Manchester based Spring King make maxed out wall-of-sound pop, dripping in frantic energy and slap-back delay.

Having already drawn favourable comparisons with Kurt Vile and Iceage, first single proper Better Man draws from the anthemic full throttle drive of Springsteen, but through the fuzzed out trippy kaleidoscope of Ty Segall.

Recorded at home in a broken bathroom, you can almost see the faded wallpaper and sickly tiles against which the coughs, howls and snares bounce off and echo against.