The third part of our epic countdown of our favourite songs of the past ten years.

160 The Pink Mountaintops – North Hollywood Microwaves (2014)

 

Filthy, snarling, primal rock’n’roll featuring some pornographic rapping from Annie Hardy (ex-Giant Drag). A case of the bite being much worse than the bark.

 

159 Calexico – Two Silver Trees (2008)

Atmospheric and relaxed, Two Silver Trees meanders on a river of accordion, keys, hushed guitars and seductive vocals.

 

158 Mountain Man – Animal Tracks (2009)

 

A perfect combination of old-timey acoustic guitars and lilting, reverbed harmonies. And that chorus was made for a campfire late in the evening.

 

157 Wire – One Of Us (2008)

One of Us is a coiled spring of minimalist musical tension. Taut, melodic and streamlined, it is a post-punk classic.

 

156 The Willard Grant Conspiracy – Preparing For The Fall (2009)

Set to a vivid strummed guitar, Robert Fisher sings a sprawling apocalyptic tale about the soul of man with a voice rich in world weary resignation. “And  I see the devil sitting in my favorite chair / he says he wonders why I’m, I’m still here / And I say that I’m having trouble finding the door / And he says if we wait a little longer / Won’t have trouble anymore / And I’m just preparing for the fall

 

155 Dr. Dog – Bring My Baby Back (2017)

 

Laying a yearning, plaintive vocal over the top of a perfect mix of  pop, gospel and psych rock, the nigh on perfect Bring My Baby Back majors on themes of betrayal, repentance, solitude, and revenge, wrapped up in a perfectly strummed acoustic guitar. It was the most innocently beguiling tune of 2016.

 

154 Whalers – That Rabbit (2010)

 

What. A. Riff. A wonderfully straightforward blend of thudding, bass-heavy rock that makes us think of the best bits of QotSA melded with the Black Angels and then given some 60s style reverb treatment.

 

153 Van William – Revolution (2017)

 

Van William is a return to the folksier roots of his previous band Port O’Brien. Add in a mournful trumpet and the gorgeous harmonies of First Aid Kit and this lovely record is suddenly elevated to another plane altogether.

 

152 Tom Williams & The Boat – Get Older (2011)

 

Get Older is a musical storm of thumping bass drum, growled, restrained vocals and a stunning violin-led riff – it all combines to deliver an energy and edginess that is on a par with its catchiness.

 

151 Conor Oberst & The Mystic Valley Band – Nikorette (2009)

 

Riding in on the back of a classic rock groove, and morphing into a loping country rock shuffle, Nikorette sounds like a brilliant lost outtake from a late-era Clash album.

 

150 The Black Angels – Don’t Play With Guns (2013)

Their trademark psych-drone is matched to provocative lyrics,  a big, ominous organ groove and an even bigger riff. Wonderful stuff.

 

149 The Low Anthem – Charlie Darwin (2008)

Haunting and lachrymose, Ben Knox’s pitch perfect falsetto weaves a sad tale on the back of tranquil beauty.

 

158 Chad VanGaalen – Cries Of The Dead (2008)

 

I can hear the cries of the dead / Maybe it’s your neighbour beating his dog in the basement. Emotive vocals and a twee, but never saccharine harmony tinged with sadness, sets this fractured slice of indie-pop apart from the also-rans.

 

147 Middle Brother – Daydreaming (2011)

From the simple picked guitar line and weary, melancholy opening lyric, the scene is set for a raw, unflinching excursion courtesy of McCauley’s craggy vocals and beer-soaked romanticism. Loneliness never sounded so…well, lonely.

 

146 Arborist – Twisted Arrow (2015)

 

A fabulous slice of rolling, countrified folk and Kim Deal’s hushed and plaintive vocal adds weight to a familial tale of detachment and is the perfect counterpoint to Mark McCambridge’s sharp delivery.

 

145 Tom Williams & The Boat – See My Evil (2011)

 

Menacing, righteous fury set to threatening percussion and a thick, pulsing bass-line.

 

144 Sparks – Let The Monkey Drive (2008)

Ultra catchy surreal tale of a couple so eager to consummate their love that they’d let a primate steer the car while they fumble in the back seat. And it has one of our favourite lyrical couplets of the past ten years too: “Let the monkey drive, and it’s only fair / It’s the monkey’s car and he hates to share

 

143 Titus Andronicus – Titus Andronicus (2008)

Huge drums start thumping behind the rhythm guitar, throw in bass, piano and a wicked harmonica as frontman Patrick Stickles thrashes through the song. All together now “Your life is over / your life is over“.

 

142 TRAAMS – Succulent Thunder Anthem (2015)

Traams at their absolute, unstoppable motorik best. Propulsive, urgent, threatening.

 

141 Pontiak – Shell Skull (2008)

 

A serrated rhythmic stomp and slow crawling groove captures the ghosts of Black Sabbath and the Doors in this bass heavy rocker.

 

Check out songs 200-181 and 180-161 as well.

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