Posts Tagged ‘Faces On Film’

MM's Top 20 Best of 2014

And so we bring our round up of favourite songs, albums, covers, and guilty pleasures to a close with the final “best of” post, Mad Mackerel’s own top twenty.

20 Kye Alfred Hillig – My Young Love Was As Blind As Ray Charles And Half As Cold As Heat

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19 Parquet Courts – Black And White

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18 Jamie T – The Prophet

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17 The Amazing Snakeheads – Here It Comes Again

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16 The Felice Brothers – Cherry Licorice

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15 Natural Child – Dancin’ With Wolves

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14 Girl Band – Lawman

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13 The War On Drugs – Red Eyes

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12 Together PANGEA – River

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11 Mac DeMarco – Salad Days

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10 Faces On Film – Percy
Percy kicks off with pulsating, tribal percussion that doesn’t quit throughout the song’s entire four and half minutes. It is like a small child in a sweet shop relentlessly pummelling you into submission until there is nothing left to do but give in. Then once you have you realise this was by far the best course of action anyway – the most infectious rhythm of the year. Resistance is futile.

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9 Sun Kil Moon – Dogs
Dogs is unashamedly, perhaps deliberately, cringingly frank and revealing. No-one sings more conversationally than Mark Kozelek, but it is exactly the lack of sentiment and judgement in this song that gives it such impact. A deadpan tale of sexual fumblings and failures mixed with an all too accurate recollection of our self obsessed teenage selves gives the song a wincing recognition for every listener’s own emotions that makes listening to it almost too painful.

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8 Dream Police – My Mama’s Dead
In my head this is a follow up to Hendrix’s classic Hey Joe. Except my head has been split in two by the sheer brutal, pneumatic force of this song, a snarling, distorted beast of a tune that is as brilliantly grim and unforgiving as the title suggests. Am I the only one who thinks the Dream Police are a far more enjoyable listen than alter-egos The Men?

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7 Parquet Courts – Ducking And Dodging
Ducking And Dodging boasts the catchiest punk riff since, oh I don’t know, Stoned And Starving perhaps. Yet this time it comes with extra ingredients, a little added anger and a whole cauldron full of world weariness and frustration giving their take on a traditional tune a fiery new incarnation and showing once and for all that they were always far, far more than simple Velvets or Pavement disciples.

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6 Hurray For The Riff Raff – The Body Electric
A word perfect riposte to all those endless murder ballads where the woman’s part is merely that of hopeless victim. Over an deceptively hypnotic refrain Alynda Lee Segarra reveals that the tables are turning, “He’s gonna shoot me down, put my body in the river, Cover me up with the leaves of September, Like an old sad song, you heard it all before, Well, Delia’s gone but I’m settling the score

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5 Houndmouth – For No One
Houndmouth announced their return with this sublime slice of surreal Americana. More obtuse than before, it boasted the best opening verse of any song we heard this year, then over a deceptively simple strummed guitar line, Matt Myers travels from resignation to bitterness and ultimately acceptance. For No One is a sparse, poignant ballad that is as close to perfection as you’re likely to hear.

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4 Damien Jurado – Metallic Cloud
Metallic Cloud seems packed full of meaning, overflowing with imagery and allusion and cloaked in layers and layers of mystery. Curiously it feels to me like a companion piece to Neil Young’s After The Goldrush, and I can’t really think of a higher compliment than that. The first song to reduce me to tears this year, in tandem with the red wine mind you.

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3 The Pink Mountaintops – North Hollywood Microwaves
Surreal, obscene, freaky, offensive,  lewd. Repulsive, coarse, vulgar, gross and rude. But unquestionably, undeniably, uniformly brilliant. This was the sound of rock’n’roll updated for the here and now.

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2 The Water Liars – Swannanoa
Sometimes the simplest things are the best. Water Liars delivered an exceptional album this year, and this is an undoubted highlight, a melancholy story of searching and loss, of heroin and girls with stutters, of cowardice and looking death in the face. There is no one, but no one, who does this stuff as well as the Water Liars and why they aren’t massive is a source of constant bemusement to me.

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1 The Amazing Snakeheads – Where Is My Knife
I’m gonna show you if it takes all night, We’re staying here till you get it right, It’s been three whole days with no end in sight“, so opens the year’s most chilling, and thrilling, song. An irresistible mix of primeval rock’n’roll, trashcan punk and swampy voodoo blues provides the most exquisitely perfect soundtrack for Dale Barclay’s unhinged protagonist.

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Guilty Pleasure:

Taylor Swift – Shake It Off
F**k off, it’s brilliant.

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Favourite Cover of the Year:

Hearts Of Oak – Must Have Been Drunk (George Jones cover)

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Reissue of the Year:

Crime – Piss On Your Dog (from Murder By Guitar)

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Chris T Poppers Top 20 2014

20) Natural Child – Dancin’ With Wolves

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19) Hamilton Leithauser – 11 O’Clock Friday Night

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18) Faces On Film – Percy

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17) Early Winters – A Thing For You

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16) Sleaford Mods – Routine Dean

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15) Eels – Mistakes of My Youth

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14) Chimes – Total Sunflower

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13) Dust From A 1000 Yrs – Smoke Em Up

12) Screaming Females – Ripe

11) The War On Drugs – Red Eyes

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10) Houndmouth – For No One

Any song which opens with a tortured reference to dropping acid will naturally pique my interest and coupled with Matt Myers vocals and stark production my curiosity is aroused further. Deftly suckering you in, For No One then tries to lead you down a darkened alley for a damn good kicking. It also proves you don’t necessarily need anything more than a guitar and a great vocal to pack an extraordinary punch.

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9) Sleaford Mods – Tiswas
Sleaford Mods’ album Divide & Exit (undoubtedly my favourite record of 2014) grasped the moment perfectly with it’s skewering of modern British life. I won’t try and dissect Tiswas, it’s just a banging tune with the lyrical equivalent of having your ears punched quite a lot. “I don’t want my dog on a string… that’ll hurt the thing” is my favourite line of the year. The humour, frustration and utter contempt is breathtaking at times. They are unlike anything else I’ve heard all year.

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8) Wooden Wand – Waveland
Ah, Mr Wand, I’ve been expecting you (sorry). A regular contributor over the years to my top 10’s Mr James Jackson Toth delivers yet again. It’s a song which appears to be absolutely straightforward; Toth recorded this by himself at home with his guitar and an 8-track recorder. However, like a particularly enormous onion there seems to be layer upon layer that reveals itself upon each further examination. And with the added onionesque quality of bringing a tear to the eye – through joy and sadness, my ridiculous metaphor is complete. With every listen I get a bit more from Waveland, it’s one of the hardest tricks to pull off but as usual Toth does it perfectly.

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7) Jonah Tolchin – Mockingbird
Opening up with kick-ass harmonica before the fiddle and guitar join the party Mockingbird is Tolchin’s sideways look at the nursery rhyme Hush Little Baby. So far so intrigued. It certainly has a strangely traditional feel and a classic break/riff stomp to it. It reminds me in a strange way of the climax of the classic 1981 film Southern Comfort where Powers Booth and Keith Carradine are serenaded by a full on Cajun hoedown. Brilliant deep, dark country on a low burn, just how I like it.

6) Horse Thief – Little Dust
Pretty much a sure thing for my top 10 from the first listen, the Oklahoma quintet Horse Thief (even the name makes me love them more) have struck gold with this perfectly formed piece of Americana. It begins with the piano before the guitar and rhythm section slide in forming the ‘taking it real easy…’ groove. It already feels like a country classic.

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5) The Amazing Snakeheads – Where Is My Knife
Take this song on in a fight – go on. I dare you. It will win hands down. In May this year I watched the Amazing Snakeheads deliver the best live performance I have seen for a long time and it blew my tiny mind. Dale Barclay is a man to be admired first and foremost. Mainly because he looks unfeasibly hard and secondly because he fucking means it. Menacing serial killer lyrics and a guitar picking out threats with a drum beat to rival any Tarzan film kind of works for me. Try it live when you’ve only ever heard one song by them before – quite an eye opener. Barclay growled at the audience ‘are youse my friends?’ my hand shot up like a rocket. Yes, I am, just don’t hurt me or get your knife.

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4) Elijah Ocean – Ride It Out
The other day this song was playing and my girlfriend was on her laptop, watching faces or something, when I noticed she was unconsciously singing along to the chorus. That’s what this song does; whoever you are (providing you have a soul) it touches you. The melody is simple enough, gently building throughout with the message of just getting through it, which is fairly universal. It actually becomes quite inspirational by the end with its catchy chorus infecting your brain. Life can sometimes feel like it’s on a continual loop of making you ride something or other out – good to have Elijah there to sing the soundtrack.

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3) Damien Jurado – Metallic Cloud
Been a firm favourite from the moment I heard it. Jurado’s voice sounds amazing, and the string section is nothing short of magnificent. It’s one of those songs where you can be listening in the car and when it finishes you realise your turning was a couple of miles back and you never noticed. Or, you’ve not seen one of those bastard mobile speed cameras because you’re singing along so loudly and enjoying the moment. Let’s see if I enjoy my Speed Awareness Course as much in the New Year…

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2) Girl Band – Lawman
Fucking chaos. That’s why I signed up; as soon as that guitar started I was dug in like a tick on a hound. Experimental without being utterly awful (which lets face it you don’t hear that too often.) The drums halfway through are pure moony, just listen to it. Keith Moon banging on your brain or Reverend Moon washing it…. take your pick, same result applies. The long drawn out guitar with heavy feedback compliments/adds to the cacophony perfectly. To paraphrase the band themselves this song is ‘…driven by insistent low-end skronk’. Quite.

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1) Sleaford Mods – Smithy
It’s all over in under 2 and a half minutes but still manages to make me grimace, smile and cower in equal measure. A brutal bass line and drum riff accompanies singer Jason Williamson’s verdict on the state of the nation. Not so much angry as bored with the sheer futility of it all, Sleaford Mods drill down until they reach (or is that retch) in to the unpleasant shitty bits of our modern culture. I like absolutely everything about this record, right down to Andrew Fearn throwing in a bit of chopper noise at the end. ‘Who cares about rock stars anymore?’ asks Williamson – not me mate. I’ve watched all my old heroes become parodies of themselves or even worse John bloody Lydon and I’m well and truly out of it.

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MM's Best of 2014 40-21

Day four of five – reaching the top of the MM charts for 2014. Here are our favourites from 40 down to 21.

40 Natural Child – Dancin’ With Wolves

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39 Dead Fingers – Twisted

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38 Alt J – Left Hand Free

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37 Screaming Females – Ripe

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36 Sleaford Mods – Tiswas

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35 Sun Kil Moon – Dogs

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34 Jamie T – Zombie

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33 Spookyland – Silly Fucking Thing

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32 Dream Police – My Mama’s Dead

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31 The Felice Brothers – Constituents

 

30 Jonah Tolchin – Mockingbird

 

29 Mac DeMarco – Brother

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28 The Vacant Lots – Mad Mary Jones

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27 Hurray For The Riff Raff – The Body Electric

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26 Sharon Van Etten – Everytime The Sun Comes Up

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25 Wooden Wand – Waveland

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24 Mark Erelli – Ice Fishing

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23 Bombadil – Have Me

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22 Faces On Film – Percy

 

21 The Felice Brothers – Cherry Licorice

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Don’t forget to check out numbers 100 – 81 here, 80 – 61 here, and 60 – 41 here.

Faces On Film - Elite Lines

Over the past few weeks we have been gradually seduced by the delights of Faces On Film’s new album Elite Lines. The nom de guerre of Boston’s Mike Fiore, it is indie rock that is a million miles away from the formulaic paint-by-numbers approach that seems so prevalent currently. Instead we get a winning blend of whip-smart songwriting that combines infectious rhythms, soul-searching introspection and bare bones intimacy.

Check out the first two singles, The Rule and Heartspeed, and also our favourite track on the record, the catchy tribal pound of Percy.

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