Posts Tagged ‘Wharves’

Aussie indie rockers Wharves have shared their new single Mo’s Desert Clubhouse, a jaunty belter with ferocious guitars and spooky vocals. It is the second single off their debut EP Sooner or Later, which saw a release last Friday.

Stream it here.

 

Wharves – High School Hero

Posted: April 17, 2018 in Alternative, Indie, Music, Rock
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Loving this new single from Wharves.

The naggingly, groove infused High School Hero sounds like a weird mash up of glam-rock era Bowie, Devo, Nick Cave, The Clash’s Magnificent Seven and Tom Tom Club’s Wordy Rappinghood.

Even more weirdly it works… brilliantly.

Listen here.

 

Indie-rock quartet, Wharves have shared their brand new single titled Man You Want Me To Be.

It is reminiscent to some of the group’s staple influences Foals, The Strokes and City Calm Down, featuring driving disco-esque beats, thumping fuzz-laden bass and classic Brit-pop guitar tones, all capped off by the brooding and infectious vocal melodies of front man, Matthew Collins.

Have a listen.

 

We have too many good videos for too many good songs in our inbox and it would not be right not to share. So we will be dedicating the rest of today to video only posts…

Seventh up is The Wharves who combine gracefully minimal psyche-rock with fuzzed out folk, and the video for L’autre.

 

best of the weekCheck out our selection of the best of the new releases from this week.

New songs from Slaves, Wytches and a rocking’ cover of a Led Zeppelin classic from La Sera should blast the weekend cobwebs away while Hiss Golden Messenger, Jess Williamson and Moses Sumney offer up altogether more gentle and fragile fare.

Enjoy.

  1. Slaves – Consume Or Be Consumed
  2. La Sera – Whole Lotta Love (Led Zeppelin cover)
  3. Las Kellies – Make It Real
  4. Hiss Golden Messenger – Heart Like A Levee
  5. The Wytches – Crest Of Death
  6. Jess Williamson – See You In A Dream
  7. Moses Sumney – Lonely World
  8. The Wharves – The Strike

 

 

 

 

 

 

 

The Wharves have unveiled the occult-dabbling video for Scarlet For Ya, taken from their debut album, At Bay, out now on Gringo Records.

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Mad Mackerel's Best Of October 2014

After a too long hiatus, we’ve resurrected our best of the month mix capturing our favourite tunes from October’s posts, plus a couple of new tracks too. So more than 25 songs to discover…dive in!

The September Girls – Veneer
Dark-hearted pop smothered in drenched feedback

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God Damn – Horus
A red-hot burning molten pot of pop hooks and grinding, bludgeoning riffs and rhythms.

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The Voyeurs – Stunners
Indie-psych rockers new single with nods to the tribal stomp of the Glitter Band and Iggy Pop to the colder, starker vignettes of Berlin era Lou Reed.

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Dirt Dress – Revelations
Cultivated racket of guitars, horns, and drums that mixes surf rock with synths in a curiously beguiling way.

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Amazing Snakeheads – Can’t Let You Go
More trashcan voodoo punk blues without parallel.

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Ultimate Painting – Ten Street
Excellent retro style, casually lacksadasical, take on jangly indie rock with echoes of Pavement and Lou Reed.

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The Wharves – The Grip
Gracefully minimal psych-rock with fuzzed out folk invoking the reverberated spook of 60s girl groups topped with crunchy guitar and thunderous drumming.

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Maggie Bjorklund – Fro Fro Heart
Brooding, profound and unforgettable standout from Danish pedal steeliest and singer’s new album.

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Gwyneth Moreland – Slaughterhouse Gulch
Perfect blend of authentic, classic country that feels as genuine as it does timeless.

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Menace Beach – Come On Give Up
Fuzzily insistent indie rock.

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Elijah Ocean – Bring It All In
Particularly fine example of classic backwoods, porch-rocking folk.

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The Brian Jonestown Massacre – Heat
Eastern tinged, gritty psychedelia.

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The Wave Pictures – Pea Green Boat
Dr Feelgood style blues riffs melded with typically quirky and literate vocals.

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Eaves – As Old As The Grave
Rich, tender, melancholia from new singer-songwriter.

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Elliott Brood – Nothing Left
Rollicking, infectious Americana cut through with bluegrass, folk-rock and a definite glam-rock flavour.

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Daddy Issues – Ugly When I Cry
Wonderful slab of downbeat grungy pop that drips with acerbic irony and a healthy dose of cynicism.

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The Don Darlings – If You Can’t Be Good
Masterpiece of southern gothic Americana

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Parkay Quarts – Uncast Shadow Of A Southern Myth
Townes Van Zandt, Warren Zevon, and Dylan are evident points of departure this lonesome tale about “two men tragically colliding in the deep south“.

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Viet Cong – Continental Shelf
Gloomy, brooding, ghostly, dissonant post-punk.

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Diarrhoea Planet – Bamboo Curtain
Catchy old-school style punk.

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Saint Agnes – Where The Lightning Strikes
Blues stomping, dirty rock n roll number with psychedelic organs, screaming guitars and haunting harmonica.

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Justin Townes Earle – Dreams (Fleetwood Mac cover)
Classic take on a classic track.

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Kyle Adem – I Go On
Haunting, satirical autobiography of loss and the person one becomes in solitude, sung with convincing desperation.

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Curtin – Big Blue Crown
Hazy track that creates a slow-burning and hypnotic soundscape.

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To finish we have new tracks from brilliant psych-rockers Pontiak, the burrowing, ominous Underneath Us Like A Snake, and Soft Fangs stunningly gorgeous and woozy Dog Park.

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Introducing >>> The Wharves

The Wharves combine gracefully minimal psych-rock with fuzzed out folk invoking the reverberated spook of 60s girl groups topped with crunchy guitar  and thunderous drumming.

They have shared a second track from their upcoming debut, At Bay due out on the 3rd November. Featuring intricate guitars, soaring harmonies and the addition of a foreboding male vocal choir, The Grip recalls the labyrinthian structures of Fleetwood Mac, Stealing Sheep and Sleater-Kinney’s The Woods’ era.

Listen below and check out Renew from the album too.

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