Posts Tagged ‘Wharves’

It’s time for MM’s annual round up of our favourite songs of the year. Thanks as always go to all our regular contributors – Mrs Mackerel, Chris T Popper, the Italian Job, Polly Pocket and a very welcome return to the fold for Dr Roddy.

So without further ado, lets start the countdown.

100 Cabbage – Preach To The Converted

 

In a year that we lost the great Mark E Smith, Manc neighbours Cabbage stepped up to the plate and delivered an album of sneering, swaggering and violently nihilistic songs that were cut from the same cloth as the Fall. Preach to the Converted is a prime example, a snarling, surf-tinged punk stomper.

 

99 Yowl – Warm (In The Soft White Fire Of Modern Living

 

Yowl capture the frustration of the 9-to-5 London grind like few others (also making Chris T Popper’s best of the year list in 2016). In frontman Gabriel Byrde, they have someone who can spin poetry on songs about alienation and exhaustion. Yowl are often viciously loud, but on Warm (In The Soft White Fire Of Modern Living) it is tempered with a more fatalistic, loose feel that calls to mind Lou Reed as much as it does Parquet Courts.

 

98 Teenage Cavegirl – No Good/So Bad

 

Austin, Texas boy/girl duo Teenage Cavegirl offer exactly what their name says they should. The tribal drums and trash-pop guitar lines combine to create a deceptively simple slab of primal garage rock. Throw in some plaintive lyrics, an anthemic chorus and wrap it all up in under two minutes.

 

97 Black Delta Movement – Let The Rain Come

 

Inspired by the ghosts of the Sonics and MC5, influenced by the kaleidoscopic thrum of the Black Angels and Wooden Shjips, Let The Rain Come is a propulsive, mesmerising gem of powerful psych-rock that layers an industrial sheen over it’s pummelling hypnotic heart.

 

96 Cool Ghouls – CCR Bootleg

 

A boisterous, jerky slice of indie that rambles along with an unshakeable airy confidence and a knowing nod to the great band’s chooglin’ style.

 

95 Parquet Courts – Wide Awake

 

Channelling their inner Talking Heads, Wide Awake is a shout along anthem propelled on something akin to tropical percussion and a sparse, funky and naggingly insistent guitar refrain.

 

94 Yak – White Male Carnivore

 

A welcome return from the noisenik trio. White Male Carnivore is what, in the old days, we’d have called a rip-snorter. Crunchy, muscular and prone to an odd left turn (those weird backing vocals, the wry nod to American spirituals), the song careers along moving everything out of its path with sheer force of will.

 

93 Sunflowers – Sleepy Sun

 

A mutating slab of space rock – all slurred riffs and acid-bleached vocals. Just as likely to be a nightmare as a dream depending on your drug of choice…

 

92 Strange Cages – Hypothalmus Blues

 

Brighton’s Strange Cages are purveyors of a snotty, psych-surf rock ‘n’ roll sound in the vein of The Cramps or Ty Segall. The wonderfully titled Hypothalamus Blues combines elements of krautrock and post-punk with a paranoid, schizophrenic vocal.

 

91 Sleep Eaters – Ghost On Fire

 

Just over two minutes of cacophonous, fuzzed out, desert, cowboy garage-rock, that sounds like a feral cross between The Black Lips, The Stooges and the Screaming Blue Messiahs – imagine all three dropped into a sun-baked, spaghetti western playing to a whiskey bar full of gunslingers on speed.

 

90 Ron Gallo – Really Nice Guys

 

Taking aim squarely at the music industry and those bands who are “better people than musicians“, Ron Gallo’s blackly acerbic wit is filtered directly through the prism of 60s garage rock and fuzzy psychedelia.

 

89 Nest Egg – Denied Doctrine

 

A three-piece from Asheville, North Carolina who describe their head-heavy and kosmische psych-rock wig-outs as ‘mood music for nihilists’. Denied Doctrine is a mind scrambling swirl of malevolent, chugging guitars and hypnotic reverb.

 

88 Mothers – Pink

 

Pink grips like a vice and over seven taut, potent minutes of nervy, hypnotic, krautrock it builds layer upon layer of bewitching intensity that never lets up.

 

87 Lonely Parade – I’m So Tired

 

A mix of wiry post-punk and buzzsaw guitars – disaffected dissonance never sounded so good!

 

86 Crepes – Bicycle Man

 

Infectious indie-pop par excellence. A groovy bass-line and hooks sharp enough to burrow deep under the skin.

 

85 American Pets – Forgetting

 

Taking inspiration from the likes of The Velvet Underground, Wilco, Tom Petty, and Serge Gainsbourg, LA based indie band American Pets’ Forgetting is a quietly strummed mix of bleak suburban nostalgia and nightmare.

 

84 Wharves – High School Hero

 

The naggingly, groove infused High School Hero sounds like a weird mash up of glam-rock era Bowie, Devo, Nick Cave, The Clash’s Magnificent Seven and Tom Tom Club’s Wordy Rappinghood. Even more weirdly it works… brilliantly.

 

83 Lord Huron – Ancient Names (Part II)

 

Lord Huron are not particularly known for their garage rock credentials, but Ancient Names (Part II) bursts out the blocks with a heavy, distorted sense of urgency proclaiming “gone are the days of laughter and love“, and over the course of two short minutes conveys a darkness of heart and soul that is epitome of resigned despair and hopelessness.

 

82 Thurston Moore – Mx Liberty

 

A typically corrosive broadside at the “mockery of democracy” that currently prevails in the USA. Thurston Moore’s brings his trademark barbed guitar squall and brutal, bruising percussion to the table and wins the argument. Hands down.

 

81 Flasher – Skim Milk

 

Crisp, exhilarating guitar riffs matched to a melodic ease and with some enjoyably rowdy call and response vocals, Skim Milk is a gem of sharp, precise indie rock.

 

80 LICE – The Human Parasite

 

Lyrically obtuse, melodically caustic and revelling in ugly, uncomfortable home truths, LICE’s debut single was a scratchy, skronky, instant classic. “All humans carry, through their daily lives / A compulsion to torture and destroy / Be not afeared of your impulse to despise / Your neighbour just because they have an accent you dislike.

 

79 The Men – Maybe I’m Crazy

 

A wired, pulsating, synth-driven rocker complete with wonky sax at the end. Play loud.

 

78 Phosphorescent – Around The Horn

 

The centrepiece of latest album C’est La Vie, on Around the Horn Phosphorescent calls the shimmering motorik of the War on Drugs and then raises it with an eight minute mini masterpiece of swelling, throbbing country-psych.

 

77 Gong Gong Gong – Siren 追逐劇

 

Desert psych anyone? South-east Asian freakout? Chinese blues? All this and more is thrown into the melting pot and stirred to a magnificent, galloping frenzy.

 

76 Phobophobes – Where Is My Owner?

 

The low rumble of menacing, dirty sleaze – a fetid, swampy stomp set atop twinkling drums and sweet organ flourishes. Over it all is the sardonic refrain of “Where is my owner? I thought that I came with one”

 

Aussie indie rockers Wharves have shared their new single Mo’s Desert Clubhouse, a jaunty belter with ferocious guitars and spooky vocals. It is the second single off their debut EP Sooner or Later, which saw a release last Friday.

Stream it here.

 

Wharves – High School Hero

Posted: April 17, 2018 in Alternative, Indie, Music, Rock
Tags:

Loving this new single from Wharves.

The naggingly, groove infused High School Hero sounds like a weird mash up of glam-rock era Bowie, Devo, Nick Cave, The Clash’s Magnificent Seven and Tom Tom Club’s Wordy Rappinghood.

Even more weirdly it works… brilliantly.

Listen here.

 

Indie-rock quartet, Wharves have shared their brand new single titled Man You Want Me To Be.

It is reminiscent to some of the group’s staple influences Foals, The Strokes and City Calm Down, featuring driving disco-esque beats, thumping fuzz-laden bass and classic Brit-pop guitar tones, all capped off by the brooding and infectious vocal melodies of front man, Matthew Collins.

Have a listen.

 

We have too many good videos for too many good songs in our inbox and it would not be right not to share. So we will be dedicating the rest of today to video only posts…

Seventh up is The Wharves who combine gracefully minimal psyche-rock with fuzzed out folk, and the video for L’autre.

 

best of the weekCheck out our selection of the best of the new releases from this week.

New songs from Slaves, Wytches and a rocking’ cover of a Led Zeppelin classic from La Sera should blast the weekend cobwebs away while Hiss Golden Messenger, Jess Williamson and Moses Sumney offer up altogether more gentle and fragile fare.

Enjoy.

  1. Slaves – Consume Or Be Consumed
  2. La Sera – Whole Lotta Love (Led Zeppelin cover)
  3. Las Kellies – Make It Real
  4. Hiss Golden Messenger – Heart Like A Levee
  5. The Wytches – Crest Of Death
  6. Jess Williamson – See You In A Dream
  7. Moses Sumney – Lonely World
  8. The Wharves – The Strike

 

 

 

 

 

 

 

The Wharves have unveiled the occult-dabbling video for Scarlet For Ya, taken from their debut album, At Bay, out now on Gringo Records.

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Mad Mackerel's Best Of October 2014

After a too long hiatus, we’ve resurrected our best of the month mix capturing our favourite tunes from October’s posts, plus a couple of new tracks too. So more than 25 songs to discover…dive in!

The September Girls – Veneer
Dark-hearted pop smothered in drenched feedback

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God Damn – Horus
A red-hot burning molten pot of pop hooks and grinding, bludgeoning riffs and rhythms.

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The Voyeurs – Stunners
Indie-psych rockers new single with nods to the tribal stomp of the Glitter Band and Iggy Pop to the colder, starker vignettes of Berlin era Lou Reed.

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Dirt Dress – Revelations
Cultivated racket of guitars, horns, and drums that mixes surf rock with synths in a curiously beguiling way.

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Amazing Snakeheads – Can’t Let You Go
More trashcan voodoo punk blues without parallel.

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Ultimate Painting – Ten Street
Excellent retro style, casually lacksadasical, take on jangly indie rock with echoes of Pavement and Lou Reed.

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The Wharves – The Grip
Gracefully minimal psych-rock with fuzzed out folk invoking the reverberated spook of 60s girl groups topped with crunchy guitar and thunderous drumming.

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Maggie Bjorklund – Fro Fro Heart
Brooding, profound and unforgettable standout from Danish pedal steeliest and singer’s new album.

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Gwyneth Moreland – Slaughterhouse Gulch
Perfect blend of authentic, classic country that feels as genuine as it does timeless.

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Menace Beach – Come On Give Up
Fuzzily insistent indie rock.

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Elijah Ocean – Bring It All In
Particularly fine example of classic backwoods, porch-rocking folk.

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The Brian Jonestown Massacre – Heat
Eastern tinged, gritty psychedelia.

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The Wave Pictures – Pea Green Boat
Dr Feelgood style blues riffs melded with typically quirky and literate vocals.

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Eaves – As Old As The Grave
Rich, tender, melancholia from new singer-songwriter.

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Elliott Brood – Nothing Left
Rollicking, infectious Americana cut through with bluegrass, folk-rock and a definite glam-rock flavour.

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Daddy Issues – Ugly When I Cry
Wonderful slab of downbeat grungy pop that drips with acerbic irony and a healthy dose of cynicism.

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The Don Darlings – If You Can’t Be Good
Masterpiece of southern gothic Americana

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Parkay Quarts – Uncast Shadow Of A Southern Myth
Townes Van Zandt, Warren Zevon, and Dylan are evident points of departure this lonesome tale about “two men tragically colliding in the deep south“.

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Viet Cong – Continental Shelf
Gloomy, brooding, ghostly, dissonant post-punk.

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Diarrhoea Planet – Bamboo Curtain
Catchy old-school style punk.

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Saint Agnes – Where The Lightning Strikes
Blues stomping, dirty rock n roll number with psychedelic organs, screaming guitars and haunting harmonica.

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Justin Townes Earle – Dreams (Fleetwood Mac cover)
Classic take on a classic track.

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Kyle Adem – I Go On
Haunting, satirical autobiography of loss and the person one becomes in solitude, sung with convincing desperation.

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Curtin – Big Blue Crown
Hazy track that creates a slow-burning and hypnotic soundscape.

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To finish we have new tracks from brilliant psych-rockers Pontiak, the burrowing, ominous Underneath Us Like A Snake, and Soft Fangs stunningly gorgeous and woozy Dog Park.

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Introducing >>> The Wharves

The Wharves combine gracefully minimal psych-rock with fuzzed out folk invoking the reverberated spook of 60s girl groups topped with crunchy guitar  and thunderous drumming.

They have shared a second track from their upcoming debut, At Bay due out on the 3rd November. Featuring intricate guitars, soaring harmonies and the addition of a foreboding male vocal choir, The Grip recalls the labyrinthian structures of Fleetwood Mac, Stealing Sheep and Sleater-Kinney’s The Woods’ era.

Listen below and check out Renew from the album too.

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