MM's Top 20 Best of 2014

And so we bring our round up of favourite songs, albums, covers, and guilty pleasures to a close with the final “best of” post, Mad Mackerel’s own top twenty.

20 Kye Alfred Hillig – My Young Love Was As Blind As Ray Charles And Half As Cold As Heat

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19 Parquet Courts – Black And White

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18 Jamie T – The Prophet

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17 The Amazing Snakeheads – Here It Comes Again

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16 The Felice Brothers – Cherry Licorice

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15 Natural Child – Dancin’ With Wolves

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14 Girl Band – Lawman

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13 The War On Drugs – Red Eyes

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12 Together PANGEA – River

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11 Mac DeMarco – Salad Days

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10 Faces On Film – Percy
Percy kicks off with pulsating, tribal percussion that doesn’t quit throughout the song’s entire four and half minutes. It is like a small child in a sweet shop relentlessly pummelling you into submission until there is nothing left to do but give in. Then once you have you realise this was by far the best course of action anyway – the most infectious rhythm of the year. Resistance is futile.

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9 Sun Kil Moon – Dogs
Dogs is unashamedly, perhaps deliberately, cringingly frank and revealing. No-one sings more conversationally than Mark Kozelek, but it is exactly the lack of sentiment and judgement in this song that gives it such impact. A deadpan tale of sexual fumblings and failures mixed with an all too accurate recollection of our self obsessed teenage selves gives the song a wincing recognition for every listener’s own emotions that makes listening to it almost too painful.

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8 Dream Police – My Mama’s Dead
In my head this is a follow up to Hendrix’s classic Hey Joe. Except my head has been split in two by the sheer brutal, pneumatic force of this song, a snarling, distorted beast of a tune that is as brilliantly grim and unforgiving as the title suggests. Am I the only one who thinks the Dream Police are a far more enjoyable listen than alter-egos The Men?

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7 Parquet Courts – Ducking And Dodging
Ducking And Dodging boasts the catchiest punk riff since, oh I don’t know, Stoned And Starving perhaps. Yet this time it comes with extra ingredients, a little added anger and a whole cauldron full of world weariness and frustration giving their take on a traditional tune a fiery new incarnation and showing once and for all that they were always far, far more than simple Velvets or Pavement disciples.

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6 Hurray For The Riff Raff – The Body Electric
A word perfect riposte to all those endless murder ballads where the woman’s part is merely that of hopeless victim. Over an deceptively hypnotic refrain Alynda Lee Segarra reveals that the tables are turning, “He’s gonna shoot me down, put my body in the river, Cover me up with the leaves of September, Like an old sad song, you heard it all before, Well, Delia’s gone but I’m settling the score

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5 Houndmouth – For No One
Houndmouth announced their return with this sublime slice of surreal Americana. More obtuse than before, it boasted the best opening verse of any song we heard this year, then over a deceptively simple strummed guitar line, Matt Myers travels from resignation to bitterness and ultimately acceptance. For No One is a sparse, poignant ballad that is as close to perfection as you’re likely to hear.

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4 Damien Jurado – Metallic Cloud
Metallic Cloud seems packed full of meaning, overflowing with imagery and allusion and cloaked in layers and layers of mystery. Curiously it feels to me like a companion piece to Neil Young’s After The Goldrush, and I can’t really think of a higher compliment than that. The first song to reduce me to tears this year, in tandem with the red wine mind you.

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3 The Pink Mountaintops – North Hollywood Microwaves
Surreal, obscene, freaky, offensive,  lewd. Repulsive, coarse, vulgar, gross and rude. But unquestionably, undeniably, uniformly brilliant. This was the sound of rock’n’roll updated for the here and now.

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2 The Water Liars – Swannanoa
Sometimes the simplest things are the best. Water Liars delivered an exceptional album this year, and this is an undoubted highlight, a melancholy story of searching and loss, of heroin and girls with stutters, of cowardice and looking death in the face. There is no one, but no one, who does this stuff as well as the Water Liars and why they aren’t massive is a source of constant bemusement to me.

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1 The Amazing Snakeheads – Where Is My Knife
I’m gonna show you if it takes all night, We’re staying here till you get it right, It’s been three whole days with no end in sight“, so opens the year’s most chilling, and thrilling, song. An irresistible mix of primeval rock’n’roll, trashcan punk and swampy voodoo blues provides the most exquisitely perfect soundtrack for Dale Barclay’s unhinged protagonist.

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Guilty Pleasure:

Taylor Swift – Shake It Off
F**k off, it’s brilliant.

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Favourite Cover of the Year:

Hearts Of Oak – Must Have Been Drunk (George Jones cover)

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Reissue of the Year:

Crime – Piss On Your Dog (from Murder By Guitar)

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