Our final Best of post of 2016 is MM’s own selections. You can also listen via Spotify here.

20 TRAAMS – A House On Fire
I always think I don’t really like long songs and yet they always seem to end up in my favourite tracks of the year. This TRAAMS song is nearly nine minutes long yet hurtles along in a blur of krautrock inspired grooviness that is irresistible.

 

19 BAIT – I’m Still Here
Out-slaved anything on the last Slaves record and mentions evil genius Timmy Mallet. Top marks.

 

18 Mind Spiders – Running
An unstoppable, frantic force of razor sharp guitars and seething urgency.

 

17 Underworld – I Exhale
See what I mean about long songs… Another eight minutes of hypnotic, motorik techno that cannot be denied.

 

16 King Gizzard & The Lizard Wizard – Gamma Knife
Described by the band as a ‘never-ending album’, Nonagon Infinity features nine songs connected by musical motifs which flow ‘seamlessly’ into each other with the last track ‘linking straight back into the top of the opener’. The first single, a psych-rock/trash metal wig out, Gamma Knife contained a riff from the song People Vultures and both songs are our favourites on the record. This just edges it for its sheer grooviness.

 

15 Terry – Don’t Say Sorry
I love this song for making me feel 15 again and discovering all those now punk classics. Nervy, incessant, catchy as hell and the best deadpan vocals of the year. Why would you say sorry for that?

 

14 Van William – Revolution
We still miss Port O’Brien and (whisper it) Van Pierszalowski’s new musical vehicle WATERS haven’t really been a patch on PO’B, so we were delighted to discover Van William, another new project, but this time returning to the folksier roots of his previous band. Add in a mournful trumpet and the gorgeous harmonies of First Aid Kit and a lovely record is suddenly elevated to another plane altogether. Fingers crossed for more from Van William…

 

13 Flat Worms – Red Hot Sand
Starts like the Butthole Surfers and then gets better. The bit from 45 seconds to one minute is my favourite 15 seconds of punk rock this year.

 

12 Damien Jurado – Exit 353
Concluding the single story he has been telling over a trilogy of albums with Visions of Us on the Land, the lead single Exit 353 was a snapshot view of life and death, love and betrayal told through a perfect combination of expansive, evocative guitars with their roots in the heyday of classic 70s psych and Western movie strings that called to mind sun-blasted vast, parched sands.

 

11 James Arthur’s Manhunt – Kill Zone
An intense, tribal, maelstrom of churning, filthy guitars and pounding percussion that veers into space rock by way of spaghetti westerns and Italian horror films.

 

10 Great American Canyon Band – Undertow
Only You Remain was an excellent debut album of beautiful, pastoral Americana cut through with an almost sinuous psychedelic haze – imagine Beach House and Mazzy Star with Gram Parsons and Neil Young. Undertow was a dreamy, reverb-rich, reflective highlight.

 

9 Lucy Dacus – I Don’t Wanna Be Funny Anymore
A song about gender, identity and being taken seriously as an artist that manages to be funny and biting and smart. It is a perfect rallying cry, all wrapped up in biting lyrics and a driving riff that has as much Joey Ramone in it as it does Pavement or Yo La Tengo.

“I don’t wanna be funny anymore / I got a too short skirt, maybe I can be the cute one / Is there room in the band? I don’t need to be the front man / If not, then I’ll be the biggest fan”

 

8 Cave Singers – That’s Why
A perfect, slightly fuzzy, rolling baseline, stomping drums and Pete Quirk’s unmistakeable vocals. The Cave Singers gave us a new album this year. That’s Why was the first single and as soon as we heard it we knew they at least wouldn’t be letting us down in a year that turned out to be one of monumental disappointments.

 

7 Pixies – Um Chagga Lagga
A late entry thanks to Mrs M as the Pixies finally manage to turn back the clock and deliver a southern gothic rocker of bracing urgency and delirious intensity.

 

6 Black Mountain – Florian Saucer Attack
I imagine that one of the ten commandments of music might be “Black Mountain shall deliver the riff of the year” and so, just as it was with 2010’s Let Spirits Ride, so it was with 2016’s Florian Saucer Attack. This is just top notch rocking out of ‘turn it up to eleven’ Spinal Tap proportions – I mean that in an entirely good, and non-ironic, way of course, which is a shame for American readers as “apparently” you don’t get irony. I doubt it is true although while many of your countrymen and women were damning the celebrity support of Hilary Clinton as out-of-touch and unrepresentative, millions were happily voting for a billionaire celebrity on the other side. Go figure…

 

5 Parquet Courts -Dust
Droning, danceable guitars brilliantly provide a backdrop to a jittery 50 word essay on the inherent grossness of dust and the futility of cleaning. “It follows, now swallow, You’re biting it now, Suffocate, suffocate, Breathe, Dust is everywhere, Sweep”.

 

4 Ashley Shadow – Tired
A bleary, resigned mid-tempo rocker from the twin-sister of Black Mountain’s Amber Webber that somehow feels like being stood in the epicentre of a mini-hurricane.

 

3 Car Seat Headrest – Fill In The Blank
I came late to the Car Seat Headrest album because everyone was pushing the Drunk Drivers/Killers Whales song which was OK, but not good enough to make me want to check out the album. Turns out that was my mistake as it is by far the worst song on the best album of the year. It opens with Fill In The Blank, which pushes Black Mountain mighty close in the riffage stakes for a start and also has my favourite lyric of the year: “You have no right to be depressed, You haven’t tried hard enough to like it.”

 

2 Dr. Dog – Bring My Baby Back
Laying a yearning, plaintive vocal over the top of a perfect mix of  pop, gospel and psych rock, Dr Dog created the nigh on perfect Bring My Baby Back. Majoring on themes of betrayal, repentance, solitude, and revenge, wrapped up in a perfectly strummed acoustic guitar, it was the most innocently beguiling tune of the year.

“Simple plea, make them pay and make them bring my baby back to me. Oh make them pay and make them bring my baby back to me”

 

1 Car Seat Headrest – (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem)
Sounding uncannily like Will Sheff of Okkervil River at the start of (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem), Will Toledo delivers a stunning combination of self-deprecating disgust, mundanity and insight without sacrificing one ounce of musicality. Equally rich and raw, with an honesty and openness that is all too rare these days, Car Seat Headrest is a genuine poet – the closest thing to a modern day Leonard Cohen that I have heard and  I simply can’t praise him more highly than that. Sheer genius.

 

And our other annual ‘awards’..

Gig of the Year: Protomartyr at the 100 Club, London

 

Cover of the Year: Julien Baker – Ballad of Big Nothing (Elliott Smith cover)

 

Car-run anthem: Insane Clown Posse – Chicken Huntin’

 

So there we have it for another year.  To check out the Italian Job’s top 20 click here or here for Chris T Popper’s selections and here for Mrs Mackerel’s. Click for the full run down of our 100 favourite tracks (100-76, 75-51, 50-26, 25-1) and albums.

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