforts. There will be a debut album, Inform-Educate-Entertain out on the 6th May.

Listen below…and play loud! You can download Signal 30 for free when pre-ordering the album.