Posts Tagged ‘Harmed Brothers’

Mad Mackerel's Top Songs Of 2013

As well as our Top 100 tunes of the year that we’ve posted over the past few days, each of the MM contributors have put together their own lists. The fifth and final instalment is our own.

20. Colleen Green – Heavy Shit
Totally infectious, stoned punk.

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19. Harmed Brothers – Love Song For The Assumed
Mixing folk and bluegrass with a wistful twist of poignant melancholy, Love Song For The Assumed was as sweet and as simple a song of heartbreak and longed for resolution as we heard in the whole year.

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18. Black Angels – Indigo Meadow
Tribal drumming, 60s Hammer-Horror organ, and reverb.

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17. Courtney Barnett – History Eraser
A late entry – deadpan, conversational, charming, funny, literal and literate – a drunken night’s tale told with an upbeat lo-fi jangle and amiable vocal delivery.

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16. Holograms – A Blaze On The Hillside
Most thrilling riff of the year?

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15. John Grant – GMF
One part waspish humour, one part resigned melancholy and one part bitter dislocation. Superb.

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14. Fuzz – Sleigh Ride
Heaviest riff of the year?

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13. Cass McCombs – Big Wheel
Hypnotic, rumbling, country-dirt travelogue.

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12. Dune Rats – Stoner Pop
In a parallel world somewhere, this was the smash hit of the summer.

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11. Blitzen Trapper – Feel The Chill
That old wreck of a shack buried in evergreen and murky darkness at the bend in the road up on Jackson Hill where we used to drink and never failed to give me a chill driving by in the old Impala for it’s implacable mystery.” That’s where Feel the Chill takes place.

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10. Public Service Broadcasting – Signal 30
Brilliant and mesmerising combination of high octane guitar riffage, retro public information film samples and electro beats.

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9. Parquet Courts – You’ve Got Me Wonderin’ Now
Stoned and Starving would have been our song of the year, but for its minor self-release in 2012. No matter scrappy, swaggering, nihilistic NY punks Parquet Courts gave us this gem instead. A highlight of their performance at the Green Man festival and our undoubted gig of the year.

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8. Foxygen – No Destruction
We may have lost Lou Reed this year, but his spirit lives on in No Destruction, a natural pretender to his throne, and this song has the best use of “weaseled” in any song we’ve heard.

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7. Wooden Shjips – Everybody Knows
Channeling Neil Young by way of Hawkwind, Wooden Shjips gave us this hypnotically evocative and brilliant slab of psych rock on latest album Back To Land

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6. Terry Malts – I Was Not There
To do simple, balls-to-the-floor, screw-you punk rock this brilliantly well takes real talent. Terry Malts have it.

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5. Big Haunt – Burn Me Up
We received an e-mail. It said, “We are a Portland, Oregon band called Big Haunt. We play spooky, gospel infused big beat indy folk. This is our first single, “Burn Me Up.”  It’s a song about ritualistic fire sacrifice and murder. We thought you might like it.“ We did. We liked it very much.

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4. Martha’s Vineyard Ferries – Blonde On Blood
Like the best ever Fall single played at 78rpm. This is, of course, a very good thing indeed.

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3. Low – Plastic Cup
One of those few songs that feels like it could have been written any time in the past 40 years. Timeless is over-used, but this really is that good.

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2. T. Hardy Morris – OK Corral
The sound of a ghost town set to song.

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1. Phosphorescent – Ride on/Right On
While I might be at odds with my shoalmates, this track from Phosphorescent’s peerless Muchacho album was my tune of the year. A little bit of funky rhythm and a whole lot of country grit combined to make the most compelling and enduring song of 2013.

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Best songs we heard this year, but released prior to 2013.

Parquet Courts – Stoned And Starving
A stonewall classic and worthy successors to the currently vacant slacker indie and resigned punk rockers crown.

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Edmund Wayne (with River Giant) – To The Bugs On My Ceiling

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Hank Williams III – Country Heroes

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And The Song We Wished We’d Heard Before We’d Compiled Our Top Twenty

Clara Berry & Wooldog – Hard Time Killing Floor Blues

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You can see our favourite cover songs of the year here.

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MM's Top Tracks of 2013: 100 - 76

It is that time of year again. The votes have been polled from our MM contributors, the results collated and without further ado, here are Mad Mackerel’s favourite hundred tracks of 2013.

Today, we’re counting down the first twenty five, from 100-76.

100 Woody Pines – Hobo And His Bride
Classic, ramblin’ country blues, where songs are filled with characters fighting to climb up or sliding their way back down – wandering broken hearts, swaggering pimps, crusty hobos – and all inhabiting rundown roadhouses, juke joints and the dusty backroads. Have a listen to the epic tale of young love, The Hobo And His Bride.

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99 The Dodos – Confidence
Warm and wiry indie rock.

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98 Blessed Feathers – Real Song For Emily
Fiercer harmonies and a tenser, more urgent feel than this duo usually give us. Despite being only two and a half minutes long, the song’s plaintive coda has a bitter air of finality.

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97 Bill Callahan – The Sing
Well the only words I said today are “beer” and “thank you” / Beer, thank you / Beer, thank you / Beer

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96 Best Coast – Fear Of My Own Identity
The best fuzzed up pop single of the year.

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95 Eula – I Collapse
Seething, fractured, post-punk blues.

Download Eula – I Collapse mp3

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94 Torres – Honey
A single distorted guitar strum, unsupressed tension, and a raw, slow-burning payoff.

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93 Mark Mulcahy – Let The Fireflies Fly Away
Penguins, a hitch-hiking chicken, a donkey in a Chevrolet and a monkey family feud.

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92 Coke Weed – Sunseekers
A woozy, narcoleptic trip through the realms of psychedelia, indie rock and hazy Americana.

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91 Water Liars – Sucker
The first of three entries from Water Liars. Sucker is the buzzing opener to one of our albums of the year.

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90 The Oblivians – Run For Cover
Garage punks first album for 16 years didn’t disappoint. Run For Cover was a high octane highlight.

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89 Grass House – Spinning As We Turn
Cascading guitars and a hypnotic rhythm section that channels the spirits of Joe Meek and the Velvets.

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88 Ooga Boogas – Sex In The Chillzone
Featuring members of long time faves Eddy Current Suppression Ring, Sex In The Chillzone is an eight minute psych-rock lockdown into the year’s grooviest bass line that sounds like a blend of the Velvet Underground and Parliament.

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87 Of Montreal – Imbecile Rages
Your folks, they are such lovely people / I can’’t understand where you came from“, one of the best opening couplets of this or any other year.

 

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86 The Acquaintances – Paramounts
Tremolo’ed and reverby guitars and echoed out vocals wash over a top-notch rhythm section creating spaced-out garage-influenced rock with a melodic sensibility.

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85 Dim Peaks – Reason
Laid back, folk infused Americana.

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84 Colleen Green – Heavy Shit
Totally infectious, stoned punk.

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83 Shadows At Play – Into The Sun
Upbeat, ethereal folk song that alludes to the Greek mythology story of Icarus, exploring the notion that a man is free once he is defeated.

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82 Harmed Brothers – Love Song For The Assumed
Mixing folk and bluegrass with a wistful twist of poignant melancholy, Love Song For The Assumed was as sweet and as simple a song of heartbreak and longed for resolution as we heard in the whole year.

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81 Villagers – Nothing Arrived
I’m loving the piano this year and there’s a good bit of gutsy playing here. What were we hoping to get out of this boys? Nothing actually. People are so bloody disappointing aren’t they? (Mrs M)

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80 Phox – Noble Heart

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79 Black Angels – Indigo Meadow
Tribal drumming, 60s Hammer-Horror organ, and reverb.

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78 The Coathangers – Adderall
A propulsive, jittery, slice of post-punk agitation, borne in on the back of tribal drums and a perfect match for a commonly abused drug used to stimulate the central nervous system!

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77 Steve Mason – Lot Of Love
Love the piano on this song and the catchy, sing-a-long chorus – a guaranteed earworm if I had any (ears that is… being a fish, of course.) Steve Mason’s gentle vocals reflect on love lost and the hope of finding it again. (Mrs M)

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76 Jules Larson & AG – Bend Into The Break

Check back tomorrow for tracks 51-75.

The Harmed Brothers - Better Days

Next week sees the release of Better Days by the Harmed Brothers, and if the evidence of these two tracks is anything to go by, it is going to be a real joy.

Mixing folk and bluegrass with a wistful twist of poignant melancholy, Love Song For The Assumed is as sweet and as simple a song of heartbreak and longed for resolution as we’ve heard for a long, long time.

All I want to do is hold your hand and fall in love again
But all I ever do is make you cry and waste your precious time
All I wanna do is let you go and start all over again

Meanwhile When You See Me is, if anything, even more straightforward, bringing great clarity to a failed relationship.

With echoes of the Avett Brothers and the Roadside Graves, as well as Langhorne Slim and the great Levon Helm means we are looking forward to hearing the whole record with great anticipation.

Download both tracks below and order the album here.