Posts Tagged ‘Otherkin’

Time for some more musical films…

Hull Goth Punk outfit Lumer have released the video for their unhinged new single Gruel on Warren Records.  Reminiscent of Bauhaus, Killing Joke and YAK it is a brutally thrilling cut.

 

Spirit Valley’s expansive, primal psych-rock falls somewhere between the fuzzed out rock’n’roll of The Black Angels and the warped synths of Moon Duo check out new single Waiting For Real.

 

Fuzz Club Records’ live session series – the Fuzz Club Sessions – has already seen cracking releases from the likes of Night Beats, Heaters, The Entrance Band and 10,000 Russos and it’s still showing no sign of slowing down. The latest to join the club is Austin’s finest garage/surf heavyweights, Holy Wave.

During a UK tour in support of their 2016 LP Freaks Of Nurture, Fuzz Club invited the band to an analogue recording studio in South London to lay down a live album. As with all the sessions, it’s to be released as a series of videos from the day and pressed to vinyl (released July 20th). Here is the video for the sublime, washed-out croons of California Took My Bobby Away.

 

Grunge-pop four-piece Otherkin have shared the video for their new single React. They describe it as “a trivial, little joke-man ends up massive, and acts like a total plum with his new-found size. He is still, at core though, a fat, old human, and his reign of terror doesn’t last long. It’s a pretty simple analogy.”

 

The video for Muertos’ excellent  single Spin takes their vintage garage sleaze and dials it right up – a full sonic assault of feedback collides with a motoric beat and the band’s signature duel vocals. Drawing influences from the likes of Jesus and Mary Chain, The Kills, and The Black Angels, this single marks the announcement of the band’s first long player which will be released later in the year.

 

Weasels may well be our favourite (land) animal so any song with it in the title automatically gets a thumbs up from us. Crumbs’ sound comprises a bumper post-punk/pop party bag mix of sprightly basslines, super-danceable cowbell-tinged rhythms, fizzing guitars and effervescent interchanging vocal lines. Weasels Can Wait is a two minute jangly romp – a party song about being the one crying at the party. The video also features an inexplicably long worm!

 

Saint Leonard’s Horses bewitching gothic video for latest single Little Girl Scientist features Sophie Kennedy Clark (Nymphomaniac, The Danish Girl) as a tortured soul who uses witchcraft to conjure up her lover. It is book-ended with a voice over by acclaimed author and journalist Jonathan Meades. 

 

Brighton three-piece LOM combine their love of folk, soul and pop to create songs centred around the rich vocal harmonies of two sisters Leila and Millie Watts, and the finger picking style of Owen Davey’s acoustic guitar. There is some nice animation in their video for recent single There Is A Place. It follows the journey of a woman who sets out to regain her youthful joy in simple things.

 

Otherkin – Bad Advice

Posted: March 10, 2017 in Alternative, Garage, Music, Punk, Rock
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Irish garage punks Otherkin were a most enjoyable discovery at the Great Escape last year, and after the success of the 201 EP and it’s successor The New Vice EP the four-piece are back with their first single of 2017, Bad Advice.

It is the lead track from their upcoming debut album and cements their reputation for furious, old fashioned, punk rock.

Have a listen.

 

great escape

If one thing really irritates me then it is the bloke (it is always a bloke) at the back of the gig who, at the end, opines how the band “were a bit too samey”, or they “didn’t quite get it”, or it “was OK, but nothing special”, or they’ve “seen it done better by other bands” and then goes on to list a load of obscure or not-so-obscure bands that were (or are) apparently better.

This bloke, in various guises, plagued me yesterday. At the end of Man Of Moon, The K, Diet Cig, and Black Honey I heard various pompous, patronising and pissy comments from people who clearly spent their lives going to gigs and telling people how they weren’t as good as other gigs they’ve been to…

So for the record, Man Of Moon were nothing like Hawkwind, but did deliver an excellent set of spacey psychedelia. The K were nothing like Rage Against the Machine, but did shred their guitars with the best of them, Diet Cig were nothing like Pavement, but instead provided the best set I’ve seen so far and in Dinner Date have (their own) indie-punk classic. Local heroes Black Honey were nothing like “Lush-lite”, but instead wowed a crowd with surfy guitars and high octane indie anthems.

In between these I was blown away by the visceral punk rock of Otherkin,  pleasantly transfixed by the dark, throbbing electro-indie of Drones Club, and sadly disappointed by Eagulls who I had been eagerly waiting for all day. They seemed infected by a somewhat thin and disinterested crowd and the slightly new direction taken on their new record didn’t translate well live and felt flat and diluted compared to their storming debut. Nerve Endings was a standout, but I will resist the temptation to say I’ve seen it done better by other bands…

 

 

 

 

 

 

 


 

Nickel In The Jukebox

 

Outblinker – Farrokh Bulsara  [RIYL: Modern Krautrock, CAN, Fuck Buttons]

 

The Weeping Willows – River of Gold  [RIYL: Gothic Americana, Tom Waits, Brown Bird]

 

Rick Redbeard – Wild Young Country  [RIYL: Folk, Bill Callahan, Leonard Cohen]

 

Otherkin – Yeah I Know  [RIYL: Punk, The Ramones, Slaves]

 

L.T. Leif – Fine Dust Rising  [RIYL: Indie-folk, The Microphones, Angel Olsen]

 

Peach Kelli Pop – Stuck In A Dream  [RIYL: Power pop, Colleen Green, Nobunny]

 

John Joseph Brill – Kings  [RIYL: Orchestral folk, Richard Hawley, Dan Michelson & The Coastguards]

 

Night Owls – Call Me Out  [RIYL: Grungey slacker-pop, Queens of the Stone Age, Pixies]

 

Yvonne McDonnell – I’m Not This Layer Of Skin  [RIYL: Singer songwriters, Laura Marling, Kate Rusby]

 

Prism Tats – Never Been Shy  [RIYL: Fuzzy garage, Spoon, The Raveonettes]